Arguably, there is no substantial, general answer to the question of what makes for the approximate truth of theories. But in one class of cases, the issue seems simply resolved. A wide class of applied dynamical theories can be treated as two-component theories—one component specifying a certain kind of abstract geometrical structure, the other giving empirical application to this structure by claiming that it replicates, subject to arbitrary scaling for units etc., the geometric structure to be found in some real-world (...) dynamical phenomenon. In such a case, a theory is approximately true just if the one geometric structure approximately replicates the other (and if problems remain here, they are problems in geometry, of specifying suitable metric approximation relations, not conceptual problems). This article amplifies and defends this simple approach to approximate truth for dynamical theories. (shrink)

The books’ goal is to answer the question: Do the weaknesses of value-free economics imply the need for a paradigm shift? The author synthesizes criticisms from different perspectives (descriptive and methodological). Special attention is paid to choices over time, because in this area value-free economics has the most problems. In that context, the enriched concept of multiple self is proposed and investigated. However, it is not enough to present the criticisms towards value-free economics. For scientists, a bad paradigm is better (...) than no paradigm. Therefore, the author considers whether value-based economics with normative approaches such as economics of happiness, capability approach, libertarian paternalism, and the concept of multiple self can be the alternative paradigm for value-free economics. This book is essential reading to everyone interested in the current state of economics as a discipline. (shrink)

Debates about scientific realism are closely connected to almost everything else in the philosophy of science, for they concern the very nature of scientific knowledge. Scientific realism is a positive epistemic attitude toward the content of our best theories and models, recommending belief in both observable and unobservable aspects of the world described by the sciences. This epistemic attitude has important metaphysical and semantic dimensions, and these various commitments are contested by a number of rival epistemologies of science, known collectively (...) as forms of scientific antirealism. This article explains what scientific realism is, outlines its main variants, considers the most common arguments for and against the position, and contrasts it with its most important antirealist counterparts. (shrink)

Verisimilitude has the potential to deepen the understanding of mathematical progress, the principle of charity, and the psychology of regret. One obstacle is the widely held belief that two statements can vary in truthlikeness only if they vary in what they entail. This obstacle is removed with four types of counterexamples. The first concerns necessarily coextensive measurements that differ only with respect to their units. The second class of counterexamples is composed of mathematical falsehoods. The third class features inconsistent scientific (...) theories. The fourth class of cases features statements that are instructive but meaningless. (shrink)

A number of different theories of truthlikeness have been proposed, but most can be classified into one of two different main programmes: the probability-content programme and the likeness programme.1 In Brink and Heidema [1987] we are offered a further proposal, with the attraction of some novelty. I argue that while the heuristic path taken by the authors is rather remote from what they call ‘the well-worn paths’,2 in fact their point of arrival is rather closer to existing proposals within the (...) likeness approach than might at first appear. It is the purpose of this note to outline the logical connections and to assess the reasons which have been offered in favour of the new proposal. (shrink)

Le présent article veut (1) montrer que la théorie qualitative de la vérisimilarité exposée par Karl R. Popper dansConjectures and RefutationsetObjective Knowledgeest compatible avec sa méthode des conjectures, corroborations et réfutations; (2) faire voir pourquoi cette théorie apparaît néanmoins trop forte d'un point de vue intuitif; (3) montrer comment le système poppérien permet de contourner la preuve formelle présentée par Pavel Tichy en 1974 à l'encontre de la théorie qualitative de la vérisimilarité; (4) proposer une nouvelle définition de la vérisimilarité (...) qui apparaisse non seulement logiquement fondée, mais plus intuitivement acceptable et davantage liée à la méthodologie poppérienne que la définition originelle. (shrink)

Realists regarding scientific knowledge – those who think that our best scientific representations truly describe both observable and unobservable aspects of the natural world – have special need of a notion of approximate truth. Since theories and models are rarely considered true simpliciter, the realist requires some means of making sense of the claim that they may be false and yet close to the truth, and increasingly so over time. In this paper, I suggest that traditional approaches to approximate truth (...) are insensitive to two crucial features of scientific knowledge, and that for each of these, analogies between representational practices in the sciences and in art prove useful to understanding how this situation can be remedied. First, I outline two distinct ways in which representations deviate from the truth, commonly referred to as ‘abstraction’ and ‘idealization’. Second, I argue that these practices exemplify different conventions of representation, and that for each, the conditions of approximation relevant to explicating the concept of approximate truth must be understood differently. The concept is thus heterogeneous; approximate truth is a virtue that is multiply realized, relative to different contexts of representation. This understanding is facilitated, I suggest, by considering the distinction between realistic and non-realistic representation in art. (shrink)