Dignāga’s theory of semantics called the “theory of apoha ” has been criticized by those who state that it may lead to a circular argument wherein “exclusion of others” is understood as mere double negation. Dignāga, however, does not intend mere double negation by anyāpoha. In his view, the word “cow” for instance, excludes those that do not have the set of features such as a dewlap, horns, and so on, by applying the semantic method called componential analysis. The present (...) paper aims to prove this by referring to the fragments quoted by Jinendrabuddhi and Siddhasenagaṇi. Dignāga logically proves that the denotation of the referent Q by the word “P” cannot be derived from the joint presence of “P” with Q. Instead, he derives it from the joint absence of “P” with the nonexistence of Q. Anyāpoha is nothing but verbal vyatireka. Componential analysis is used for describing what is to be excluded. Dignāga draws taxonomic hierarchies of words based on their customary use, and assumes componential analysis to operate in the background of the hierarchies formed in semantic fields, stating that a general term is restricted to having the same reference with one of its specific terms insofar as the former is connected with the characteristics of the latter’s referent. Moreover, he states that a proper name also denotes its referent by excluding those that do not have the cluster of a certain number of qualities. (shrink)

This paper undertakes textual exegesis and rational reconstruction of Mukula Bhaṭṭa’s Abhidhā-vṛttta-mātṛkā, or “The Fundamentals of the Communicative Function.” The treatise was written to refute Ānandavardhana’s claim, made in the Dhvanyāloka, that there is a third “power” of words, vyañjanā (suggestion), beyond the two already accepted by traditional Indian philosophy: abhidhā (denotation) and lakṣaṇā(indication).1 I argue that the explanation of lakṣaṇā as presented in his text contains internal tensions, although it may still be a compelling response to Ānandavardhana.

In his twelfth century alaṃkāraśāstra, the Candrāloka, Jayadeva Pīyūṣavarṣa reverses the sequence of topics found in Mammaṭa’s Kāvyapr-akāśa, an earlier and immensely popular work. With such a structural revisionism, Jayadeva asserts the autonomy of his own work and puts forth an ambitious critique of earlier approaches to literary analysis. Jayadeva investigates the technical and aesthetic components of poetry in the first part of the Candrāloka, prior to his formal semantic investigations in the latter half of the text, thus suggesting that (...) aesthetic evaluations of poetry beneficially inform scientific investigations of language. Jayadeva’s organization of his chapters on the semantic operations, moreover, intimates that the study of suggestive and metaphoric functions of language clarifies our understanding of denotation, which is conventionally understood to be the primary and direct path of verbal designation. (shrink)

This article offers an argument against solipsism, the view that there is only one mind that exists, my own, and that the world is a projection of my mind.1 We begin by offering a reductio ad absur...

Philosophers of language and linguists need to be wary of generalizing from too small a sample of natural languages. They also need to be wary of neglecting possible insights from philosophical traditions that have focused on natural languages other than the most familiar Western ones. Take, for example, classical Indian philosophy, where philosophical concerns with language were very much involved with the early development of Sanskrit linguistics. Indian philosophers and linguists frequently discussed more general issues about semantics, often in ways (...) that are both similar to and interestingly different from Western philosophers.One such issue is the problem of sentential unity: what is the relation of our understanding of the meaning of a sentence to our understanding of the meaning of the words that compose it? If words have meanings, why is the meaning of a sentence not just the meaning of the words that compose it? A challenging Indian response is that of the grammarian and philosopher Bhartṛhari (fifth-century), who advocated for a kind of sentence-holism according to which words are unreal and sentence-meaning is primary. (shrink)

Relation between language and extra-linguistic reality is an important problem of Bhartṛhari’s linguistic philosophy. In the ‘Vākyapadīya,’ this problem is discussed several times, but in accordance with the general perspectivist trend of Bhartṛhari’s philosophy each time it is framed through different concepts and different solutions are provided. In this essay, an attempt is undertaken to summarize the variety of different and mutually exclusive views on language and extra-linguistic reality in VP and to formulate the hidden presuppositions on which the actual (...) viewpoints expressed in the kārikās are based. As a result, the following approaches are formulated: Language is coextensive with external reality. Language, designated as kalpanā/vikalpa, is distinct from reality. Language refers to the secondary/metaphorical reality. Language and reality somehow correlate, because otherwise, practical/linguistic activity would be impossible. The origin of these approaches and their affinities with different schools of Indian philosophy are examined. Approach, according to which correlation between language and reality is functional and not ontological, seems very close to Dharmakīrti’s concept of arthakriyā. This approach accords with Bhartṛhari’s perspectivist philosophical strategy. It enabled him to explain how effective linguistic activity is possible, capturing language in its dynamic aspect, without limitative static ontological constructions. (shrink)

