- The Contents of Visual Experience.Susanna Siegel - 2010 - , US: Oxford University Press USA.details
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Cognition does not affect perception: Evaluating the evidence for “top-down” effects.Chaz Firestone & Brian Scholl - 2016 - Behavioral and Brain Sciences 39:1-72.details
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Thought in Action: Expertise and the Conscious Mind.Barbara Montero - 2016 - Oxford, United Kingdom: Oxford University Press UK.details
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Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.details
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Aesthetics as Philosophy of Perception.Bence Nanay - 2016 - Oxford, United Kingdom: Oxford University Press UK.details
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(1 other version)Is vision continuous with cognition?: The case for cognitive impenetrability of visual perception.Zenon Pylyshyn - 1999 - Behavioral and Brain Sciences 22 (3):341-365.details
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Cognitive Penetrability of Perception.Dustin Stokes - 2013 - Philosophy Compass 8 (7):646-663.details
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From supervenience to superdupervenience: Meeting the demands of a material world.Terence E. Horgan - 1993 - Mind 102 (408):555-86.details
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(2 other versions)The Visual Experience of Causation.Susanna Siegel - 2010 - In The Contents of Visual Experience. , US: Oxford University Press USA.details
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Aesthetic Concepts.Frank Sibley - 1959 - Philosophical Review 68 (4):421-450.details
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Everyday Aesthetics.Yuriko Saito - 2007 - Oxford, GB: Oxford University Press.details
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Do We Perceive Natural Kind Properties?Berit Brogaard - 2013 - Philosophical Studies 162 (1):35 - 42.details
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Art and its Objects.Richard Wollheim - 1968 - Cambridge, United Kingdom: Cambridge University Press. Edited by Richard Thomas Eldridge.details
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The Epistemic Role of Core Cognition.Zoe Jenkin - 2020 - Philosophical Review 129 (2):251-298.details
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Everyday aesthetics.Yuriko Saito - 2001 - Philosophy and Literature 25 (1):87-95.details
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(1 other version)Cognitive Penetration and the Perception of Art (Winner of 2012 Dialectica Essay Prize).Dustin Stokes - 2014 - Dialectica 68 (1):1-34.details
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Rich perceptual content and aesthetic properties.Dustin Stokes - 2018 - In Anna Bergqvist & Robert Cowan (eds.), Evaluative Perception. Oxford, United Kingdom: Oxford University Press.details
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Aesthetic and nonaesthetic.Frank Sibley - 1965 - Philosophical Review 74 (2):135-159.details
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Inside Jokes: Using Humor to Reverse-Engineer the Mind.Matthew M. Hurley, Daniel Clement Dennett & Reginald B. Adams - 2011 - MIT Press.details
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The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.details
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Beyond Art.Dominic Lopes - 2014 - New York, NY: Oxford University Press.details
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(6 other versions)Perceptual Learning: The Flexibility of the Senses.Kevin Connolly - 2018 - OUP USA.details
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Expert Knowledge by Perception.Madeleine Ransom - 2020 - Philosophy 95 (3):309-335.details
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Perceptual Learning and the Contents of Perception.Kevin Connolly - 2014 - Erkenntnis 79 (6):1407-1418.details
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Art and Visual Perception: A Psychology of the Creative Eye.Rudolph Arnheim - 1956 - Philosophy and Phenomenological Research 16 (3):425-426.details
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The Pervasiveness of the Aesthetic in Ordinary Experience.Sherri Irvin - 2008 - British Journal of Aesthetics 48 (1):29-44.details
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Waltonian Perceptualism.Madeleine Ransom - 2020 - The Journal of Aesthetics and Art Criticism 78 (1):66-70.details
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The aesthetic function of art.Gary Iseminger - 2004 - Ithaca, N.Y.: Cornell University Press. Edited by Kevin A. Stoehr.details
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Frauds, Posers And Sheep: A Virtue Theoretic Solution To The Acquaintance Debate.Madeleine Ransom - 2017 - Philosophy and Phenomenological Research 98 (2):417-434.details
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Approach to aesthetics: collected papers on philosophical aesthetics.Frank Sibley (ed.) - 2001 - New York: Oxford University Press.details
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Visual experience of natural kind properties: is there any fact of the matter?Heather Logue - 2013 - Philosophical Studies 162 (1):1-12.details
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What's wrong with immediate knowledge?William P. Alston - 1983 - Synthese 55 (April):73-96.details
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Appreciation and the natural environment.Allen Carlson - 1979 - Journal of Aesthetics and Art Criticism 37 (3):267-275.details
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Mere Exposure to Bad Art.Aaron Meskin, Mark Phelan, Margaret Moore & Matthew Kieran - 2009 - British Journal of Aesthetics 53 (2):139-164.details
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Reasoned and Unreasoned Judgement: On Inference, Acquaintance and Aesthetic Normativity.Dan Cavedon-Taylor - 2017 - British Journal of Aesthetics 57 (1):1-17.details
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Cognitive penetrability : a no-progress report.Edouard Machery - 2015 - In John Zeimbekis & Athanassios Raftopoulos (eds.), The Cognitive Penetrability of Perception: New Philosophical Perspectives. Oxford: Oxford University Press.details
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Perceptual learning.Robert L. Goldstone & Lisa A. Byrge - 2015 - In Mohan Matthen (ed.), The Oxford Handbook of the Philosophy of Perception. New York, NY: Oxford University Press UK.details
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Art and Visual Perception: The New Version.Rudolf Arnheim - 1969 - Journal of Aesthetics and Art Criticism 34 (3):361-364.details
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Attentional Weighting in Perceptual Learning.Madeleine Ransom - 2020 - Journal of Consciousness Studies 27 (7-8):236-248.details
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Non‐Inferentialism about Justification – The Case of Aesthetic Judgements.Fabian Dorsch - 2013 - Philosophical Quarterly 63 (253):660-682.details
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Perception in Practice.Dominic McIver Lopes & Madeleine Ransom - 2022 - Review of Philosophy and Psychology 14 (2):387-400.details
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Imagination and the aesthetic appreciation of nature.Emily Brady - 1998 - Journal of Aesthetics and Art Criticism 56 (2):139-147.details
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(1 other version)Artistic crimes: The problem of forgery in the arts.Denis Dutton - 1979 - British Journal of Aesthetics 19 (4):302-314.details
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(1 other version)The Aesthetic Function of Art.Gary Iseminger - 1999 - The Proceedings of the Twentieth World Congress of Philosophy 4:169-176.details
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Who's Afraid of Conceptual Art?Peter Goldie & Elisabeth Schellekens - 2009 - Routledge.details
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Feckless Reason.Dominic McIver Lopes - 2014 - In Greg Currie, Matthew Kieran, Aaron Meskin & Jon Robson (eds.), Aesthetics and the Sciences of Mind. New York, NY: Oxford University Press. pp. 21-36.details
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Kendall Walton's 'categories of art': A critical commentary.Brian Laetz - 2010 - British Journal of Aesthetics 50 (3):287-306.details
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On being moved by nature: between religion and natural history.Noël Carroll - 1993 - In . Cambridge University Press. pp. 244-266.details
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Particularity, Art and Evaluation.F. N. Sibley - 1974 - Aristotelian Society Supplementary Volume 48 (1):1-22.details
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Work and object: explorations in the metaphysics of art.Peter Lamarque - 2010 - New York: Oxford University Press.details
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