This essay introduces a special issue on the history of kāmaśāstra in medieval India. It briefly reviews the secondary scholarship on the subject from the publication of the first translations of the genre at the end of the nineteenth century. It highlights the relatively unexplored history of later kāmaśāstra, and stresses the need for contexualized and detailed studies of the many kāmaśāstra treatises produced in the second millennium CE. The introduction, and the essays that follow, also argue for an expanded (...) interpretive framework for the genre, moving beyond ‘sex’ and ‘sexuality,’ to a more widely defined notion of a ‘kāma world’, in which sensual pleasure is understood as being deeply enmeshed with aesthetic, ethical and cosmopolitan cultures. (shrink)

We frequently use single words or expressions to mean multiple things, depending upon context. I argue that a plausible model of this phenomenon, known as lakṣaṇā by Indian philosophers, emerges in the work of ninth-century Kashmiri Mukulabhaṭṭa. His model of lakṣaṇā is sensitive to the lexical and syntactic requirements for sentence meaning, the interpretive unity guiding a communicative act, and the nuances of creative language use found in poetry. After outlining his model of lakṣaṇā, I show how arthāpatti, or presumption, (...) forms the basis of both semantic and pragmatic processes in this approach. I employ a model from contemporary linguist James Pustejovsky as one way of reconstructing Mukulabhaṭṭa’s analysis. Finally, I argue that presumption is responsible for the wide range of interpretations in creative uses of language, and that our interpretations are constrained, through defeasible in a way that our decodings of literal meanings typically are not. (shrink)