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  1. Commonsense concepts of phenomenal consciousness: Does anyone care about functional zombies?Bryce Huebner - 2010 - Phenomenology and the Cognitive Sciences 9 (1):133-155.
    It would be a mistake to deny commonsense intuitions a role in developing a theory of consciousness. However, philosophers have traditionally failed to probe commonsense in a way that allows these commonsense intuitions to make a robust contribution to a theory of consciousness. In this paper, I report the results of two experiments on purportedly phenomenal states and I argue that many disputes over the philosophical notion of ‘phenomenal consciousness’ are misguided—they fail to capture the interesting connection between commonsense ascriptions (...)
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  • Why film matters to political theory.Davide Panagia - 2013 - Contemporary Political Theory 12 (1):2-25.
    In this article, I claim that film matters to political theory not because of the stories films recount, but because the medium of film offers political theorists an image of political thinking that emphasizes the stochastic serialization of actions. I thus argue that the stochastic serialization of moving images that films project makes available for democratic theory an experience of resistance and change as a felt discontinuity of succession, rather than as an inversion of hierarchical power. In my treatment of (...)
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  • Blade Runner’s humanism: Cinema and representation.Joshua Foa Dienstag - 2015 - Contemporary Political Theory 14 (2):101-119.
    © 2015 Macmillan Publishers Ltd. Many have pointed to Blade Runner's humanization of its 'replicants' as a compelling statement against exploitation and domination. I argue, however, that the film has another kind of agenda: a Rousseauvian concern about the dangers of representation, about confusing the imitation with the real and confusing the consumption of images with political action. Rather than humanizing the other, Blade Runner's central concern is to humanize our own social and political relationships, which are in danger of (...)
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  • On being philosophical and being John malkovich.Daniel Shaw - 2006 - Journal of Aesthetics and Art Criticism 64 (1):111–118.
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  • Timothy Shanahan , Philosophy and Blade Runner, Basingstoke: Palgrave Macmillan. 240pp.Rupert Read & Jerry Goodenough - 2015 - Film-Philosophy 19 (1).
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  • Blade Runner|[rsquo]|s humanism: Cinema and representation.Joshua Foa Dienstag - 2015 - Contemporary Political Theory 14 (2):101.
    © 2015 Macmillan Publishers Ltd. Many have pointed to Blade Runner's humanization of its 'replicants' as a compelling statement against exploitation and domination. I argue, however, that the film has another kind of agenda: a Rousseauvian concern about the dangers of representation, about confusing the imitation with the real and confusing the consumption of images with political action. Rather than humanizing the other, Blade Runner's central concern is to humanize our own social and political relationships, which are in danger of (...)
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