It is common for social theorists to utilize the metaphors of ‘flow’, ‘fluidity’, and ‘liquidity’ in order to substantiate the ways in which speed and mobility form the basis for a new kind of information or network society. Yet rarely have these concepts been sufficiently theorized in order to establish their relevance or appropriateness. This article contends that the notion of flow as utilized in social theory is profoundly metaphysical in nature, and needs to be judged as such. Beginning with (...) a discussion of the accelerating timescape that characterizes the network society, it will then move on to examine three main issues with this ‘metaphysics of flux’. First, that the concept of flows unjustly privileges the process of becoming and, as a result, is unable to account for the materiality, substantiality, and agency of the objects being mobilized, and the contingency of their mediation. Second, that it posits the accelerating tendencies of capital as an ontological inevitability, thus discounting resistance to such forces. Finally, that it ignores the human faculty for reason and speculative thought in developing alternative means of political praxis. The solution, it will be argued, is not to abandon metaphysical accounts of the network society, but rather to challenge those accounts that, in exhibiting a crude empiricism, work to justify the status quo. (shrink)

In this polemical intervention within the field of French and European social theory, Franck Fischbach proposes to revive and radicalise the tradition of social philosophy. The latter is understood, following Axel Honneth, in terms of the normatively-driven analysis of socio-economic processes that may be characterised as pathologies of the social. Fischbach contrasts the lessons of social philosophy from Rousseau to the Frankfurt School with the recent ascendance to intellectual hegemony of a formalistic, procedural liberalism which is oblivious to social negativity. (...) The review questions the capacity of social philosophy to synthesise stances as politically and methodologically different as those of de Maistre, Nietzsche and Marx, as well as the very pertinence of the appellation ‘philosophy’. Fischbach’s more historically determinate definition of social philosophy as arising out of the critique of Jacobin revolutionary political thought, with its supposed abstraction and voluntarism, fails to contend with the claims of ruptural politics, as well as with those positions that would regard crisis and pathology not just as a menace, but also as an opportunity for liberation. In the end, in spite of its able historical and conceptual mapping, and its commendable demand for totalising critique, Fischbach fails to persuade in his claim that social philosophy is the name for emancipatory thought in the present. (shrink)

La trayectoria intelectual de Marcuse está acompañada de un compromiso constante con las formas de la crítica filosófica heredadas de la tradición occidental, desde la forma en la cual aparece la negación de lo dado a través del diálogo socrático hasta la manera en que se configura la crítica del sistema capitalista en el siglo XX. Esto no quiere decir que Marcuse haya sido un erudito que absorbió y comprendió a cabalidad todos los sistemas e ideas filosóficas y que las (...) utilizó al servicio de su propia consideración crítica del mundo; más bien resalta que entre sus elaboraciones han estado presentes algunos de los contextos e ideas más potentes del pensamiento que ha entendido de manera crítica la estructura de las sociedades humanas. (shrink)

Modern types of social reality require updated ways of comprehending them. The research is devoted to a new analytical form of understanding modernity that has recently emerged - accelerationism, still rarely discussed in Russian philosophy. The representatives of accelerationism call for a radical and rapid acceleration of socio-economic and technological processes in capitalist societies. The article reflects some ideas of the Manifesto for an Accelerationist Politics by Alex Williams and Nick Srnicek, after which the accelerationist trend in philosophy and social (...) sciences intensified and gained clear theoretical guidelines. The Manifesto’s ideas about accelerating technological evolution as a means of resolving social conflicts, about unleashing all the latent forces of capitalist production to achieve a state of post-capitalism, denying a return to the Fordist type of production and calling for the restoration of the future as such, are highlighted. The Manifesto and the works of Nick Land, the founder and the most prominent representative of accelerationism, present the position of creating a new program and the very style of thinking with regard to changing the capitalist system along the vector of acceleration. The article pays attention to the interpretation of Gilles Deleuze’s and Félix Guattari’s concept of “deterritorialization” in Land’s works. It emphasizes the focus of accelerationism on the future as a kind of realization of the paradoxical thesis of “looking back from the future.” The content of Land’s accelerationist theory shows the fundamental concepts of K-space (cyberspace), K-war (cyberwar), time and reality, technocratic future of society as Techno-Capital Singularity, expansion of capital as opposed to its reterritorialization. The meaning of Land’s idea of an acceleration of capitalism and the transition to a more progressive future through the collapse of outmoded structures and phenomena of the existing system of capitalism and its technological basis is deduced. (shrink)

In this article I address some questions concerning the emerging conjunction of musical research on improvisation and work in the ‘posthumanities’, in particular the theoretical results of the ‘ontological turn’ in the humanities. Engaging with the work of the composer John Cage, and George E. Lewis’s framing of Cage’s performative indeterminacy as a ‘Eurological’ practice that excludes ‘Afrological’ jazz improvisation, I examine how critical discourse on Cage and his conception of sound is relevant to the improvisation-posthumanities conjunction. After discussing some (...) criticisms of ontological and materialist approaches to sound, I consider the Actor-Network Theory (ANT) of Bruno Latour, posed as offering an alternative to these approaches. Following an examination of some limitations to ANT based around the themes of critique and abstraction, I draw from the work of Gilles Deleuze and Georgina Born to suggest that work on improvisation and the posthumanities may be fruitful, but must be part of a pluralistic mode of inquiry that does not reject critique and abstraction, as some work in the posthumanities has done. (shrink)

