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Makeover TV: Selfhood, Citizenship, and Celebrity

[author unknown]
(2009)

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  1. Singlehood in Treatment: Interrogating the discursive alliance between postfeminism and therapeutic culture.Avi Shoshana & Kinneret Lahad - 2015 - European Journal of Women's Studies 22 (3):334-349.
    This article offers a critical discourse analysis of the Israeli television series In Treatment. The series unfolds the therapy sessions of a 40-year-old single female attorney with her therapist. The main objective of the study was to identify the scripted tactics or narrative strategies that establish and maintain singlehood. The findings indicate that the therapeutic discourse plays a central role in the construction and interpretation of single women’s subjectivities, prompting a narrative that encourages the ‘discarding’ of singlehood as well as (...)
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  • Youth, class, and reality : The discursive alliance between the orientalist discourse and the neo-liberal discourse.Avihu Shoshana - 2016 - Critical Discourse Studies 13 (4):429-443.
    ABSTRACTThis article addresses the interpretive readings that teenagers from a high socio-economic class offer for one of the most popular reality programs in Israel: Big Brother. The findings of the study demonstrate how the youth completely focused on the ‘ethnic other' in Israel. The dominant interpretations of the participants suggested open use of accounts affiliated with Orientalist discourse. The findings of the study also show that to explain the Orientalist accounts, the youth made dominant use of the neoliberal discourse. The (...)
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  • “Too Good to Be Real”: The Obviously Augmented Breast in Women’s Narratives of Cosmetic Surgery.Debra L. Gimlin - 2013 - Gender and Society 27 (6):913-934.
    Although consumers and physicians alike have long described the goal of aesthetic surgery as the production of an “improved” but still “natural-looking” body, interviews with women who had cosmetic surgery between 1990 and 2007 suggest that the “artificial” is becoming increasingly prevalent within consumers’ narratives of breast enlargement. This article explores that change in relation to processes of conspicuous consumption, the growing cultural emphasis on continual self-transformation, and the increasing normalization of cosmetic modification. Following Fraser, it treats consumers’ accounts not (...)
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