Due to the controversy surround his political war-time writings, Nishida Kitarō and his entire corpus has been accused of promoting and supporting Japanese imperialism. Despite the valid criticisms of his writings during the war-time period, Nishida’s early work in An Inquiry into the Good is not so easily interpreted as supporting nationalism. In fact, depending on the lens through which one reads Nishida’s early writings, one can even find the germs of emancipatory ideas that can easily be put in dialogue (...) with other liberatory thinkers such as Marx, Kropotkin, and Adorno. In this article, by considering the pluripotentiality of the text rather than a hermetically sealed off nationalist reading of it, I reread the ethical politics in An Inquiry into the Good through an emancipatory lens, considering how Nishida’s thought could have been taken up in a very different post-1911 Japan that did not move toward authoritarian militarism. Furthermore, I argue that the ambiguity surrounding his early political writings is consistent with his resistance to authoritarian ethics and his emphasis on the autonomy of the individual. (shrink)

In his new work on the Kyoto School David Williams presents the first “reading” in English of the complete text of the three Chūō Kōron symposia held by members of the second generation in the early 1940s. In addition, he provides an extensive commentary that explores the inability of “liberal history” to account for the political realities of wartime Japan and the “moral worldview” of the four symposists. Adopting the empirical methodology of earlier works, Williams proposes an alternative thesis of (...) “Confucian Revolution” that takes into account the “logic and conventions” of Japan as a Confucian society. His focus on the influence of Confucianism brings to the fore a neglected aspect of modern Japanese political philosophy that yields important insight into the nature of the Kyoto School's wartime thought and their struggle against the Tōjō regime. (shrink)

This is a review-essay on William Haver’s recent translation of three essays by Nishida Kitarō in a volume entitledOntologies of Production. Nishida is one of the founders of the famous Kyoto School of philosophy and, while his philosophy is not really Marxist, Haver attempts to bring Nishida into dialogue with Marx in his Introduction and through his selection of essays to translate. I attempt to situate Haver’s translation in a brief discussion of a recent debate on how to write modern (...) Japanese intellectual history and, through this examination, I suggest a framework for analysing modern intellectual history drawing on the work of Harry Harootunian, Moishe Postone and Jacques Bidet. In short, this framework attempts to relate the production of ideas to the temporal dynamic associated with capital, the commodity-form and other related mediations that make up the modern global capitalist system. Then I turn to Haver’s Introduction and translations and both explain some of the key concepts of Nishida and show how, using the framework that I outlined, Nishida’s work can be conceived of as failing to understand its own conditions of possibility in the multiple mediations of capitalism. For this reason, Nishida’s work, like many other romantic critiques of capitalism, criticises the abstractions of modernity at an abstract level, failing to account for the mediations of capitalism such as class and the commodity. (shrink)