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  1. Implicit Learning and Acquisition of Music.Martin Rohrmeier & Patrick Rebuschat - 2012 - Topics in Cognitive Science 4 (4):525-553.
    Implicit learning is a core process for the acquisition of a complex, rule‐based environment from mere interaction, such as motor action, skill acquisition, or language. A body of evidence suggests that implicit knowledge governs music acquisition and perception in nonmusicians and musicians, and that both expert and nonexpert participants acquire complex melodic, harmonic, and other features from mere exposure. While current findings and computational modeling largely support the learning of chunks, some results indicate learning of more complex structures. Despite the (...)
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  • Scientists, Poets and Iconic Realities: A Cognitive Theory of Aesthetics.Lacey Okonski - 2021 - Metaphor and Symbol 36 (3):141-145.
    Cognitive scientists who study poetry and aesthetics often write with great craftmanship. In her recent book, The Poem as Icon, Margaret Freeman doe...
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  • Discretisation and continuity: The emergence of symbols in communication.Robert Lieck & Martin Rohrmeier - 2021 - Cognition 215 (C):104787.
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  • Investigating Everyday Musical Interaction During COVID-19: An Experimental Procedure for Exploring Collaborative Playlist Engagement.Ilana Harris & Ian Cross - 2021 - Frontiers in Psychology 12.
    Musical Group Interaction (MGI) has been found to promote prosocial tendencies, including empathy, across various populations. However, experimental study is lacking in respect of effects of everyday forms of musical engagement on prosocial tendencies, as well as whether key aspects—such as physical co-presence of MGI participants—are necessary to enhance prosocial tendencies. We developed an experimental procedure in order to study online engagement with collaborative playlists and to investigate socio-cognitive components of prosocial tendencies expected to increase as a consequence of engagement. (...)
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