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Politics and aesthetics an interview

Angelaki 8 (2):191 – 211 (2003)

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  1. Practical aesthesis.Rob Shields & Nicholas Hardy - 2024 - Thesis Eleven 180 (1):15-36.
    Aesthesis, the classical term for sensing and perceiving, is at the heart of innumerable problems that plague global society. The purpose of this article is to open a conversation on aesthesis. We survey the roots and relevance of aesthesis as a direct albeit contested relation and engagement with the world and with Others. From its pre-Socratic origins, aesthesis has been both a pragmatic, somatic concept, prompting a re-evaluation of the distinction between experience and abstraction. We trace its ongoing repression from (...)
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  • Ghilini, Anabela. “Una aproximación a ‘lo político’ y ‘la política’ desde la perspectiva de Ernesto Laclau y Jacques Rancière.” Opción 31.78 (2015): 138-144. [REVIEW]Luis David Castillo - 2017 - Ideas Y Valores 66 (164):401-405.
    RESUMEN El artículo responde algunas críticas planteadas por Ignacio Ávila a mi interpretación de la epistemología davidsoniana. Presento argumentos en contra de: a) que sea necesario distinguir entre representaciones epistemológicamente “peligrosas”e “inofensivas”; b) que el empirismo mínimo sea un tipo de realismo directo; c) que mi uso de la expresión “evidencia distal” y el interés por la teoría de la correspondencia sean asuntos ajenos a Davidson. Finalmente, sostengo que la triangulación es un elemento fundamental de la epistemología davidsoniana, pues permite (...)
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  • A Select Bibliography.Jacques Rancière - 2005 - Paragraph 28 (1):110-115.
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  • Jacques Rancière and Care Ethics: Four Lessons in (Feminist) Emancipation.Sophie Bourgault - 2022 - Philosophies 7 (3):62.
    This paper proposes a conversation between Jacques Rancière and feminist care ethicists. It argues that there are important resonances between these two bodies of scholarship, thanks to their similar indictments of Western hierarchies and binaries, their shared invitation to “blur boundaries” and embrace a politics of “impropriety”, and their views on the significance of storytelling/narratives and of the ordinary. Drawing largely on Disagreement, Proletarian Nights, and The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation, I also indicate that Rancière’s work offers (...)
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  • The Modern Concept of Aesthetic Experience: from Ascetic Pleasure to Social Criticism.Alison Ross - 2010 - Critical Horizons 11 (3):333-339.
    This paper examines the use of “pleasure” as the distinguishing mark of aesthetic experience in post-Kantian philosophy. It shows how the distinctive features of aesthetic experience, such as pleasure, qualify this experience as a platform for social criticism. The key argument is that the autonomy of the aesthetic experience is not “false”, rather it is paradoxical in the strong sense that the fact of its communicative efficacy, which follows from distinctive, “autonomous” aesthetic features, necessarily loads it with functions and expectations (...)
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  • Jacques Rancière's Aesthetic Regime and Democratic Education.Tyson E. Lewis - 2013 - Journal of Aesthetic Education 47 (2):49-70.
    In the novel The City and the City, by China Mieville, the reader follows the Kafkaesque journey of Inspector Tyador Borlu through a labyrinthian political conspiracy set in two politically autonomous yet territorially overlapping cities: Beszel and Ul Qoma. Although “grosstopically” interwoven like topographic doppelgangers, the two cities are perceived as distinct political and cultural territories. Even as citizens from the two cities intermingle on divided streets, live in buildings where different floors exist in different cities, and children climb on (...)
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