Emil du Bois-Reymond (1818-1896) complicates the historiography of the reception of Darwinism. His presentation of the theory was anti-teleological, a fact that refutes the claim that German Darwinists were Romantic.

The German pioneer of electrophysiology, Emil du Bois-Reymond (1818–1896), is generally assumed to have remained silent on the subject of the brain. However, the archive of his papers in Berlin contains manuscript notes to a lecture on “The Seat of the Soul” that he delivered to popular audiences in 1884 and 1885. These notes demonstrate that cerebral localization and brain function in general had been concerns of his for quite some time, and that he did not shy away from these (...) subjects. (shrink)

Ernst Haeckel and Emil du Bois-Reymond were the most prominent champions of Darwin in Germany. This essay compares their contributions to popularizing the theory of evolution, drawing special attention to the neglected figure of du Bois-Reymond as a spokesman for a world devoid of natural purpose. It suggests that the historiography of the German reception of Darwin’s theory needs to be reassessed in the light of du Bois-Reymond’s Lucretian outlook.

Professeur Finkelstein avait posée la question, pourquoi, bien que leurs réalisations scientifiques et leur scientifique approche soient similaires, Bernard était beaucoup plus connu dans son pays, France, et à son époque, que Bois-Reymond en Allemagne? Une question similaire a été posée au sujet du pourquoi Darwin est connu pour la théorie de l'évolution, tandis que Wallace a été remis en arrière-fond dans leur temps et dans l'histoire. Selon Finkelstein, la cause de la differences entre Bois-Reymond et Bernard, peut être trouvée (...) dans la culture et la place de la science dans l'œil public en France contre les memes choses en Allemagne. C'est-à-dire, la rhétorique de la science a été plus respectée en France qu'en Allemagne, ce que Finkelstein a soutenu avec persuasion et éloquence. (shrink)

This essay recounts a controversy between a pioneer electrophysiologist, Emil du Bois-Reymond (1818–1896), and his student, Ludimar Hermann (1838–1914). Du Bois-Reymond proposed a molecular explanation for the slight electrical currents that he detected in frog muscles and nerves. Hermann argued that du Bois-Reymond's ‘resting currents’ were an artifact of injury to living tissue. He contested du Bois-Reymond's molecular model, explaining his teacher's observations as electricity produced by chemical decomposition. History has painted Hermann as the wronged party in this dispute. I (...) seek to set the record straight. (shrink)

This essay considers a long-standing controversy between two nineteenth century pioneers in electrophysiology: the German scientist Emil du Bois-Reymond (1818-1896), and his Italian rival Carlo Matteucci (1811-1868). Historians have generally described their disagreement in du Bois-Reymond’s terms: the product of a contrast in scientific outlook. While not discounting this interpretation, I want to suggest that the controversy was driven as much by the rivals’ similarity as it was by their difference.

Summary of the major innovations of Emil du Bois-Reymond (1818-1896).

A ‘late developer’ argument, common to Psychology and Economic History, can be used to explain cultural innovation. It argues that the 19th century theory of natural selection arose in England and not Germany because of – and not in spite of – England’s scientific backwardness. Measured in terms of institutions, communities, and ideas, the relative retardation of English science was precisely what enabled it to adopt German advances in novel ways.

A talk delivered at the conference “Science and Religion: The Religious Beliefs and Practices of Scientists—20th Century,” Institut für Wissenschaftsgeschichte, Georg-August-Universität, Göttingen, 28 May 2002.

European Journal of Philosophy, Volume 29, Issue 1, Page 256-259, March 2021.

Why race persists as an idea despite its scientific inutility.

Triumphalist histories of science are nothing new but were, in fact, a staple of the 19th century. This article considers one of the more famous works in the genre and argues that it was motivated by doubt more than by faith.

Backstory of "The Man Who Would Be King." A meditation on the limits of scientific and historical representation.