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The Flesh of Images: Merleau-Ponty Between Painting and Cinema

Albany: State University of New York Press (2015)

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  1. Living in the Flesh: Technologically Mediated Chiasmic Relationships.Bas de Boer & Peter-Paul Verbeek - 2022 - Human Studies 45 (2):189-208.
    During the Corona pandemic, it became clear that people are vulnerable to potentially harmful nonhuman agents, as well as that our own biological existence potentially poses a threat to others, and vice versa. This suggests a certain reciprocity in our relations with both humans and nonhumans. In his The Visible and the Invisible, Merleau-Ponty introduces the notion of the flesh to capture this reciprocity. Building on this idea, he proposes to understand our relationships with other humans, as well as those (...)
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  • Doing Philosophy Virtually and the Amphibolic Body: Thoughts on the Margins of the Pandemic.Elena Theodoropoulou - 2021 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 30 (2):258-269.
    The persisting usage of virtual means for the completion of activities usually or traditionally held in person stimulates the reflection about the possible effect that doing philosophy online could have on the philosophical integrity of the process. The body question seems to be pivotal in this context not only as far as concerning virtuality issues but also philosophy’s care to integrate the body into its routines – when it is practiced physically – especially in the frame of an education still (...)
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  • Merleau-Ponty and Carroll on the Power of Movies.B. Scot Rousse - 2016 - International Journal of Philosophical Studies 24 (1):45-73.
    Movies have a striking aesthetic power: they can draw us in and induce a peculiar mode of involvement in their images – they absorb us. While absorbed in a movie, we lose track both of the passage of time and of the fact that we are sitting in a dark room with other people watching the play of light upon a screen. What is the source of the power of movies? Noël Carroll, who cites Maurice Merleau-Ponty as an influence on (...)
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  • Quiasmo e imaginación en el “último” Merleau-Ponty.Germán Osvaldo Prósperi - 2018 - Dianoia 63 (80):71-95.
    Resumen El concepto de “quiasmo” es fundamental en la filosofía del “último” Merleau-Ponty. Me interesa retomar este concepto para mostrar que, en la nueva ontología esbozada en Le visible et l’invisible y en las notas de la misma época, su función guarda correspondencia con la tarea que, a lo largo de la historia de la filosofía, ha desempeñado la imaginación. En este sentido, una ontología del quiasmo supone por necesidad pensar una ontología de la imaginación. Además, este concepto permite arrojar (...)
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  • The Flesh of Images, Images of Flesh: Merleau-Ponty Forwarded.Galen A. Johnson - 2017 - Journal of the British Society for Phenomenology 48 (4):360-367.
    The Flesh of Images: Merleau-Ponty Between Painting and Cinema, by Mauro Carbone, is his third book in a body of work interpreting Merleau-Ponty’s ontology of Flesh: The Thinking of the Sensible: M...
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  • Maurice Merleau-ponty.Bernard Flynn - 2008 - Stanford Encyclopedia of Philosophy.
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