Switch to: References

Citations of:

Austrian Aesthetics

Maria E. Reicher

In Markus Textor (ed.), The Austrian contribution to analytic philosophy. New York: Routledge. pp. 293–323 (2006)

Add citations

You must login to add citations.

Bolzano on Art.Paisley Nathan Livingston - 2016 - British Journal of Aesthetics 56 (4):333-345.details In his little-known essay published posthumously in 1849, Über die Eintheilung der schönen Künste, Bernard Bolzano proposes an explication of the concept of beautiful art as well as a classification of these arts. Bolzano’s divisions allowed him not only to provide a principled and comprehensive classification of actual, well-established arts, but also to anticipate kinds of beautiful art that would not exist or be widely recognized until decades after his death, such as moving pictures, abstract paintings, and what he called (...) Download Export citation Bookmark 2 citations
(1 other version)Meinong on Aesthetic Objects and the Knowledge-Value of Emotions.Venanzio Raspa - 2013 - Humana.Mente. Journal of Philosophical Studies 25:211-234.details In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on "Über emotionale Präsentation", I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...) Download Export citation Bookmark
(1 other version)History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.details First critical survey devoted to the history of philosophical contributions to this topic. Brings to light neglected contributions prior to the second half of the 20th century including works in Danish, German, and French. Provides a division of issues and clarifies key ambiguities related to modality. Download Export citation Bookmark 4 citations
(1 other version)Meinong on Aesthetic Objects and the Knowledge-Value of Emotions.Venanzio Raspa - 2013 - Humana Mente 6 (25).details In this paper I trace a theoretical path along Meinong’s works, by means of which the notion of aesthetic object as well as the changes this notion undergoes along Meinong’s output will be highlighted. Focusing especially on Über emotionale Präsentation, I examine, on the one hand, the cognitive function of emotions, on the other hand, the objects apprehended by aesthetic emotions, i.e. aesthetic objects. These are ideal objects of higher order, which have, even though not primarily, the capacity to attract (...) Download Export citation Bookmark
Experiencing Art: Austrian Aesthetics between Psychology and Psychologism.Wolfgang Huemer - 2009 - In W. Huemer & B. Centi (eds.), Value and Ontology. Ontos-Verlag. pp. 12--267.details Download Export citation Bookmark 6 citations

1