The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianity (“This is my body” or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the “exposed body (corps ex-peausé)”: a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a “staging” (Corpus). In my work, (...) the concept of the “spread body,” situated between Descartes’ “extended body” and Husserl’s “lived body,” is also one of a confrontation with the “This is my body” of Christianity (The Wedding Feast of the Lamb). In confronting one with the other, it is a matter of seeing how my expansion of the body, says something different than, or articulates differently, Jean-Luc Nancy’s exposition of the body, this time drawn from the biological side though nevertheless without ceasing to be intentional. It is certainly a matter of philosophy, but also of ethics, in the possibility of describing such a body, especially in the suffering situation of palliative care (Ethics of the Spread Body). (shrink)

This paper seeks to elucidate Jean-Luc Nancy’s and Søren Kierkegaard’s shared understanding of faith by providing a phenomenology of faith. This is accomplished by applying Nancy’s conception of experience to Kierkegaard’s Fear and Trembling, of which this paper thus offers a phenomenological reading in order to analyse the experience of faith its pseudonymous author relates. In doing so, however, we will discover that faith belongs to a realm of experience that is more fundamental than, and thus takes priority over, the (...) lived-experience of classical phenomenology: it is an experience of life as a whole that as such forms the basis on which things are subsequently lived in experience. Faith is therefore held up as the prime example of the phenomenologically primary sense of “experience”: namely, the experience in which a life lived consists, the experience of undergoing life itself; the experience that, as Nancy puts it enigmatically, is existence. Since classical phenomenology fails to think this experience that makes its lived-experiences possible, the paper suggests that phenomenology should turn itself into poetics: namely, a discourse on the creative forms of life that constitute all lived-experiences. To that end, the paper proceeds in four steps: the first step consists in an exposition of the phenomenological framework used ; the second and third steps consist in applications of said framework to Kierkegaard’s understanding of faith; the fourth and final step draws on Nancy to spell out the consequences of the preceding analysis. (shrink)

Proceedings of the Sixth Argumentor Conference held in Oradea/Nagyvárad, Romania, 11–12 September 2020.

Jean-Luc Nancy's phenomenology of listening makes a series of claims about the sonic/auditory nature of the subject. First among these is the claim that the subject is a subject to the extent that it is listening, that it is all ears. The subject emerges on the back of the resonance of timbre in the body and the body's becoming-rhythmic. These claims are phrased often in musical terms, or making use of terms and rhetoric from the domains of music theory and (...) music psychology. This article explores the role of music in Nancy's phenomenology with a particular view to the nature of listening in the contemporary world: both how listening is figured as a part of what Nancy terms the inoperative community and how listening figures the cognitive and phenomenological constitution of the subject. (shrink)

The last few decades have seen a steady growth of interest in doing philosophy with children and young people in educational settings. Philosophy with children is increasingly offered as a solution to the problems associated with what is seen by many as a disoriented, cynical, indifferent and individualistic society. It represents for its practitioners a powerful vehicle that teaches children and young people how to think about particular problems in society through the use of interpretive schemes and procedures especially designed (...) for this. It typically conceives of truth-telling as the work of dialogical reasoning, which is understood in turn as leading to increasing awareness of mental and methodological processes. This article starts from another point of view. What is at stake, I shall argue, is not so much the question of how to think for oneself in an appropriate way. Rather, in line with Michel Foucault, I want to identify philosophy as a practice oriented by the care of the self and of transformation of the self by the self. From this angle, philosophy with children will not be understood as something that orients us towards valid knowledge claims, but as an act of becoming present in the present. This way of conceiving of philosophy with children will be explored in the context of a concrete philosophical experiment with children that I planned and carried out in Cambodia. (shrink)

In this essay, I examine Jean-Luc Nancy’s notion of the sense of the world in relation to the phenomenological investigation of the life-world in Husserl and the worldhood of the world in Heidegger. My aim is to address the reasons why Nancy stresses the need for a different thinking that goes beyond the phenomenological gesture in order to approach the sense of the world. What is at stake in this other gesture is the overcoming of the way in which phenomenology (...) privileges seeing as the mode of access to the phenomenon, which is but one sense among many and which, as one sense among many, fails to bring thought into relation with the pluralisation of sense. The second part of the essay interprets the pluralisation of both sense and world in terms of Nancy’s turn to art, which by touching upon the limit of philosophy, turns the latter into the praxis of the exposition of sense. Pluralisation betokens Nancy’s attempt to think the finitude of the world as that which spaces itself out into multiple, singular and shared. (shrink)

