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  1. The Musical Turn in Biosemiotics.Matthew A. Slayton & Yogi Hale Hendlin - 2023 - Biosemiotics 16 (2):221-237.
    Human music and language are two systems of communication and expression that, while historically considered to overlap, have become increasingly divergent in their approach and study. Music and language almost certainly co-evolved and emerged from the same semiotic field, and this relationship as well as co-origin are actively researched and debated. For the sake of evaluating the semiotic content of zoomusicology, we investigate music from a ‘bottom-up’ biosemiotic functionalist account considering iconic, indexical, and symbolic forms of meaning not in a (...)
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  • The Biological Production of Spacetime: A Sketch of the E-series Universe.Naoki Nomura - 2024 - Foundations of Science 29 (2):553-570.
    Space and time, which should properly be taken conjointly, are both communicatively produced and created with certain contextual perspectives—they are not independent physical entities. The standpoint of production makes the relationship between space and time comprehensible. They can either be mental-subjective, physical-objective, or social-intersubjective. Social and intersubjective (or E-series) spacetime might shed new light on biological thinking. For general readers, this paper provides a clue regarding an alternative conceptualization of spacetime based on biology.
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  • How Does Time Flow in Living Systems? Retrocausal Scaffolding and E-series Time.Naoki Nomura, Koichiro Matsuno, Tomoaki Muranaka & Jun Tomita - 2019 - Biosemiotics 12 (2):267-287.
    Anticipatory acts or predictive behavior are prerequisites for living organisms to sustain their survival when escaping from a predator, catching prey, or schooling. For example, catching prey requires that the predator perform some procedures that are equivalent to estimating the directional movement of the prey, its speed and its distance relative to the predator. Underlying these procedures is time experience, which does not adhere to man-made mechanical clocks. Living organisms keep time based on the local activities of each participant and (...)
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  • On Mimicry, Signs and Other Meaning-Making Acts. Further Studies in Iconicity.Göran Sonesson - 2019 - Biosemiotics 12 (1):99-114.
    In an earlier paper, I set out to apply to animal mimicry the definition of the sign, and, more specifically, of the iconic sign, which I originally elaborated in the study of pictures, and which was then extended by myself and others to language, gesture, and music. The present contribution, however, while summarizing some of the results of those earlier studies, is dedicated to the demonstration that animal mimicry, as well as phenomena of the human Lifeworld comparable to it, are (...)
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  • Event Matching and the Biological Production of Spacetime.Naoki Nomura - forthcoming - Biosemiotics:1-19.
    Space and time have been explained not in terms of physical entities but in terms of practice, that is, based on communication, which includes spacetime code in the A-series, B-series, and E-series. Each code has a unique grammar, and it progresses through boundary operation, i.e., setting the limit and transgressing it, but in each distinct way. The purpose of this paper is to introduce the notion of event matching to elucidate the mechanism of meaning-making through boundary operations. Biological spacetime production (...)
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  • Toward a Practical Theory of Timing: Upbeat and E-Series Time for Organisms.Naoki Nomura, Koichiro Matsuno, Tomoaki Muranaka & Jun Tomita - 2020 - Biosemiotics 13 (3):347-367.
    Timing adjustment is an important ability for living organisms. Wild animals need to act at the right moment to catch prey or escape a predator. Land plants, although limited in their movement, need to decide the right time to grow and bloom. Humans also need to decide the right moment for social actions. Although scientists can pinpoint the timing of such behaviors by observation, we know extremely little about how living organisms as actors or players decide when to act – (...)
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