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  1. Accessibility and Historical Change: An Emergent Cluster Led Uncles and Aunts to Become Aunts and Uncles.Adele E. Goldberg & Crystal Lee - 2021 - Frontiers in Psychology 12:662884.
    There are times when a curiously odd relic of language presents us with a thread, which when pulled, reveals deep and general facts about human language. This paper unspools such a case. Prior to 1930, English speakers uniformly preferred male-before-female word order in conjoined nouns such asuncles and aunts; nephews and nieces; men and women. Since then, at least a half dozen items have systematically reversed their preferred order (e.g.,aunts and uncles, nieces and nephews) while others have not (men and (...)
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  • The Sound of Music: Externalist Style.Luke Kersten & Robert A. Wilson - 2016 - American Philosophical Quarterly 53 (2):139-154.
    Philosophical exploration of individualism and externalism in the cognitive sciences most recently has been focused on general evaluations of these two views (Adams & Aizawa 2008, Rupert 2008, Wilson 2004, Clark 2008). Here we return to broaden an earlier phase of the debate between individualists and externalists about cognition, one that considered in detail particular theories, such as those in developmental psychology (Patterson 1991) and the computational theory of vision (Burge 1986, Segal 1989). Music cognition is an area in the (...)
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  • The Epistemology of Geometry I: the Problem of Exactness.Anne Newstead & Franklin James - 2010 - Proceedings of the Australasian Society for Cognitive Science 2009.
    We show how an epistemology informed by cognitive science promises to shed light on an ancient problem in the philosophy of mathematics: the problem of exactness. The problem of exactness arises because geometrical knowledge is thought to concern perfect geometrical forms, whereas the embodiment of such forms in the natural world may be imperfect. There thus arises an apparent mismatch between mathematical concepts and physical reality. We propose that the problem can be solved by emphasizing the ways in which the (...)
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  • Tuning the mind: Exploring the connections between musical ability and executive functions.L. Robert Slevc, Nicholas S. Davey, Martin Buschkuehl & Susanne M. Jaeggi - 2016 - Cognition 152:199-211.
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  • Short-term memory for serial order: A recurrent neural network model.Matthew M. Botvinick & David C. Plaut - 2006 - Psychological Review 113 (2):201-233.
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  • Infant music perception: Domain-general or domain-specific mechanisms?Sandra E. Trehub & Erin E. Hannon - 2006 - Cognition 100 (1):73-99.
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  • (2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science: A Multidisciplinary Journal 30 (1):63-98.
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  • (2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
    The production of complex sequences like music or speech requires the rapid and temporally precise production of events (e.g., notes and chords), often at fast rates. Memory retrieval in these circumstances may rely on the simultaneous activation of both the current event and the surrounding context (Lashley, 1951). We describe an extension to a model of incremental retrieval in sequence production (Palmer & Pfordresher, 2003) that incorporates this logic to predict overall error rates and speed—accuracy trade-offs, as well as types (...)
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  • Context and meter enhance long-range planning in music performance.Brian Mathias, Peter Q. Pfordresher & Caroline Palmer - 2014 - Frontiers in Human Neuroscience 8.
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  • Making and monitoring errors based on altered auditory feedback.Peter Q. Pfordresher & Robertson T. E. Beasley - 2014 - Frontiers in Psychology 5.
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  • (2 other versions)Speed, Accuracy, and Serial Order in Sequence Production.Peter Q. Pfordresher, Caroline Palmer & Melissa K. Jungers - 2007 - Cognitive Science 31 (1):63-98.
    The production of complex sequences like music or speech requires the rapid and temporally precise production of events (e.g., notes and chords), often at fast rates. Memory retrieval in these circumstances may rely on the simultaneous activation of both the current event and the surrounding context (Lashley, 1951). We describe an extension to a model of incremental retrieval in sequence production (Palmer & Pfordresher, 2003) that incorporates this logic to predict overall error rates and speed—accuracy trade-offs, as well as types (...)
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  • New Learning of Music after Bilateral Medial Temporal Lobe Damage: Evidence from an Amnesic Patient.Jussi Valtonen, Emma Gregory, Barbara Landau & Michael McCloskey - 2014 - Frontiers in Human Neuroscience 8.
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