This paper examines three commentaries on the Śabdapariccheda in Kumārila Bhaṭṭa’s Ślokavārttika, along with the the seventeenth century Bhāṭṭa Mīmāṃsā work, the Mānameyodaya. The focus is the Mīmāṃsā principle that only sentences communicate qualified meanings and Kumārila’s discussion of a potential counter-example to this claim–single words which appear to communicate such content. I argue that there is some conflict among commentators over precisely what Kumārila describes with the phrase sāmarthyād anumeyetvād, although he is most likely describing ellipsis completion through arthāpatti. (...) The paper attempts both a cogent exegesis and philosophical evaluation of the Bhāṭṭa Mīmāṃsā view of ellipsis completion, arguing that there remain internal tensions in the account of ellipsis preferred by the Bhāṭṭa, tensions which are not entirely resolved even by the late date of the Mānameyodaya. (shrink)

This paper aims to make an anti-canonical reading of the avivakṣitavācya-variety of dhvani conceptualized by the ninth century Sanskrit literary critic Ānandavardhana in his seminal work Dhvanyāloka. In this paper, I argue that avivakṣitavācya-dhvani opens up a signifier to new significations that are not conventionally associated with it through a process of deterritorialization. In any language, convention functions as a structuring mechanism upon a signifier by clearly demarcating a rigid semantic ambit for it. By the term ‘conventional semantic ambit’, I (...) mean the boundary of signification set by convention for each signifier. The primary problem associated with the imposition of a definite territory upon a signifier is that it prevents an individual signifier from representing any new significations that are not conventionally attached to it. For example, in the conventional semantic ambit, the word ‘cat’ cannot represent the idea of a ‘dog’. In the act of mapping a fixed territory for each signifier, convention also structures the individual-user of the language by forcing him or her to confine to a specific plan of dealing with signifiers. Thus, the individual user of language within a conventional semantic ambit is rendered absolutely passive, as s/he has nothing new to contribute or create, other than reproducing an always-already existing plan of functioning. It is precisely this structuring tendency of convention that gets challenged in Ānanda’s avivakṣitavācya-dhvani. Such a mechanism is definitely a liberating experience for both the signifier and the individual-users of the language who are forced to accept the signifiers in a specific fashion. Along with the exposition of avivakṣitavācya-dhvani’s resistance to a signifier’s conventional semantic ambit, this paper also aims to conceptualize the figure of the reader that avivakṣitavācya-dhvani anticipates for itself. (shrink)

Questions regarding what exists are central to various forms of Buddhist philosophy, as they are to many traditions of philosophy. Interestingly, there is perhaps a clearer consensus in Buddhist thought regarding what does not exist than there may be regarding precisely what does exist, at least insofar as the doctrine of anātman (no self, absence of self) is taken to be a fundamental Buddhist doctrine. It may be noted that many forms of Mahāyāna Buddhist philosophy in particular are considered to (...) offer a quite austere ontology—a rather ‘empty’ account of what exists. Continuing in this vein of ontological austerity, here I will attempt to lay out a relatively novel approach to Buddhist ontology, viz. Buddhist fictionalism. (shrink)

The Pauṣkara briefly discusses the meaning-expressing nature of śabda (constituted of phonemes, varṇa) and the means to the cognition of word and sentence meaning. According to this dualistic Śaiva Tantra, meaning is denoted by nāda, a capacity of varṇas. Varṇas also are the means to the cognition of meaning through a capacity (saṃskāra) manifested in them. Although the meaning-denoting capacity is natural to varṇas, the relation of words (which are nothing but groups of varṇas) with objects is fixed by convention. (...) This article translates and analyzes the relevant passages from the sixth and eighth chapters. Certain arguments of plagiarism levelled against the eighth chapter of the Pauṣkara are examined in the concluding part of the article. (shrink)

The aim of this article is to reconstruct the classical Sāṁkhya view on the relationship between a word and its meaning. The study embraces all the extant texts of classical Sāṁkhya, but it is based mainly on the Yuktidīpikā, since this commentary contains most of the fragments which are directly related to the topic of our research. The textual analysis has led me to the following conclusion. It is possible to reconstruct two different and conflicting views on the relationship between (...) a word and its meaning from the classical Sāṁkhya texts. The first view, the source of which is the Yuktidīpikā, is that all words are conventional in their origin. It resembles the Nyāya-Vaiśeṣika theory of the primary linguistic convention and the conventional origin of all words. The second view, which is the implication of the Sāṁkhya idea of the authorless Vedas we can reconstruct on the basis of the majority of the classical Sāṁkhya commentaries, is that the relationship between a word and its meaning is natural. This view is probably influenced by Mīmāṁsā. Both of these views are hardly compatible with the Sāṁkhya teaching. It seems like classical Sāṁkhya, not having created its own detailed theory, oscillated between different conceptions. (shrink)

