The project defended in this article is a forty-plus year attempt to argue for the continuing philosophical importance of the positions in theoretical and practical and aesthetic philosophy defended in what has come to be known as ‘German Idealism’ (or ‘post-Kantian German philosophy.’) For the most part this has concerned Kant, Fichte, Schelling, Hegel, and the relations among them, with most of the attention focused on Hegel. The Hegel interpretation has been criticized for its claim about the influence of Kant (...) on Hegel’s account of apperceptive judgment, for the nature of the idealism ascribed to Hegel, and for the Kantian-Hegelian insistence on the autonomy and self-grounding authority of pure reason. The interpretation of Hegel’s practical philosophy has been criticized for defending an excessively social theory of agency, and the theory of modernization ascribed to Hegel has been criticized for claiming that philosophy could and should have a historically diagnostic task. The interpretation of Hegel’s theory of art argues that elements of Hegel’s basic philosophical position puts one in the best position to understand the meaning and importance of post-Hegelian pictorial modernism, that his general approach can be of great value in understanding his claim that great art had become ‘a thing of the past.’ A clarification of these positions, and a brief case for their philosophical importance comprises the substance of this recapitulation. (shrink)

Robert Brandom’s notion of historical rationality seeks to supplement his inferentialism thesis by providing an account for the validity of conceptual contents. This account, in the shape of a historical process, involves the same self-integration of Brandom’s earlier inferentialism and is similarly restricted by reciprocal recognition of others. This article argues that in applying the synchronic social model of normative discourse to the diachronic axis of engaging the past, Brandom premises a false analogy between present community and past tradition, which (...) obscures the important differences between the two axes. This is explored by looking closely at how Brandom’s own engagements with the past exemplify his historical rationality. Taking its cue from Brandom’s critics, the article shows that Brandom’s own discourse with tradition is not, and cannot be, dialogical and, in accordance, that historical rationality is not, and cannot be, governed by the same social structure of inferentialism. The article concludes with the implications of such a claim on Brandom’s thesis as a whole and on the role of tradition in the process of normative change, in light of it. (shrink)

In the past, Robert Brandom’s philosophy has provided fruitful grounds for the development of an approach to the history of philosophy. In A Spirit of Trust (2019), however, this approach takes a new form; one that corresponds to a shift of focus in Brandom’s philosophy, from his earlier inferentialism to its later developments in the thesis of rational recollection. This article aims to elucidate and explicate this new approach, which Brandom refers to as forgiveness. By looking into the thesis of (...) rational recollection, the article examines the back-looking attitude that Brandom argues for and how it can be applied to past philosophy. To better understand the novelty of this approach as forgiveness, the article considers other names that Brandom ascribes to this process, which interestingly correspond to different genres in the historiography of philosophy. Lastly, the article discusses whether such a forgiving approach leaves room for criticism and mistakes. (shrink)