The main problem of this study is David Hume’s (1711-76) view on Metaphysical Realism (there are mind-independent, external, and continuous entities). This specific problem is part of two more general questions in Hume scholarship: his attitude to scepticism and the relation between naturalism and skepticism in his thinking. A novel interpretation of these problems is defended in this work. The chief thesis is that Hume is both a sceptic and a Metaphysical Realist. His philosophical attitude is to suspend his judgment (...) on Metaphysical Realism, whereas as a common man he firmly believes in the existence of mind-independent, external, and continuous entities. Therefore Hume does not have any one position; accordingly, a form of “no one Hume” interpretation (Richard Popkin, Robert J. Fogelin, Donald L.M. Baxter) is argued for in the book. The key point in this distinction is the temporal difference between Hume’s philosophical and everyday views. It is introduced in order to avoid attributing a conscious contradiction to him (a problem which has not attracted enough attention in the literature). The method of the work is modelled on Peter Millican’s work on Hume and induction. The approach to the main problem is to study the two “profound” arguments against the senses that Hume presents in the Section 12 of An Enquiry concerning Human Understanding (1748). These arguments are first reconstructed in detail resulting in Millican-type diagrams of them and then Hume’s endorsement of them is established on the basis of the diagrams. The first profound argument concludes that Metaphysical Realism and thus any Realistic theory of perception is unjustified as well as the existence of God and the soul. The second argument goes further having first conceptual conclusion: the very notions of Real entitity, material substance, and bodies are completely out of the reach of the faculty of understanding. Therefore they ought to be rejected according to Hume. This is a consequence of the consistent use of the Humean faculty of reason: idea-analysis and inductive inference. The second profound argument thus concludes that believing in Metaphysical Realism is inconsistent with the rational attitude that is to refrain from this belief. Hence, if we attributed both of them to Hume, we would end up with a great philosopher who embraces a manifest contradiction. The study is finished by arguing that this sceptical and Metaphysically Realistic interpretation concurs well with (1) Hume’s professed Academical philosophy and (2) project of the science of human nature. (1) According to Hume, Academical philosophy is in the first place diffidence, modesty, and uncertainty including suspension on certain issues. Secondly, it is restriction of the range of topics for which experience can provide a standard of truth. This kind of empiricist epistemological realism is coherent with the sceptical attitude on Metaphysical Realism because the latter does not rule out inter-subjective consensus on what we experience. (2) Suspension of judgment on Metaphysical Realism coheres with the mind-dependency of the objects of Hume’s science of human nature: the understanding, passions, morals, aesthetics, politics, and the human culture in all of its manifestations. Although the study takes the first Enquiry to be Hume’s authorised word on the understanding, his juvenile work A Treatise of Human Nature (1739-40) is argued to support this “no one Hume” interpretation. Hume’s other works are also discussed when needed. (shrink)

John Locke occupies a central place in the contemporary philosophical literature on parental authority, and his child-centered approach has inspired a number of recognizably Lockean theories of parenthood.2 But unlike the best historically informed scholarship on other aspects of Locke's thought, those interested in his account of parental rights have not yet tried to understand its connection to debates of the period or to Locke's broader theory of natural law. In particular, Locke's relation to the seventeenth-century conversation about the role (...) of generation in grounding 'paternal power' is not well-known. Understanding this background is interesting in itself, but more importantly, it can provide us with a .. (shrink)

In this paper, I consider some ways in which the Copy Principle and Hume’s nominalism impinge on one another, concluding that the marriage is not a happy one. I argue for the following claims. First, Hume’s argument against indeterminate ideas isn’t cogent even if the Copy Principle is accepted. But this does not vindicate Locke: the imagistic conception of ideas, presupposed by the Copy Principle, will force Locke to accept something like Hume’s view of the way general terms function, the (...) availability of abstract ideas notwithstanding. Second, Hume’s discussion of nominalism provides support for the “old Hume” interpretation, which takes the Copy Principle to be a criterion of meaningfulness, as against the “new Hume” reading, according to which it constrains what we can know. Finally, nominalism forces Hume to adopt a more complicated theory of ideas. (shrink)

Hume began his Treatise with the bold intention to turn philosophy into a ‘science of man’. In the conclusion to Book One, however, Hume’s confidence is replaced with intense despair over the unreliability of this human science. Rather quickly, however, Hume rejects this despair, accepting that such scepticism is unwarranted and can be cured by reference to our natural associative tendencies. Many have suggested that Hume emerged from this crisis because he changed his feelings about the matter, with little justification. (...) In this thesis, by contrast, I argue that Hume’s jump from pessimism to optimism relies upon his arguments about the ‘empire of imagination’ in the creation of our ideas and beliefs about the experienced world. The key, as I will show, is how one interprets the creative imagination, which Hume refers to as the fancy. My central hypothesis is that there are two distinct roles played by the fancy: the critical and the fictitious. The critical fancy mixes with natural causation to create ideas that represent the world as we experience it. The fictitious fancy creates ideas that do not represent the world as we experience it. In essence, my argument is that the dialectic between the two types of fancy allowed Hume to emerge from his sceptical crisis because our fundamental beliefs about the world have a basis in a particular natural function of the imagination that renders their formation possible. More specifically, the critical fancy serves to justify our beliefs about the world as we experience it. (shrink)