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  1. Erotic Virtue.Lauren Ware - 2015 - Res Philosophica 92 (4):915-935.
    This paper defends an account of how erotic love works to develop virtue. It is argued that love drives moral development by holding the creation of virtue in the individual as the emotion’s intentional object. After analyzing the distinction between passive and active accounts of the object of love, this paper demonstrates that a Platonic virtue-ethical understanding of erotic love—far from being consumed with ascetic contemplation—offers a positive treatment of emotion’s role in the attainment and social practice of virtue.
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  • Eros, Philia and community in Plato and Aristotle.Tulio Alexander Benavides Franco - 2019 - Eidos: Revista de Filosofía de la Universidad Del Norte 30:14-47.
    Resumen: Tanto en Platón como en Aristóteles el eros es cuestionado como forma de relación con el otro que conduzca a una vida virtuosa y que permita además pensar la vida en común. En la perspectiva de Platón, tal cuestionamiento se daría en favor de una búsqueda de la Belleza que proveería un determinado modelo de philia −el de la philosofía−. En el planteamiento de Aristóteles, el cuestionamiento del eros por particulares se daría en favor de un modelo de philia (...)
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  • The Guise of the Beautiful: Symposium 204d ff.Jonathan Fine - 2019 - Phronesis 65 (2):129-152.
    A crux of Plato’s Symposium is how beauty relates to the good. Diotima distinguishes beauty from the good, I show, to explain how erotic pursuits are characteristically ambivalent and opaque. Human beings pursue beauty without knowing why or thinking it good; yet they are rational, if aiming at happiness. Central to this reconstruction is a passage widely taken to show that beauty either coincides with the good or demands disinterested admiration. It shows rather that what one loves as beautiful does (...)
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  • Generating in beauty for the sake of immortality: personal love and the goals of the lover.Anthony W. Price - 2017 - In .
    This paper discusses two debated questions about how best to interpret the contribution to the Symposium that Socrates pretends to derive from Diotima: Within the Lesser Mysteries, is the erōs that is being defined and characterized, with appeal to the notion of “generation in beauty”, a generic erōs that is equivalent to Socratic desire in general, or a specific erōs that is erotic in our sense? Within the Greater Mysteries, is interpersonal erōs maintained, or supplanted? I find that neither answer (...)
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