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  1. Intention, ethics, and convention in Daoism: Guo Xiang on ziran_(self-so) and _wuwei(non-action).Paul J. D’Ambrosio - 2023 - Asian Philosophy 34 (2):99-119.
    Much contemporary scholarship on ziran and wuwei views these concepts, which are often coupled, as being 1) anti-intention, effort, purpose, and self-consciousness; 2) indicative of a distinct type of ethics and/or morality; and 3) a rejection of following custom and convention. This paper will draw largely on the philosophy of Guo Xiang to demonstrate that these widely agreed upon avenues of interpretation are limited and run contrary to other more nuanced readings of ziran and wuwei. I argue that ziran and (...)
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  • ‘Following the Way of Heaven’: Exemplarism, Emulation, and Daoism.Ian James Kidd - 2020 - Journal of the American Philosophical Association 6 (1):1-15.
    Many ancient traditions recognise certain people as exemplars of virtue. I argue that some of these traditions incorporate a 'cosmic' mode of emulation, where certain of the qualities or aspects of the grounds or source of the world manifest, in human form, as virtues. If so, the ultimate objection of emulation is not a human being. I illustrate this with the forms of Daoist exemplarity found in the Book of Zhuangzi, and end by considering the charge that the aspiration to (...)
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  • A Zhuangzian Tangle: Corroborating (Orientalism in?) Posthumanist Approaches to Subjectivities and Flourishings.Nathan Eric Dickman - 2019 - Religions 10 (6):382.
    Posthumanist critics such as Braidotti—informed by the antihumanisms of Foucault, Irigaray, and Deleuze—seek to respond to advanced capitalism by promoting what they take to be a radical transformation of what it means to be “human,” a way of conceiving being human that is thoroughly and consistently post-anthropocentric. Braidotti calls out advanced capitalism’s global economy as being inconsistently post-anthropocentric. In response, I first lay out ways through which posthumanists can find corroboration in Asian religious thought, such as in Zhuangzi and classical (...)
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