It is often observed that images—including mental images—are in some sense representationally ambiguous. Some, including Jerry Fodor, have added that mental images only come to have determinate contents through the contribution of non-imagistic representations that accompany them. This paper agrees that a kind of ambiguity holds with respect to mental imagery, while arguing (pace Fodor) that this does not prevent imagery from having determinate contents in the absence of other, non-imagistic representations. Specifically, I argue that mental images can represent determinate (...) types of outlays of properties without help from any non-imagistic representations, yet can only become involved in the representation of particular objects through pairing with a non-imagistic representation of the right sort. These points are defended through reflection on the “Picture Principle,” the nature of depiction, and general principles for typing and individuating mental states. (shrink)

It is often observed that images—including mental images—are in some sense representationally ambiguous. Some, including Jerry Fodor, have added that mental images only come to have determinate contents through the contribution of non-imagistic representations that accompany them. This paper agrees that a kind of ambiguity holds with respect to mental imagery, while arguing (pace Fodor) that this does not prevent imagery from having determinate contents in the absence of other, non-imagistic representations. Specifically, I argue that mental images can represent determinate (...) types of outlays of properties without help from any non-imagistic representations, yet can only become involved in the representation of particular objects through pairing with a non-imagistic representation of the right sort. These points are defended through reflection on the “Picture Principle,” the nature of depiction, and general principles for typing and individuating mental states. (shrink)

If we are free to imagine what we choose, this is likely because our intentions determine what we are imagining. However, in a recent article, Munro and Strohminger (2021) argue that, in some cases of imagistic imagining, our intentions do not determine what we are imagining. They offer examples where, intuitively, a person intends to imagine one thing but, due to the causal source of the image used, imagine another. This paper acknowledges the challenge posed by these cases while arguing (...) on several grounds that, when present, intentions nevertheless always suffice to determine the object of one’s imaginings. I conclude by explaining how intentions could fix the objects of episodic rememberings in much the same way as they do for imaginings, thereby bolstering the case that remembering is a kind of imagining. (shrink)

According to what Hume termed an ‘establish’d maxim’, nothing absolutely impossible is imaginable. It has recently been claimed against this that given the ubiquity of stipulative imagination, where one imagines a proposition simply by adding it as a stipulation about the imagined situation, it seems that we can imagine any impossibility whatsoever, even plain contradictions: all we need to do is add them as stipulations. The aim of this article is both to defend Hume’s maxim against this objection and – (...) hopefully interestingly – to do so while granting the assumption that adding something as a stipulation is a valid way of imagining something. To this end, appeal is made to a particular development of a second Humeanism, according to which necessary truths are analytic in the sense that their truth follows from their meaning. Their analyticity, it is then argued, secures that they are true in all imagined situations. Therefore, even if it is right that a valid way of imagining something is to add it as a stipulation, attempting to stipulate that, say, some imaginary bachelor is also married is bound to fail: you can’t stipulate it to be the case because it really isn’t the case. (shrink)

There are two leading theories about the ontology of dreams. One holds that dreams involve hallucinations and beliefs. The other holds that dreaming involves sensory and propositional imagining. I highlight two features of dreams which are more easily explained by the imagination theory. One is that certain things seem to be true in our dreams, even though they are not represented sensorily; this is easily explained if dreams involve propositional imagining. The other is that dream narratives can be temporally segmented, (...) involving events which take place across long spans of time; this makes sense if dreams involve sensory imagining, for we often sensorily imagine narratives during wakefulness in the same way. The two considerations are unified by the fact that both highlight forms of content determination characteristic of imagining. (shrink)

Our imaginings seem to be similar to our perceiving and remembering episodes in that they all represent something. They all seem to have content. But what exactly is the structure and the source of the content of our imaginings? In this paper, I put forward an account of imaginative content. The main tenet of this account is that, when a subject tries to imagine a state of affairs by having some experience, their imagining has a counterfactual content. What the subject (...) imagines is that perceiving the state of affairs would be, for them, like having that experience. I discuss three alternative views of imaginative content, and argue that none of them can account for two types of error in imagination. The proposed view, I suggest, can account for both types of error while, at the same time, preserving some intuitions which seem to motivate the alternative views. (shrink)

Sometimes, one can imagine, in virtue of having some experience, that one is someone else having some property. This is puzzling if imagination is a guide to possibility, since it seems impossible for one to be someone else. In this paper, I offer a way of dissolving the puzzle. When one claims that, by having some experience, one imagines that one is someone else having some property, what one imagines, I suggest, is that if the other person had the property (...) in question, then having it would be, for them, like having the relevant experience is for one. I discuss two alternative views about the content of these episodes of imagination, and argue that both of them are too weak and too strong. The proposed view avoids the two difficulties while preserving some intuitions about the phenomenology and the epistemology of imagination which are captured by the alternative views. (shrink)

In this paper, I raise the problem of dealing with counterpossible conditionals for theories of subject matter. I argue that existing accounts of subject matter need to be revised and extended to be able to a) provide reasonable (potentially non-degenerate) verdicts about what counterpossibles are about, b) explain the intuition that counterpossibles are in some sense about what would happen if the antecedent were true, and c) explain in what sense counterpossibles can be about individuals. I sketch how one could (...) extend atom-based and way-based theories of subject matters to handle the problem. Then, I raise the problem that it might be desirable for a theory of subject matter to prevent the inference that certain counterpossibles are about the kinds of things that they seem to mention. (shrink)

It is commonly believed that the role of context cannot be ignored in the analysis of conditionals, and counterfactuals in particular. On truth conditional accounts involving possible worlds semantics, conditionals have been analysed as expressions of relative necessity: “If A, then B” is true at some world w if B is true at all the A-worlds deemed relevant to the evaluation of the conditional at w. A drawback of this approach is that for the evaluation of conditionals with the same (...) antecedents at some world, the same worlds are deemed as relevant for all occasions of utterance. But surely this is inadequate, if shifts of contexts between occasions are to be accounted for. Both the linguistic and logical implications of this defect are discussed, and in order to overcome it a modification of David Lewis’ ordering semantics for counterfactuals is developed for a modified language. I follow Lewis by letting contexts determine comparative similarity assignments, and show that the addition of syntactic context parameters (context indices) to the language gives the freedom required to switch between sets of relevant antecedent worlds from occasion to occasion by choosing the corresponding similarity assignment accordingly. Thus an account that extends Lewis’ analysis of a language containing a single counterfactual connective > to a language containing infinitely many counterfactual connectives >_c, each indexed by a different context name c, overcomes the limitations of traditional analyses. Finally it is also shown that these traditional accounts can be recovered from the modified account if certain contextual restrictions are in place. -/- . (shrink)