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Inner-Sense

In Dustin Stokes, Mohan Matthen & Stephen Biggs, Perception and Its Modalities. New York, NY: Oxford University Press (2014)

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  1. The Senses as Signalling Systems.Todd Ganson - 2018 - Australasian Journal of Philosophy 96 (3):519-531.
    A central goal of philosophy of perception is to uncover the nature of sensory capacities. Ideally, we would like an account that specifies what conditions need to be met in order for an organism to count as having the capacity to sense or perceive its environment. And on the assumption that sensory states are the kinds of things that can be accurate or inaccurate, a further goal of philosophy of perception is to identify the accuracy conditions for sensory states. In (...)
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  • Keeping it Real: Intentional Inexistents, Fineness‐of‐Grain, and the Dilemma for Extrinsic Higher‐Order Representational Theories.Vincent Picciuto - 2017 - Pacific Philosophical Quarterly 98 (4):555-575.
    According to the standard argument from targetless higher-order representations, the possibility of such representations presents a dilemma for higher-order theorists. In this article I argue that there are two theoretically well-motivated replies to the standard argument. Consequently, the standard argument against higher-order theories fails. I then go on to argue that while certain versions of higher-order theory can adequately respond to the standard argument, they both, nevertheless, fail to explain the fineness-of-grain that phenomenally conscious experience appears to have.
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  • Visual experience.Pär Sundström - 2020 - In Uriah Kriegel, The Oxford Handbook of the Philosophy of Consciousness. Oxford: Oxford University Press. pp. 39-65.
    A visual experience, as understood here, is a sensory event that is conscious, or like something to undergo. This chapter focuses on three issues concerning such experiences. The first issue is the so-called ‘transparency’ of experiences. The chapter distinguishes a number of different interpretations of the suggestion that visual experiences are ‘transparent’. It then discusses in what sense, if any, visual experiences are ‘transparent’, and what further conclusions one can draw from that. The second issue is which properties we are (...)
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