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  1. The Biosemiotic Fundamentals of Aesthetics: Beauty is the Perfect Semiotic Fitting.Kalevi Kull - 2022 - Biosemiotics 15 (1):1-22.
    We propose a model which argues that aesthetics is based on biosemiotic processes and introduces the non-anthropomorphic aesthetics. In parallel with habit-taking, which is responsible for generating semiotic regularities, there is another process, the semiotic fitting, which is responsible for generating aesthetic relations. Habit by itself is not good or bad, it is good or bad because of semiotic fitting. Defining the beautiful as the perfect semiotic fitting corresponds to the common conceptualisation of the aesthetic as well as extends it (...)
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  • (1 other version)Der junge Carnap in historischem Kontext: 1918-1935 / Young Carnap in an Historical Context: 1918–1935.Christian Damböck & Gereon Wolters (eds.) - forthcoming - Springer.
    Im Zentrum dieses Bandes stehen die Beiträge einer Tagung, die im Oktober 2017 an der Universität Konstanz stattgefunden hat. Thema der Tagung war ein den historischen Kontext einbeziehender Blick auf den frühen Rudolf Carnap, vom Ende des Ersten Weltkriegs bis zur Emigration Ende 1935. Der 1891 in Ronsdorf bei Wuppertal geborene Rudolf Carnap entschloss sich erst relativ spät zu einer Karriere als akademischer Philosoph, nämlich 1920, nachdem er sein durch den Krieg unterbrochenes Studium der Physik und Philosophie in Jena und (...)
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  • Science and discourse.Charles W. Morris - 1946 - Synthese 5 (7-8):296 - 308.
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  • Representing semiotics in the new millennium.Richard J. Parmentier - 2002 - Semiotica 2002 (142):291-314.
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  • How autonomous can art be?: Philosophical remarks on photorealism and postmodern-aesthetics. [REVIEW]Walther Ch Zimmerli - 1988 - Man and World 21 (2):191-211.
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  • Langer and Hofstadter on painting and language: A critique.Curtis L. Carter - 1974 - Journal of Aesthetics and Art Criticism 32 (3):331-342.
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  • Modelling Aesthetic Judgment: An Interactive-semiotic Perspective.Ioannis Xenakis, Argyris Arnellos, Thomas Spyrou & John Darzentas - 2012 - Cybernetics and Human Knowing 19 (3).
    Aesthetic experience, as a cognitive activity is a fundamental part of the interaction process in which an agent attempts to interpret his/her environment in order to support the fundamental process of decision making. Proposing a four-level interactive model, we underline and indicate the functions that provide the operations of aesthetic experience and, by extension, of aesthetic judgment. Particularly in this paper, we suggest an integration of the fundamental Peircean semiotic parameters and their related levels of semiotic organization with the proposed (...)
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