The epistemology of śabda is one of the main themes in Bhaṭṭa Jayanta’s Nyāyamañjarī, and, in the hypotheses explored in this paper, also the conceptual basis of Jayanta’s textual re-use. The sixth chapter of the Nyāyamañjarī contains a debate between Vaiyākaraṇas and Mīmāṃsakas who, respectively, advocated an holistic or atomistic theory of language. Selected Jayanta’s re-uses from Vyākaraṇa, Mīmāṃsā, and Nyāya sources are here surveyed and analyzed, with a focus on their meaning and on the context. The method of analysis (...) is partially following Moravcsik’s scheme for a classification of citations, as well as Small’s classification by symbolic functions. By re-using texts Jayanta not only imparted authority to his own arguments, but also reassessed the relation of his tradition with other ones. Re-used ideas and words stand for symbols of those authors’ tenets, and those authors represent symbols of their respective traditions. Moreover, by quoting a certain author Jayanta often anointed him with a symbolic status of trustworthy authority, and his statement with a status of śabdapramāṇa. (shrink)

The two theories of verbal cognition, namely abhihitānvaya and anvitābhidhāna, first put forth by the Bhāṭṭa and Prābhākara Mīmāṃsakas respectively in the second half of the first millennium C.E., can be considered as being foundational as all subsequent thinkers of the Sanskritic intellectual tradition engaged with and elaborated upon these while debating the nature of language and meaning. In this paper, I focus on the first chapter of Śālikanātha’s Vākyārthamātṛkā and outline the process of anvitābhidhāna described therein. Śālikanātha explains this (...) as comprising three steps, and thereafter discusses each of these three to elaborate upon and philosophically defend this conception of how one cognizes sentential meaning. The aim of this paper is to present Śālikanātha’s three-step model, and thus demonstrate especially the distinct conception of abhidhāna for the Prābhākara Mīmāṃsakas as complex and chronologically extended as contrasted with the Bhāṭṭa conception of abhidhāna as non-complex and instantaneous. Such an understanding of the disparate semantic contents with which the Bhāṭṭas and Prābhākaras use the identical term abhidhāna is crucial for any correct study of their respective doctrines. (shrink)

The aim of this study is to clarify the meaning of the term saṁketa, which is usually translated as ‘ convention’, in the Yogasūtrabhāṣya, the first and the most authoritative commentary to the Yogasūtras. This paper is a contribution to the reconstruction of the classical Yoga view on the relation between word and its meaning, for saṁketa is a key term used by this darśana in discussing this relation. The textual analysis of the Yogasūtrabhāṣya has led me to the conclusion (...) that its author’s understanding of the linguistic convention is different from the notion of the linguistic convention of the Vaiśeṣikas and Naiyāyikas and similar to the notion of the linguistic convention of the Grammarians. These are interpretations of the term saṁketa which reflect Yogasūtrabhāṣya’s understanding of the linguistic convention: the tradition of the usage of words, established usage of words. Saṁketa of the Yogasūtrabhāṣya, unlike saṁketa/samaya of the Vaiśeṣikas and Naiyāyikas, is not an agreement established by anyone, but an agreement in the sense of tradition, established practice, or established custom. Unlike the saṁketa/samaya of these philosophers, the saṁketa of the Yogasūtrabhāṣya, having neither beginning nor end, is not re-created, but only made known at the beginning of each cycle of existence of the world. (shrink)

Although seldom mentioned in the secondary literature on Vaiśeṣika, the cognitive category of ārṣajñāna (ṛṣi cognition) is accepted as a distinct category of vidyā (knowledge) within both early and later Vaiśeṣika texts. This article deals with how ārṣajñāna is conceptualized in Praśastapādabhāṣya (PBh), Śrīdhara’s Nyāyakandalī (NK), and Vyomaśiva’s Vyomavatī (Vy). The main focus lies on how ṛṣi cognition is treated in these texts and what terms are used in the process. I aim to clarify the analysis of ṛṣi cognition apparent (...) in the above sources and outline the implications this might have for the somewhat grander objective of a mapping of the semantic landscape of cognition and knowledge in Vaiśeṣika texts. The categories of yogic perception (yogipratyakṣa) and siddhic vision (siddhadarśana) are also treated since they are included within a shared discourse. (shrink)

