This essay provides an overview of the ways in which contemporary philosophers have tried to make sense of ineffability as encountered in aesthetic contexts. Section 1 sets up the problem of aesthetic ineffability by putting it into historical perspective. Section 2 specifies the kinds of questions that may be raised with regard to aesthetic ineffability, as well as the kinds of answer each one of those questions would require. Section 3 investigates arguments that seek to locate aesthetic ineffability within the (...) object of aesthetic experiences, i.e. within aesthetic content. Section 4 discusses arguments that seek to locate aesthetic ineffability within the subject of aesthetic experience. (shrink)

The thesis is that Adorno has a normative ethics, albeit a minimal and negative ethics of resistance. However Adorno’s ethical theory faces two problems: the problem of the availability of the good and the problem of whether a normative ethics is consistent with philosophical negativism. The author argues that a correct of understanding the role of the ineffable in Adorno’s Negative Dialectics solves both problems: it provides an account of the availability of the good that is consistent with his philosophical (...) negativism. The author counters the prevalent objection that Adorno’s aporetic philosophy, like some negative theology, leads to irrationalism and mysticism. The parallel with negative theology is developed by means of a comparison with Nicholas of Cusa. Drawing on Wittgentstein’s saying/showing distinction and Adrian Moore’s work the author argues that Nicholas and Adorno can be seen to share a philosophically defensible notion of ineffable knowledge. (shrink)