The word “picture” occurs pervasively in Wittgenstein's later philosophy. Not only does Wittgenstein often use literal pictures or the notion of mental pictures in his investigations, but he also frequently uses “picture” to speak about a way of conceiving of a matter (e.g. “A picture held us captive” at Philosophical Investigations§115). I argue that “picture” used in this conceptual sense is not a shorthand for an assumption or a set of propositions but is rather an expression of conceptual bedrock on (...) the model of an organising myth. This reading builds primarily on work by Gordon Baker and Stanley Cavell. (shrink)

In this essay I argue the extent to which meaning and judgment in aesthetics figures in Wittgenstein’s later conception of language, particularly in his conception of how philosophy might go about explaining the ordinary functioning of language. Following a review of some biographical and textual matters concerning Wittgenstein’s life with music, I outline the connection among (1) Wittgenstein’s discussions of philosophical clarity or perspicuity, (2) our attempts to give clarity to our aesthetic experiences by wording them, and (3) the clarifying (...) experience of the dawning of an aspect, which Wittgenstein pictures as the perception of an internal relation. By examining Wittgenstein’s use of “internal relation” from the Tractatus to his later writings, I come to challenge the still prevalent understanding of Wittgenstein’s appeals to grammar as an appeal to something given (e.g., to a set of grammatical rules). Instead, as I argue, Wittgensteinian appeals to grammatical criteria should be understood as modeled by the form of justification found in our conversations about art. (shrink)

A. P. A. Hutchinson. What's the Point of Elucidation? Metaphilosophy, 2007, vol. 38, no. 5, pages 691-713. Published by and copyright Wiley-Blackwell Publishing. The definitive version of this article is available from http://www.blackwell-synergy.com/.

Characterizations of philosophy abound. It is ‘the queen of the sciences’, a grand and sweeping metaphysical endeavour; or, less regally, it is a sort of deep anthropology or ‘descriptive metaphysics’, uncovering the general presuppositions or conceptual schemes that lurk beneath our words and thoughts. A different set of images portray philosophy as a type of therapy, or as a spiritual exercise, a way of life to be followed, or even as a special branch of poetry or politics. Then there is (...) a group of characterizations that include philosophy as linguistic analysis, as phenomenological description, as conceptual geography, or as genealogy in the sense proposed by Nietzsche and later taken up by Foucault. (shrink)

Though there are significant points of overlap between Michelle Kosch's reading of Fear and Trembling and my own, this paper focuses primarily on a significant difference: the legitimacy or otherwise of looking to paradigmatic exemplars of faith in order to understand faith. I argue that Kosch's reading threatens to underplay the importance of exemplarity in Kierkegaard's thought, and that there is good reason to resist her use of Philosophical Fragments as the key to interpreting the 'hidden message' of Fear and (...) Trembling. Key to both claims is the Concluding Unscientific Postscript. I also briefly sketch an alternative reading of the 'hidden message', one in which Kierkegaard's Christian commitments play a notably different role. (shrink)

One of the most intractable issues in Kierkegaard scholarship continues to be the question of what one is to make of the relation between infinite resignation and faith in Fear and Trembling. Most commentators follow Kierkegaard's pseudonymous author in claiming that progression to faith is a “linear” process that requires infinite resignation as a first step. The problem with such a reading is that it leads to paradox: It seems to require attributing to the “knight of faith” two inconsistent belief‐attitudes (...) simultaneously—on the one hand, the willingness to resign one's heart's desires (infinite resignation) and, on the other, the conviction that one will somehow receive back what one has resigned. But this is a confused way of thinking about faith. I will show that faith's alleged paradoxicality is only apparent and that the element of resignation that constitutes an aspect of it actually bears some striking similarities to what the aesthete has in mind when he speaks, in Either/Or, of throwing hope overboard in order to make possible a truly artistic way of life. Hence, on my interpretation, the knight of faith does not need to adopt two contradictory attitudes at the same time (or constantly to “annul” one of them), but must rather practice a form of spiritual discipline in many ways analogous to the aesthete's endeavour to become a “poet of possibility.”. (shrink)

Despite considerable differences, Stanley Cavell and Jean-Luc Nancy share the demand for a renewal of thinking produced through and with the concept of the world. Their articulation of the legacy bequeathed by Heidegger and Wittgenstein begins with an understanding of the world in excess of knowledge and insists on this impossible mastery as the most productive incentive for thinking. Inasmuch as philosophy has understood itself as producer of worldviews, systems and principle, philosophy has constantly suppressed the thinking of the world, (...) for any worldview absorbs and dissolves the world in its vision. For both Cavell and Nancy an insistence on this suppression leads to an emphasis on film. Two gestures can be said to intertwine in their thinking of film: to recapture our relation to the world as one that is not based on knowing as certainty, but on the reception of the singular; to recapture thinking as that which is attracted and called for by the insurgence of the singular, by the seam in experience. Nancy and Cavell reverse the idea of cinema as completing the regime of representation stressing how cinema produces a step away from thinking as representation in view of what the article names thinking as patience. The article concludes by asking: what does it mean for philosophy to understand itself as patience? (shrink)

