A popular way for irrealists to explain co-identification—thinking and talking ‘about the same thing’ when there is no such thing—is by appeal to causal, historical or informational chains, networks or practices. Recently, however, this approach has come under attack by philosophers who contend that it cannot provide necessary and/or sufficient conditions for co-identification. In this paper I defend the approach against these objections. My claim is not that the appeal to such practices can provide necessary and sufficient conditions for co-identification, (...) but rather that it is a mistake to seek these in the first place. -/- . (shrink)

Mental file theory has recently attracted growing interest among philosophers of mind and philosophers of language. Some experts are of the opinion that the insights of file theory may also be helpful in understanding the problems of fictionality. Orlando offered a specific version of fictional file theory to which she added later certain clarifications and corrections. In this paper I will first try to show that while Orlando’s updated account of fiction is original and inspirative, it still suffers from some (...) problems. Then I briefly delineate an alternative view, which is linguistic rather than mentalistic in its orientation. But, instead of arguing for the superiority of that view, I will conclude that the main challenge for the theory of fiction is to find an explanatory level where the mental and linguistic aspects of artworks can be treated simultaneously. (shrink)

In this paper, I argue that the theory of mental files can provide a unitary cognitive account of how names and singular terms work in fiction. I will suggest that the crucial notion we need is not the one of regular file, i.e., a file whose function is to accumulate information that we take to be about a single object of the outside world, but the notion of indexed file, i.e., a file that stands, in the subject’s mind, for another (...) subject’s file about an object. When we read a novel containing the name of an individual, we acquire (fictional) information about that individual and we store those pieces of information into an indexed file. If the name also refers to a real individual outside the context of fiction, the indexed file is linked with the pre-existing regular file that we have about such individual. Otherwise, the indexed file is linked to a regular file referring to an abstract object, namely the fictional entity itself. (shrink)

The concept of intentional identity has aroused considerable interests since Geach. I argue, however, that the real import of intentional identity is still not duly appreciated. Drawing on three sets of close-knit data – intersubjective and intrasubjective intentional identity, along with cross-speaker anaphora, I submit coordination as the key to its proper understanding and propose a set of success conditions thereof.