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Switch to: References
Citations of:
Performative utterances: A reply to Bach and Harnish [Book Review]
Linguistics and Philosophy 18 (6):655 - 675 (1995)
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Moorean constructions are famously odd: it is infelicitous to deny that you believe what you claim to be true. But what about claiming that p, only to immediately put into question your evidence in support of p? In this paper, we identify and analyse a class of quasi-Moorean constructions, which we label counterevidentials. Although odd, counterevidentials can be accommodated as felicitous attempts to mitigate one’s claim right after making it. We explore how counterevidentials differ from lexicalised mitigation operators, parentheticals, and (...) |
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In a recent book (_Lying and insincerity_, Oxford University Press, 2018), Andreas Stokke argues that one lies iff one says something one believes to be false, thereby proposing that it becomes common ground. This paper shows that Stokke’s proposal is unable to draw the right distinctions about insincere performative utterances. The objection also has repercussions on theories of assertion, because it poses a novel challenge to any attempt to define assertion as a proposal to update the common ground. |
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Not every speech act can be a lie. A good definition of lying should be able to draw the right distinctions between speech acts that can be lies and speech acts that under no circumstances are lies. This paper shows that no extant account of lying is able to draw the required distinctions. It argues that a definition of lying based on the notion of ‘assertoric commitment’ can succeed where other accounts have failed. Assertoric commitment is analysed in terms of (...) |
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This thesis addresses philosophical problems concerning improper assertions. The first part considers the issue of defining lying: here, against a standard view, I argue that a lie need not intend to deceive the hearer. I define lying as an insincere assertion, and then resort to speech act theory to develop a detailed account of what an assertion is, and what can make it insincere. Even a sincere assertion, however, can be improper (e.g., it can be false, or unwarranted): in the (...) |
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The argument from convention contends that the regular use of definite descriptions as referential devices strongly implies that a referential semantic convention underlies such usage. On the presumption that definite descriptions also participate in a quantificational semantic convention, the argument from convention has served as an argument for the thesis that the English definite article is ambiguous. Here, I revisit this relatively new argument. First, I address two recurring criticisms of the argument from convention: its alleged tendency to overgenerate and (...) |
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Performative Utterances: Seven Puzzles It was John Austin who introduced the word "performative" into the philosophy of language and linguistics. His original idea was that there are utterances which are more correctly characterized as doing something rather than stating something. Austin wrote: "when I say ‘I do’, I am not reporting on a marriage, I am indulging in it." As is well known, Austin went on to work out this notion of a performative utterance in a number of directions, but (...) |
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The notion of an indirect speech act is at the very heart of cognitive pragmatics, yet, after nearly 50 years of orthodox (Searlean) speech act theory, it remains largely unclear how this notion can be explicated in a proper way. In recent years, two debates about indirect speech acts have stood out. First, a debate about the Searlean idea that indirect speech acts constitute a simultaneous realization of a secondary and a primary act. Second, a debate about the reasons for (...) |
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This paper argues that the standard evidence for the knowledge norm of assertion can be extended to provide evidence for a corresponding knowledge norm of blame. |
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This paper contributes to the study of explicit performative utterances in the following ways. First, it presents arguments that support Austin’s view that these utterances are not assertions. In doing so, it offers an original explanation of why they cannot be true or false. Second, it puts forward a new analysis of explicit performatives as cases of showing performing, rather than of instances of asserting or declaring that one is performing a particular act. Finally, it develops a new account of (...) |
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