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  1. Beyond Resemblance.Gabriel Greenberg - 2013 - Philosophical Review 122 (2):215-287.
    What is it for a picture to depict a scene? The most orthodox philosophical theory of pictorial representation holds that depiction is grounded in resemblance. A picture represents a scene in virtue of being similar to that scene in certain ways. This essay presents evidence against this claim: curvilinear perspective is one common style of depiction in which successful pictorial representation depends as much on a picture's systematic differences with the scene depicted as on the similarities; it cannot be analyzed (...)
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  • Get the picture?Leif Tengström - 1984 - Theoria 50 (2-3):256-266.
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  • Truth and directness in pictorial assertion.Lukas Lewerentz & Emanuel Viebahn - 2023 - Linguistics and Philosophy 46 (6):1441–1465.
    This paper develops an account of accuracy and truth in pictorial assertion. It argues that there are two ways in which pictorial assertions can be indirect: with respect to their content and with respect to their target. This twofold indirectness explains how accurate, unedited pictures can be used to make false pictorial assertions. It captures the fishiness of true pictorial assertions involving target-indirectness, such as true pictorial assertions involving outdated pictures. And it raises the question whether target-indirectness may also arise (...)
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  • バーナード・ウィリアムズの功利主義批判再考 (Bernard Williams’ Critique of Utilitarianism Reconsidered).Kazuki Watanabe - 2021 - Japanese Student Research Notes of Philosophy of Science 4:17-25.
    This research discusses Bernard Williams' critique of utilitarianism. I will address Williams' well-known “Integrity Objection” and clarify where his main issue with utilitarianism lies. Through this, I will demonstrate that the separation of the two viewpoints – the “inside viewpoint” and the “impartial viewpoint” - is the issue, as the utilitarian impartial viewpoint does not capture the value of ethical deliberations based on our inside viewpoint in which we presuppose our personal projects. Furthermore, I will argue that this interpretation enables (...)
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  • On the fidelity of pictures: A critique of Goodman's disjunction of perspective and realism.David Topper - 1984 - Philosophia 14 (1-2):187-197.
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