I expose facets of Nancy's notion of being singular plural. Nancy's political ontology overcomes the metaphysical dualism of theory and practice by thinking the space of the between as primary. Nancy's treatment of the event of creation and the presence of the divine rethink meta-physical notions of origin and God in a way that emphasizes the parting of unity and the plurality of the world. Nancy thinks the everyday and the existential together by affirming the importance of curiosity and wonder (...) in the face of what is. Nancy offers an ontology of space (being-with) that uncovers what it means to be in touch as a way of being. (shrink)

This paper takes Plato's metaphor of poetic transmission as magnetic charge in the Ion as a central trope for thinking through the various relationships between philosophy and literature; between poetry, interpretation, and truth; and between erotic affects and the material, corporeal, queer dimensions of reception. The affective dimensions of the Platonic text in the Ion, Republic, Symposium, and Phaedrus are examined at length, and the explicit accounts of ascent to philosophical truth are shown to be complicated by the persistence of (...) tropes of corporeal and affective downgoing, with particular attention afforded to the figures of Eros, Hermes, and shame. The paper argues for an unbroken connection between these scenes of classical philosophy and the emergence of homosexuality in relation to the study of the classics in Victorian England. (shrink)

By drawing on the insights of a number of continental as well as Asian thinkers, this article reflects on the "significance" of comparative philosophy—both in the sense of discussing the "meaning" and in the sense of arguing for the "importance" of this endeavor. Encountering another culture allows one to deepen one's self-understanding by learning to "see oneself from the outside"; this deeper self-understanding in turn allows one to listen to what the other culture has to say. These two moments, or (...) movements, are interdependent and mutually supportive. Without the step back to self-understanding, we unknowingly reduce the other to the unrecognized categories of our own thinking; but without encountering another culture, our understanding of our own culture remains shallow. This article argues that an engagement with non-Western philosophy, particularly with a set of traditions as rich and radically different as those of Asian thought, can and should take place as a hermeneutic circling between self-understanding and openness to encounter: the dialogical step back and step forward are mutually supportive endeavors. For only by way of such dialogue do we attain the concrete freedom and possibility for transformation and change, that is, the ability to critically and creatively develop old customs or modes of thought and to critically and creatively adopt new ones. Moreover, only through such dialogue can we learn to not only let others be, but to share insights with them, and to build together a global community which neither reifies nor abolishes cultural differences. (shrink)

This essay explores Jean‐Luc Nancy's rethinking of political space in terms of an ontological ‘being‐with’. It elucidates how Nancy's thinking of community emerges out of the French philosopher's reworking of Heidegger's crucial notion of Mitsein. For Nancy, although Heidegger argues that Dasein is always already also Mitsein, Mitsein is nonetheless also occluded by the priority accorded to Dasein. The consequences for the way in which community or the space of the political is configured are profound since traditional conceptions of the (...) subject of community thus remain unreconstructed. Nancy however does reconstruct community by emphasising that the primal ontological conditions of community are not conceived as the One, the Other or the We, but as the ‘with’, ‘relationality’, and the ‘between’. The question of being thereby becomes the question of being‐with. (shrink)

In both “Answering for Sense” and “Sharing Voices,” Jean-Luc Nancy offers an account of the poet as an interpreter of the gods. The voice of the poet in both Homer’s Iliad and Plato’s Ion is intrinsically and originally doubled. Although there is no divine voice outside of the poet’s voice, the divine voice speaks in the poet’s voice and the poetic voice gives a voice to that of the goddess or the muse. What exactly is at stake in this phenomenon (...) that we encounter here in the poet, namely that of gods making us speak? How is it related to the threshold of speech and communication that Nancy invokes in Adoration, when he also mentions the gods that make us speak? In this essay, I want to think with Nancy to see what is at stake in the figure of a voice on the threshold of speech and communication. I consider how the figure of the gods that make us speak is brought into play to elucidate the threshold of language and how this figure, as that which makes us speak, somehow offers the crossing of this threshold. To this end, I want to discuss three different figures or scenes in which the gods make us speak. In the first part of this article, I explore in more detail Nancy’s own account of the poet as interpreter of the divine voice. What does it mean for the poet to give a voice to the goddess and to desire this giving a voice? What is the demand or call to which the poet in giving a voice answers? To further the analysis of this divine interpreter, I want to compare this interpreter with two other ones which arise in two other basic scenes in which the gods make an interpreter speak. The first concerns the scene of the calling of the prophet Jeremiah in the book of the same name. The second concerns Saint Paul’s reflections on the glossolalist in the First Letter to the Corinthians. By exploring the differences between these three divine interpreters, I aim to further elucidate and assess the phenomenon of the interpreter and the double voice that characterizes Nancy’s poet. (shrink)

This essay conducts a reading of Jean-Luc Nancy’s and Jacques Rancière’s respective theorizations of the image. Using Nancy’s notion of literary communism, I first show how he and Rancière conceive the image as a site of community’s open writing and contestation. My reading then demonstrates how this “communism of the image” exposes Rancière’s repetition of an ontological gesture that he has attempted to dismiss as Heideggerian.