This dissertation seeks to reactivate the Marxist transition debate, by conceptualising transition as a problem in its own right, moving away from a stagist vision of the development of modes of production. Part I outlines the historical materialist parameters of the ontology of transition, and traces the concept across classical and western Marxism. This section draws from Althusserian theory to sketch out a conception of historical time as a multiplicity of dislocated trajectories. This is followed by a critique of post-Marxism, (...) based on the disappearance of the concept of transition in the discursive turn. It is argued that transition should be retained as a sociologically rigorous concept, and that among various strands of Marxist theory there is evidence of its efficacy. Part II analyses contemporary left theory and politics through the dichotomy of melancholy and utopia, and argues that they exemplify temporal complexity and illuminate current impasses on the left. Part III applies the findings of the preceding parts to strategic questions of demands, agency and strategy. This is achieved through a substantive discussion of postwork theory as a new postcapitalist vision, embodying issues of temporality, transition and utopia. The thesis concludes that the neglected problem of transition and the notion of multiple temporalities are important theoretical tools for addressing questions of historical epistemology and left strategy. Understanding transition as an embedded societal tendency is valuable to critical social theory, and provides the means to theorise postcapitalist futures. (shrink)

Giorgio Agamben’s work has often been criticised for being bleak, pessimistic, and of little use for thinking about political action. This image of Agamben has, however, resulted from a narrow reading of the Homo Sacer project that isolates it from his early thought on language and ontology. This essay draws on new works by Mathew Abbott and Jessica Whyte to explore the ways that Agamben attempts to think the conditions for overcoming the political nihilism of the present. It argues that (...) the two works diverge on the question of where Agamben locates the potential for political transformation, and that this results from their differing approaches to the relationship between ontology and politics. (shrink)

How to uphold a politics of universalism, egalitarianism and abstraction without being tarnished by the accusation of fanaticism? In order to open the space in which the question can be asked, Alberto Toscano’s Fanaticism explores various instantiations of the trope of ‘fanaticism’ and other associated concepts. Challenging the reliance on simplification, decontextualisation and analogical thinking behind uses of those terms, the book shows how fanaticism as Other conversely engenders a mystified idea of the modern West as the negative of the (...) political and theoretical interdictions associated with them. (shrink)

With the tertiary education mantra of creativity, critical thinking and innovation in mind, we consider the critical-creativity of error. Taking the university to model social orthography, or ‘correct writing’, according to the norms of disciplines, we consider the role of error in the classroom. Looked at another way, error questions the norms governing norms and the instability of disciplinary grounds. Beyond correction, error involves a mis-taking, or taking another way. Tracing the origin of error we are able to reconstruct the (...) social world in terms of which it is conceivable for a mistake of any kind to have been made. The university, we find, withholds worlds which are not new but are sources of creativity, and constitutes a pluriversity or poly-versity. (shrink)

Education for Sustainable Development is a broad and varied field of study replete with compelling advocacies for a more humane world. Across a majority of its instances however, ESD might yet be seen to labour in stealth fidelity to a mode of political economy and model of human-nature relations complicit with planetary ecocide. This essay draws largely from the thinking of Jean Baudrillard in an effort to identify the implications of ESD’s mainstay commitments, particularly as expressed in the field’s lingering (...) fidelities to anthropocentric production and modes of protagonistic optimism. Such alliances are contrasted by the immanence of inhuman planetary difference as it might habilitate more eco-centric approaches and attitudes for thinking the very possibility of sustainable development in the present era of rapid ecological transformation. (shrink)

In Bernard Stiegler’s Automatic Society Volume 1: The Future of Work, ‘the impossible’ and ‘the improbable’ appear as explicit parts of his political project. In his philosophy of technology, the impossible highlights the structural incompleteness that technics imparts to human existence. This article will trace how Stiegler draws on the work of Maurice Blanchot to produce this conjunction between technics and indetermination, and explore its political ramifications. This will show that rather than being a recent aspect of Stiegler’s work, the (...) political use of the impossible brings Blanchot’s subterranean influence to the fore. After briefly reconstructing Blanchot’s understanding of language, impersonality, and writing, it will be shown that Stiegler shifts Blanchot’s emphasis from the impossible to technical practices of the improbable. Stiegler follows an anthropological line where the experience of the impossible becomes a more general understanding of the experience of improbability through technical structures. Stiegler’s reading of Blanchot is central in his break with the place of the impossible in the politics of resistance advocated by post-structuralism, allowing him to support a politics of invention which makes space for the improbable within a large-scale politics of technicity, rather than privileging indeterminacy itself. (shrink)

This paper critiques the purposes to which Marx’s Fragment on Machines is put in postoperaist thought. I suggest postoperaist readings wield influence on contemporary left thinking, via postcapitalism, accelerationism and ‘Fully Automated Luxury Communism’. Changes in labour lead proponents to posit a crisis of measurability and an incipient communism. I use the New Reading of Marx and Open Marxism to dispute this. Based on an analysis of value as a social form undergirded in antagonistic social relations, I argue the Fragment’s (...) prognosis runs contrary to Marx’s critique of political economy when the latter is taken as a critical theory of society. This theoretical claim bears implications for contemporary left political praxis. (shrink)