This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review (...) modern and classical art history, mainly in the medium of painting, through an understanding of the concept of Dhvani, and charts a course of reinterpreting and examining possible points of concurrence and departure with respect to the Deleuzian logic of sensation and his notions of time-image and perception. The author thereby aims to move art interpretation's paradigm towards a non-linguistic sensory paradigm of experience. The focus of the paper is to break the moulds of normative theory-making which guide ideal conditions of ‘understanding art’ and look into alternative modes of experiencing the ‘vocabulary’ of art through trans-disciplinary intersections, in this case the disciplines being those of visual art, literature and phenomenology. (shrink)

Eli Franco has recently suggested to distinguish the two main periods in the history of Indian philosophy, i.e. the older ontological and the new epistemological. In the Vākyapadīya, however, ontology and epistemology are evidently intertwined and interrelated. In this paper ontological and epistemological features of the concepts of paśyantī, pratibhā, sphoţa and jāti are analyzed in order to demonstrate that all these concepts, while being ontologically different, are engaged in similar epistemological processes, i.e. the cognition of a verbal utterance. Thus (...) the identification of sphoţa and jāti as well as of paśyantī and pratibhā met with in some passages of VP and the commentaries implies not the absolute identity of these concepts, but only their overlapping in the sphere of epistemology. Considering concepts of different origin in one epistemological perspective enables to escape controversies in interpretation and provides a kind of consistency in a bit but amorphous work of Bhartŗhari. (shrink)

The anvartha-saṃjñā compound associates two contradictory terms: anvartha, which means “[used] in conformity with his [etymological/first] meaning”, and saṃjñā which implies the idea of a convention; it therefore appears to be quite intriguing. The question is: is it relevant to focus on this contradiction or is it only a false problem? The aim of this paper is to answer the above question and this implies to grasp somewhat better the use of this notion by the Pāṇinian grammarians. To do so, (...) the author has studied the main texts of the Pāṇinian tradition, having in mind the following questions: did the Pāṇinian grammarians deal with this notion and, if so, in what terms? Did they perceive the contradiction raised by the association of the terms anvartha and samjñā? The study will show that this contradiction is only a false problem: according to the Pāṇinian grammarians quoted above, even when a saṃjñā is provided with an etymological/first meaning and its bearer (or one of its properties) is partly described by this meaning, this saṃjñā belongs, above all, to the domain of convention. (shrink)

The role of memory in one’s cognition of sentential meaning is a pivotal topic in Indian philosophical debates on the nature of language. The Bhāṭṭa Mīmāṃsakas claim in their doctrine of abhihitānvaya that words denote word-meanings which in turn lead one to sentential meaning, with memory playing only a limited role in this process. The Prābhākara Mīmāṃsakas however assign memory a central role and assert that each word in a sentence denotes the connected sentential meaning. This paper is a philosophical (...) and philological study of the arguments presented by the influential Prābhākara thinker Śālikanātha in his Vākyārthamātṛkā-I in order to substantiate the role of memory as part of the doctrine of anvitābhidhāna. The VM-I commences these discussions with an objection of the Bhāṭṭa pūrvapakṣin against this Prābhākara doctrine, and thereafter proceeds to refute this objection by demonstrating the role of memory, specifically in regard to word-meaning. Śālikanātha lays out his refutation by means of several layers of intricate argumentation, and this paper attempts to follow the text closely and present cogently his philosophical reasoning. The aim of this paper is thus to not only demonstrate the early pre-empting of this Bhāṭṭa objection by Śālikanātha himself but also his own responses to this, thereby enabling one to understand with greater clarity a cornerstone of the elaborate doctrine of anvitābhidhāna. (shrink)

This essay offers a fresh interpretation of Bhartr̥hari’s concept of “insight”, and of its identification as the object of a sentence in the second kāṇḍa of the Vākyapadīya. Earlier scholars dealing with this topic disagreed on three main points: whether an epistemologically rigorous concept of insight can be found in Bhartr̥hari’s work, or if the notion remains irrevocably vague and equivocal; whether the concept of pratibhā primarily belongs to linguistics, or to action theory; whether Bhartr̥hari’s identification of insight as the (...) object of a sentence should be taken literally or figuratively. Starting from a close analysis of all passages in Bhartr̥hari’s work mentioning pratibhā, I identify, first of all, a univocal understanding of insight, valid throughout the Vākyapadīya, as immediate cognition informed by verbal transmission, in other words as a form of practical knowledge, non-representational yet essentially productive and dynamic. Showing, on this basis, how Bhartr̥hari’s understanding of language at the level of sentences is pragmatic rather than referential, I demonstrate, against the view prevalent in the late grammatical tradition, that a literal interpretation of his provocative statement on pratibhā as vākyārtha remains perfectly plausible. This thesis is further corroborated by the consideration of post-Bhartr̥hari philosophical sources elaborating on his ideas, which allow us better to understand in what sense pratibhā can legitimately be thought of as cognition “without an object”. (shrink)