A study of culturally-embedded perceptual responses to aesthetic value indicates that learned perceptual capacities can secure compliance with social norms. We should therefore resist the temptation to draw a line between cognitive processes, such as perception, that can adapt to differences in physical environments, and cognitive processes, such as economic decision-making, that are shaped by social norms. Compliance with social norms is a result of perceptual learning when that same compliance modifies perceptible features of the physical environment.

Some kinds are both socially constructed and perceptible, such as gender and race. However, this gives rise to a puzzle that has been largely neglected in social constructionist accounts: how does culture shape and bias what we perceive? I argue that perceptual learning is the best explanation of our ability to perceive social kinds, in comparison to accounts that require a person acquire beliefs, theories, or concepts of the kind. I show how relatively simple causal factors known to influence perceptual (...) learning in the laboratory can be extended to understand how culture shapes and biases perception. This account makes clear that the process of perceptual enculturation begins at a very early age, and does not in most cases require background beliefs on the part of the learner: the causal pathways by which perceptual learning occur suffice. It has significance for our understanding of how socially constructed kinds are culturally transmitted, as well as for how such kinds might be altered through interventions. (shrink)

Here is a puzzle about aesthetic education. In a variety of contexts, we commit significant time, energy, and resources to aesthetic education. We teach (and in many cases publicly subsidize) university courses and degrees that have aesthetic education as their primary aim; we also invest public resources into museums, including enrichment programs that are also designed to afford aesthetic education. It would seem that if our commitment to aesthetic education is rational, then aesthetic appreciation is something that can be done (...) better or worse. However, we also, in a variety of contexts (oddly enough, some of them being the same sorts of contexts that are designed to abet aesthetic education), act as if it is true that there is no disputing taste. We may try to persuade students to come around to particular judgments, but we do not penalize students for judging one way or another. The aim of this paper is to dissolve the apparent puzzle of aesthetic education by clarifying its aims and advancing a conception of it that deemphasizes the role of taste. I claim that, pace “the default view of aesthetic education” (as I shall call it), the primary purpose of aesthetic education is not to educate taste. It is, rather, to facilitate the development of certain perceptual-cognitive capacities so as to enhance aesthetic experience and improve aesthetic appreciation. Thus, I call the view of aesthetic education advanced here “a perceptual-cognitive model”. (shrink)