The aim of this paper is to analyze those passages of the Black Notebooks where Heidegger mentions Søren Kierkegaard and to see how Heidegger interprets Kierkegaard’s impact on his own philosophical thought. The paper intends to clarify whether, and to what extent, Heidegger’s rejection of an existentialist reading of his early thought is plausible and justified. The conclusions reached will be twofold. First, Heidegger tries to reinterpret his existential analytic by using the approach he has developed in his work after (...) Being and Time. In so doing, Heidegger tries to understate or diminish the Kierkegaardian background of his analytic of existence. Second, Heidegger’s retrospective self-interpretation argues for a continuity between the approach he develops in Being and Time and that which he calls the question of ‘the truth of beyng’. In so doing, he does not recognize the inconsistencies and mismatches that characterize his thought during the transition from the existential analytic to the philosophy of the event. The passages dealing with Kierkegaard in the Black Notebooks are important sources that allow us to note how problematic Heidegger’s self-interpretation is. (shrink)

The paper analyzes the ontological meaning of mood in Heidegger’s conception of Attunement, in order to relate this notion of Stimmung specifically to our “attunement” to a form of life, as conceived in Wittgenstein’s philosophy of language. It claims that moods spell out the constitutive impossibility to grasp and found the human experience as such. However, this impossibility is not a lack of human knowledge, but rather corresponds to the necessary opacity, indeterminability and groundlessness of every human experience, which make (...) it possible as such. The paper argues that the ontological mood of anxiety in Heidegger’s thought cannot be understood as a dark feeling, since it points to a constitutive sense of disorientation, which involves the impossibility to found and ensure the very familiarity of our ordinary experience. Moreover, the paper claims that the same impossibility is also involved in our “attunement” to language and to a form of life, as described by Wittgenstein in his Philosophical Investigations. By analyzing the mood of trust sketched out by Wittgenstein in On Certainty, the paper suggests that the ontological mood of trust, as the groundless certainty of our praxis, points to the very impossibility to found and ensure every human experience. From this perspective, moods reveal the groundlessness of human experience and make us acknowledge it. (shrink)

This article explores how different philosophical models and pictures of learning can become dogmatic and disguise other conceptions of learning. With reference to a passage from St. Paul, I give a sense of the dogmatic teleology that underpins philosophical assumptions about learning. The Pauline assumption is exemplified through a variety of models of learning as conceptualised by Israel Scheffler. In order to show how the Paulinian dogmatism can give rise to radically different pictures of learning, the article turns to St. (...) Augustine’s and Robert Brandom’s examples of language learning, and to general strands in scholarship on moral education. Dewey’s view of childhood immaturity and the problem of adult maturity are used as first attempt at a counter picture to the idea that learning must have an end. The article takes Dewey’s idea further by suggesting how the Zen-Buddhist idea of killing the Buddha and Wittgenstein’s method of destroying pictures work on the dogmatic focus on uses of ‘learning’ that assume ends. In conclusion, the article suggests three possible uses of ‘learning’—learning from wonder, intransitive learning and passionate learning—that do not assume that learning has or must have a teleological end. (shrink)

In what is now called Philosophy of Psychology—A Fragment (formerly Part II of the Philosophical Investigations), Wittgenstein writes that the importance of the concept of aspect‐seeing “lies in the connection between the concepts of seeing an aspect and of experiencing the meaning of a word.” Wittgenstein claims that just as we can imagine someone who does not experience shifts between two aspects in the same image—for example, the duck–rabbit—we can imagine people who use language but do not experience the meaning (...) of a word. In this paper, I explicate the importance of this “meaning‐blindness” and its relation to aspect‐seeing. I then argue—drawing on a similar thought experiment in Walter Benjamin's early philosophy of language—that meaning‐blindness is actually a fatal impediment for language use. The upshot of my analysis is that the aesthetic experience of meaning, regularly marginalized in the philosophy of language, must be understood as fundamental to language and language use. (shrink)

This article explores predominant uses of theory in social science research in relation to the approach of phenomenological philosophy. While phenomenology is sometimes interpreted as one theoretical or methodological paradigm amongst others in the field of qualitative research, this article explores key thinkers within the philosophical tradition of phenomenology to argue that this tradition can raise challenges for predominant conceptions of research and theorizing in the social sciences and certain philosophical idea(l)s that can be connected to them. The distinctive nature (...) of phenomenological description is outlined, and new possibilities for qualitative research are sketched. Also considered is the question of whether qualitative research should seek to enshrine the intellectual virtues of the arts, and resist the inclination towards the scientific -- and scientistic -- drive to theorize. (shrink)