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Phaedo 118: The Last Words

Apeiron 19 (2):161 (1985)

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  1. Socrates' last words: another look at an ancient riddle.J. Crooks - 1998 - Classical Quarterly 48 (1):117-125.
    Socrates' last words are a microcosm of the riddle his character poses to the philosophical reader. Are they sincere or ironic? Do they represent an afterthought prompted by a belated sense of familial responsibility or a death–bed epiphany? Are we to determine their reference in relation to the surface logic of the Phaedo or take them as the sign of a concealed discursive depth? In what follows, I will argue that the answer to these questions depends upon acknowledgement and clarification (...)
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  • Socrates' last words: another look at an ancient riddle.J. Crooks - 1998 - Classical Quarterly 48 (01):117-.
    Socrates' last words are a microcosm of the riddle his character poses to the philosophical reader. Are they sincere or ironic? Do they represent an afterthought prompted by a belated sense of familial responsibility or a death–bed epiphany? Are we to determine their reference in relation to the surface logic of the Phaedo or take them as the sign of a concealed discursive depth? In what follows, I will argue that the answer to these questions depends upon acknowledgement and clarification (...)
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  • “Le debemos un gallo a Asclepio”. El canto político del cisne socrático.Esteban Bieda - 2020 - Daimon: Revista Internacional de Filosofía 80:125-138.
    Mucho se ha escrito acerca del significado de las últimas palabras de Sócrates en el Fedón: “Critón, debemos un gallo a Asclepio. Pues bien, ¡páguenselo! Y no se descuiden…”. En el presente trabajo nos proponemos retomar el enigma de la deuda con Asclepio a fin de rescatar cierto matiz político presente en él. Para ello, tras reseñar brevemente las principales interpretaciones que se han dado en el último siglo, nos detendremos en la concepción socrática del nacimiento y de la vida (...)
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  • A Cock for Asclepius.Glenn W. Most - 1993 - Classical Quarterly 43 (1):96-111.
    In any list of famous last words, Socrates' are likely to figure near the top. Details of the final moments of celebrities tend anyway to exert a peculiar fascination upon the rest of us: life's very contingency provokes a need to see lives nevertheless as meaningful organic wholes, defined as such precisely by their final closure; so that even the most trivial aspects of their ending can come to seem bearers of profound significance, soliciting moral reflections apparently not less urgent (...)
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