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Taking on the tradition: Jacques Derrida and the legacies of deconstruction

Stanford, Calif.: Stanford University Press (2002)

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  1. Don't fence me in: The liberation of undomesticated critique.Claudia Ruitenberg - 2004 - Journal of Philosophy of Education 38 (3):341–350.
    In response to Helmut Heid's critique of domesticated philosophical critique, I focus on the metaphor of domestication, which is central to his article. Drawing on the work of Jacques Derrida, I offer a deconstructive critique of the opposition between domesticated and undomesticated critique, arguing that a clear conceptual demarcation between the two is impossible, and that ‘domesticated’ and ‘undomesticated’ critique always carry each other's traces. I explore connections between the undomesticated and das Unheimliche (Freud's ‘Uncanny’), as well as differences between (...)
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  • Questioning corporate codes of ethics.Mollie Painter-Morland - 2010 - Business Ethics, the Environment and Responsibility 19 (3):265-279.
    This paper argues that corporate Codes of Ethics lose their ability to further moral responsiveness because of the narrow instrumental purposes that inform their adoption and use. It draws on Jacques Derrida's reading of Emmanuel Levinas to argue that, despite the fact that all philosophical language entails a certain violence, corporate Codes of Ethics could potentially play a more meaningful role in furthering ethical questioning within corporations. The paper argues that Derrida's reading of Levinas' notion of 'the third' could precipitate (...)
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  • Questioning corporate codes of ethics.Mollie Painter-Morland - 2010 - Business Ethics: A European Review 19 (3):265-279.
    This paper argues that corporate Codes of Ethics lose their ability to further moral responsiveness because of the narrow instrumental purposes that inform their adoption and use. It draws on Jacques Derrida's reading of Emmanuel Levinas to argue that, despite the fact that all philosophical language entails a certain violence, corporate Codes of Ethics could potentially play a more meaningful role in furthering ethical questioning within corporations. The paper argues that Derrida's reading of Levinas' notion of ‘the third’ could precipitate (...)
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  • Friendship and Hospitality: Some Conceptual Preliminaries.Nicholas Onuf - 2009 - Journal of International Political Theory 5 (1):1-21.
    The series friends, rivals, enemies is a seemingly ‘natural’ classification for the relations of states, while the parallel series kin, neighbors, strangers functions as an informal classification system for social relations in general. That we may owe foreigners the hospitality due to strangers has become a matter of discussion among normative theorists, thanks to Kant's Perpetual Peace. Thus the conjunction of friendship and hospitality calls for a conceptual assessment. This assessment uses Aristotle's treatment of friendship (and Derrida's treatment of Aristotle's (...)
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  • Tradition and Freedom in the Deconstructive “Philosophy of Philosophy”.Anna Ilyina - 2022 - Sententiae 41 (3):6-25.
    The article examines the peculiarities of the relationship between phenomena of freedom and tradition in the discourse of deconstruction. In this case, the tradition stands primarily as philosophical tradition, a critical questioning about which underlies Derridian thought. The latter in a great measure is a philosophical reflection on just the philosophical heritage ("philosophy of philosophy"). The author carries out her own analysis of the relationship between deconstruction and philosophical tradition in connection with the problem of freedom. In this respect, she (...)
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  • Revisiting Plato’s Pharmacy.Jacques de Ville - 2010 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 23 (3):315-338.
    In this essay, one of Derrida’s early texts, Plato’s pharmacy, is analysed in detail, more specifically in relation to its reflections on writing and its relation to law. This analysis takes place with reference to a number of Derrida’s other texts, in particular those on Freud. It is especially Freud’s texts on dream interpretation and on the dream-work which are of assistance in understanding the background to Derrida’s analysis of writing in Plato’s pharmacy. The essay shows the close relation between (...)
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  • Madness and the Law: The Derrida/Foucault Debate Revisited.Jacques de Ville - 2010 - Law and Critique 21 (1):17-37.
    In this article the Derrida/Foucault debate is scrutinised with two closely related aims in mind: reconsidering the way in which Foucault’s texts, and especially the more recently published lectures, should be read; and establishing the relation between law and madness. The article firstly calls for a reading of Foucault which exceeds metaphysics with the security it offers, by taking account of Derrida’s reading of Foucault as well as of the heterogeneity of Foucault’s texts. The article reflects in detail on a (...)
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  • Derrida and Legal Scholarship: a Certain Step Beyond: Peter Goodrich, Florian Hoffmann, Michel Rosenfeld, Cornelia Vismann Derrida and Legal Philosophy, Palgrave Macmillan, Basingstoke, Hampshire/new York, 2008, 257 p, ISBN-13: 978-0-230-57361-1; ISBN-10: 0-230-57361-4. [REVIEW]Jacques de Ville - 2009 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 22 (1):141-156.
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  • Theorising hospitality.Paul Lynch, Jennie Germann Molz, Alison McIntosh, Peter Lugosi & Conrad Lashley - 2011 - Hospitality and Society 1 (1):3-24.
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  • Playin(g) Iterability and Iteratin(g) Play : Tradition and Innovation in Jazz Standards.Francesco Paradiso - 2017 - Epistrophy 2.
    This study draws a comparative framework between deconstructive reading of texts and jazz standards. It will be argued that both are defined by the constant play of tradition and innovation. On the one hand, the repetition of a set of rules and dominant understanding of texts/tunes that generates tradition. On the other hand, invention and improvisation that take on that tradition and generate innovation. The act of reading/playing becomes also an act of invention/improvisation that manifests a constant tension between the (...)
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