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So What’s The Point?

Semiotica 25 (3-4) (1979)

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  1. Ups and downs of art commerce: narratives of “crisis” in the contemporary art markets of Russia and India.Nataliya Komarova - 2017 - Theory and Society 46 (4):319-352.
    This article develops an analytical framework to study the role of narratives in markets and argues that there is a relationship between the structure and composition of narratives produced by market actors and market dynamics. With respect to theory, the article bridges the perspectives that study markets as cultures and as fields and draws from the organizational studies approach to the analysis of narratives. Two empirical cases of the crises narratives in the emerging contemporary art markets of Russia and India (...)
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  • Functions of Narrative Genres for Lived Religion.Tuija Hovi - 2014 - Approaching Religion 4 (1):80-88.
    The article presents the object and results of a study which combines the psychology of religion and folkloristics in the form of a qualitative analysis of empirical ethnographic material compiled from sources in a local neo-charismatic congregation called the ‘Word of Life’. Personal narrative is discussed as a genre which represents the collective tradition of a religious community. It is a socially-learned speech act and a means of interpreting and sharing religious experience, thus constructing and confirming the faith of the (...)
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  • Fragmented Narratives and Multiple Tellers: Witness and Defendant Accounts in Trials.Sandra Harris - 2001 - Discourse Studies 3 (1):53-74.
    This article examines the nature and structure of witness and defendant narrative accounts in the evidential portions of courtroom trials, using the O.J. Simpson, Oklahoma Bombers and Louise Woodward trials as a database. The article proposes a means of distinguishing narrative from non-narrative accounts, using Labov's definition of the `minimal narrative' as a starting point, and puts forward a modified model of narrative structure. A range of narrative structures are explored, and the model is used to analyse a series of (...)
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  • Orientation in Immigrant Narratives: The Role of Ethnicity in the Identification of Characters. [REVIEW]Anna de Fina - 2000 - Discourse Studies 2 (2):131-157.
    Every year, thousands of undocumented Mexican workers enter the United States. Their presence, together with the settlement of undocumented and legal immigrants from many other countries, constitutes the source of one of the most persistent ideological conflicts in American history: the conflict over immigrants' rights. Official discourses in many cases identify being Hispanic with poor performance at school, drug abuse, poverty and violence. However, aside from mainstream images of who immigrants are, little research has been done on the identity that (...)
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  • Storytelling as Adaptive Collective Sensemaking.Lucas M. Bietti, Ottilie Tilston & Adrian Bangerter - 2019 - Topics in Cognitive Science 11 (4):710-732.
    Bietti, Tilston and Bangerter take an evolutionary approach towards memory transmission and storytelling, arguing that storytelling plays a central role in the creation and transmission of cultural information. They suggest that storytelling is a vehicle to transmit survival‐related information that helps to avoid the costs involved in the first‐hand acquisition of that information and contributes to the maintenance of social bonds and group‐level cooperation. Furthermore, Bietti et al. argue that, going beyond storytelling’s individualist role of manipulating the audience to enhance (...)
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  • Understanding narrative interest: Some evidence on the role of unexpectedness.Adrian Dimulescu & Jean-Louis Dessalles - 2009 - In N. A. Taatgen & H. van Rijn (eds.), Proceedings of the 31st Annual Conference of the Cognitive Science Society.
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