This paper explores Jean‐Luc Nancy's philosophical reflection on surviving his own heart transplant. In ‘The Intruder’, he raises central questions concerning the relations between what he refers to as a ‘proper’ life, that is, a life that is thought to be one's own singular ‘lived experience’, and medical techniques, shaped at this particular historical juncture by cyclosporine or immuno‐suppresssion. He describes the temporal nature of an ever‐increasing sense of strangeness and fragmentation which accompanies his heart transplant. In doing so, Nancy (...) opens up the concealed of transplantation in terms of the problematic ‘gift’ of a ‘foreign’ organ, the unremitting suffering intrusiveness of the treatment regimen, and the living of life as ‘bare life’. He uncovers and exposes the relentless uncanniness that pervades the post‐transplant experience, which for him is an example of our humanistic, never‐ending impulse, to alter ourselves. Nevertheless, Nancy offers no answer to this dilemma, but instead calls us to think about the meaning or ‘sense’ of the prolonging of life and deferring of death, which currently drives our medical interventions. (shrink)

In a recent volume titled Demande (Expectation), containing texts written over a period of more than thirty years, but each devoted to different aspects of the relationship between philosophy and literature, Jean-Luc Nancy offers a suggestive account of their mutual genesis and ongoing dialogue in order to underline the way in which, beyond their apparent dialectical reciprocity, philosophy and literature are each inseparable from the unanswered and unanswerable questions they ask themselves and each other. Both, in other words, are said (...) to belong to the “in-between,” that fragile zone of undecidability that, according to Nancy’s reading of Kant, is a salient characteristic of all supposed self-identity. This article explores some of the implications of Nancy’s formulation as it affects the seemingly intractable question of myth’s interruption. It considers in particular some of the problematic features, deriving, it argues, from the inescapable fragility of thought itself, that may to be found in Nancy’s sometimes tense and contradictory engagement with the work of Maurice Blanchot, the subject of two important essays in Demande, which raises probing questions of Nancy’s own philosophical enterprise. (shrink)

Jean-Luc Nancy is a philosopher. He is not simply a “thinker” or a “theorist”. Of course, philosophers spend their time thinking, often in the most theoretical and abs...

The aim of this essay is to reflect on the place and importance of the question of address and to show how it comes to the fore in Søren Kierkegaard’s writings. What shall be attempted, with regard to Kierkegaard’s already widely recognized renown as an existential thinker, is to catch a glimpse of issues that make up the larger background in which the question of address is embedded. In doing so, the essay explores several features of Kierkegaard’s inquiry into the (...) question of existence in the Concluding Unscientific Postscript and connect them with the notion of the reader. This latter notion provides a way of understanding the singularity of voice, while offering an account of the testimony to existence. After a brief recapitulation, the essay identifies in conclusion unresolved issues relating to speech, silence, confidentiality, and listening. (shrink)

Jean-Luc Nancy considers art to be of a great importance in his project of a deconstruction of Christianity. This article focuses on his analysis of the monotheist provenance of the notions of image and representation. According to Nancy, art and monotheism can be thought of as cooriginary. Art, or the image, gives monotheism invisibility as a negative and yet paradoxically sensible modality of the withdrawal of God. In turn, monotheism gives art the internal opening towards indefinite sense that results from (...) such withdrawal. Nancy suggests that the notion of representation can be understood as an effect of the radical absence of God, and that the notion of image can be understood as conditioned by the Christian idea of incarnation. The article traces the way Nancy interprets this idea and shows its effects on a Western comprehension of art. (shrink)

As the Global South is increasingly interpenetrated by neoliberal and authoritarian regimes, the idea of the South as a site of emancipatory resistance and exotic cultural difference has ended. This article offers an alternative route into the cultures of the South. It focuses on the shifting forms of the South in contemporary visual art and outlines the possibilities of the non-coercive forms of cultural exchange and the cartographies of a cosmopolitanism from below. This perspective on the South is most evident (...) in in the stories of embodied solidarity that stand in contrast to the top-down visions of socio-economic development and cultural homogenization. (shrink)