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In his classic textbook,The History of Biology, Erik Nordenskiöld suggested that there had existed, throughout the nineteenth century, not one but two distinct forms of plant geography. He designated one of these traditions of inquiry ‘floristic’ plant geography, tracing its origins back to the work of Carl Linnaeus on species and their distributions. The second form Nordenskiöld termed ‘morphological’, by which he meant that its practitioners concentrated upon the study of vegetation rather than flora. He located the origins of this (...) |
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By resituating Alexander von Humboldt in the “working world” of mining, this essay offers a case study of the way in which industry has shaped practice and theory in the history of science. While Humboldt’s experience as a miner in Saxony and Prussia provided him a venue in which to study fossilized vegetation, revealing a fundamental link between the migrations of plants and of peoples, industrial concerns about miners’ safety inspired a study of the interplay between plants and people that (...) |
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ArgumentThe discovery of the Alps in the second half of the eighteenth century spawned an aesthetics of sublimity that enabled overwhelmed beholders of mountains to overcome their confusion symbolically by transforming initial speechlessness into pictures and words. When travelers ceased to be content with beholding mountains, however, and began climbing them, the sublime shudder turned into something else. In the snowy heights, all attempts to master symbolically the challenging landscape was thwarted by vertigo, somnolence, and fatigue. After 1850, physiologists intervened, (...) |
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Backstory of "The Man Who Would Be King." A meditation on the limits of scientific and historical representation. |
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Landscape took on a new meaning through the new science of plant geography of Alexander von Humboldt (1769–1857). In the seventeenth and eighteenth centuries, “landscape” was foremost a painterly genre. Slowly, painted landscapes came to bear on natural surroundings, but by 1800 it was still not common to designate sites as “landscapes.” Humboldt looked at plant vegetation with a painterly gaze. Artists, according to him, could suggest in their work that an abstract unity lay hidden underneath observable phenomena. Humboldt projected (...) |
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This article is a meditation on the overlaps between environmentalism, post-colonial theory, and the practice of history. It takes as a case study the writings of the explorer-scientist-abolitionist Alexander von Humboldt , the founder of a humane, socially conscious ecology. The post-colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of (...) |
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Among the many groups of scholars whose work now illuminates science, technology and medicine (STM), historians, it seems to me, have a key responsibility not just to elucidate change but to establish and explain variety. One of the big pictures we need is a model of the varieties of STM over time; one which does not presume the timeless existence of disciplines, or the distinctions between science, technology and medicine; a model which is both synchronic and diachronic, and both cognitive (...) |
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Alexander von Humboldt’s depictions of mountain vegetation are among the most iconic nineteenth century illustrations in the biological sciences. Here we analyse the contemporary context and empirical data for all these depictions, namely the _Tableau physique des Andes_ (1803, 1807), the _Geographiae plantarum lineamenta_ (1815), the _Tableau physique des Îles Canaries_ (1817), and the _Esquisse de la Géographie des plantes dans les Andes de Quito_ (1824/1825). We show that the Tableau physique des Andes does not reflect Humboldt and Bonpland’s field (...) |
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Recent historiography has demonstrated a growing sensitivity toward space as a geographical and cultural category. The following article expands on this theme by focusing on Alexander von Humboldt and his understanding of nature as >cosmos Humboldtian science Humboldtian science Humboldtian science< not only to satisfy the need for knowledge; beyond that, Humboldt's ideas nourished an esthetic perception of nature, and they served as a vehicle for the ideological search for unity in nature and human society. |
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General notions of the biosphere are widely recognized and form important elements of contemporary debate concerning global environmental change, helping to focus attention on the complex interactions that characterize the Earth's natural systems. At the same time, there is continued uncertainty over the precise definition of the concept allied to a relatively limited critique of its early development, which was linked closely to advances in the natural sciences during the late nineteenth century and particularly, it is argued here, to the (...) |
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ArgumentBetween 1838 and 1863 the Grimm brothers led a collaborative research project to create a new kind of dictionary documenting the history of the German language. They imagined the work would present a scientific account of linguistic cohesiveness and strengthen German unity. However, their dictionary volumes (most of which were arranged and written by Jacob Grimm) would be variously criticized for their idiosyncratic character and ultimately seen as a poor, and even prejudicial, piece of scholarship. This paper argues that such (...) |
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This paper examines how the 19th-century British naturalist Alfred Russel Wallace used biogeographical mapping practices to draw a boundary line between Malay and Papuan groups in the colonial East Indies in the 1850s. Instead of looking for a continuous gradient of variation between Malays and Papuans, Wallace chose to look for a sharp discontinuity between them. While Wallace's "human biogeography" paralleled his similar project to map plant and animal distributions in the same region, he invoked distinctive "mental and moral" features (...) |
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In 1749, Linnaeus presided over the dissertation "Oeconomia Naturae," which argued that each creature plays an important and particular role in nature 's economy. This phrase should be familiar to readers of Darwin, for he claims in the Origin that "all organic beings are striving, it may be said, to seize on each place in the economy of nature." Many scholars have discussed the influence of political economy on Darwin's ideas. In this paper, I take a different tack, showing that (...) |
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ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin'sBeaglediary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the (...) |
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