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Some Remarks on Explicit Performatives, Indirect Speech Acts, Locutionary Meaning and Truth-value

In John Searle, F. Kiefer & Manfred Berwisch (eds.), Speech Act Theory and Pragmatics. Dordrecht. pp. 205-220 (1980)

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  1. How performatives work.John R. Searle - 1989 - Linguistics and Philosophy 12 (5):535 - 558.
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  • Force cancellation.François Recanati - 2019 - Synthese 196 (4):1403-1424.
    Peter Hanks and Scott Soames both defend pragmatic solutions to the problem of the unity of the proposition. According to them, what ties together Tim and baldness in the singular proposition expressed by ‘Tim is bald’ is an act of the speaker : the act of predicating baldness of Tim. But Soames construes that act as force neutral and noncommittal while, for Hanks, it is inherently assertive and committal. Hanks answers the Frege–Geach challenge by arguing that, in complex sentences, the (...)
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  • Content, Mood, and Force.Francois Recanati - 2013 - Philosophy Compass 8 (7):622-632.
    In this survey paper, I start from two classical theses of speech act theory: that speech act content is uniformly propositional and that sentence mood encodes illocutionary force. These theses have been questioned in recent work, both in philosophy and linguistics. The force/content distinction itself – a cornerstone of 20‐century philosophy of language – has come to be rejected by some theorists, unmoved by the famous ‘Frege–Geach’ argument. The paper reviews some of these debates.
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  • Performative utterances: A reply to Bach and Harnish. [REVIEW]Marga Reimer - 1995 - Linguistics and Philosophy 18 (6):655 - 675.
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