This article examines the public significance of emotions, most specifically their role in constituting identity and community in the wake of political violence and trauma. It offers a conceptual engagement with processes of healing and reconciliation, showing that emotions are central to how societies experience and work through the legacy of catastrophe. In many instances, political actors deal with the legacy of trauma in restorative ways, by re-imposing the order that has been violated. Emotions can in this way be directed (...) by elites who are concerned with reinstating political stability and social control. Healing often becomes more about retribution and revenge, rather than a long-term project begetting peace, collaboration and emotional catharsis. The emotions triggered by trauma thus tend to perpetuate existing antagonisms, further entrenching the disingenuous perceptions of identity that may have created violence in the first place. Surveying this process, this article suggests that scholars of politics and reconciliation need to be more attentive to the role emotion plays in shaping particular forms of community. Doing so requires a systematic understanding not only of the feelings associated with first-hand experiences of trauma, but also of the manner in which these affective reactions can spread and generate collective emotions, thus producing new forms of antagonism. Addressing this challenge, the authors explore how a more conscious and active appreciation of the whole spectrum of emotions — not only anger and fear, for instance, but also empathy, compassion and wonder — may facilitate more lasting and ingenuous forms of social healing and reconciliation. (shrink)

Reconstruction of Émile Durkheim’s views on collective memory is the focus of the article. Durkheim had not created the completed concept of collective memory and his main attention was concentrated on its concrete form, that is to say the commemorative ritual. Thereby he laid the methodological foundations for further development of the concept of collective memory and influenced on later memory studies. Durkheim’s sociology leads with the necessity for a conclusion that for the support of stability of a community, its (...) members have to remember certain things in a certain way and to forget, in an orderly way, other things. The general theme of Durkheim’s sociology is that a community needs a certain degree of intellectual, moral and emotional conformism of its members. This provision results in a more particular conclusion about the social necessity of the “memorial conformism”. The paper explores Durkheim’s work The Elementary Forms of Religious Life which takes a special position in the logic of Durkheim's research program. This book demonstrates the way to development of the general cultural theory of social, constructed on the basis of the category of sacred. However, for a long time this work, on the contrary, has been considered as less significant, almost marginal, written on a secondary ethnographic material. Only recently, in the context of the general cultural and anthropological movement in modern sociology, the “later Durkheim” was read anew. (shrink)

The overall aim of the composite thesis is the critical examination of the poetics and politics of memory, particularly in the extended role of the ekphrasis in literature. The creative work A Strange Chinese Tale draws on theoretical elements from Debord, Deleuze, Lefebvre, and Baudrillard, and provides a narrative for the post-modern political and cultural landscape of contemporary China, in relation to the individual’s search for a sense of belonging. The exegesis The Poetics, Politics and Writing of Memory argues for (...) the extension of the ekphrastic project into the domains of the photographic image and the ‘space of memory’. (shrink)