This article proposes a number of models to examine through which mechanisms a population of autonomous agents could arrive at a repertoire of perceptually grounded categories that is sufficiently shared to allow successful communication. The models are inspired by the main approaches to human categorisation being discussed in the literature: nativism, empiricism, and culturalism. Colour is taken as a case study. Although we take no stance on which position is to be accepted as final truth with respect to human categorisation (...) and naming, we do point to theoretical constraints that make each position more or less likely and we make clear suggestions on what the best engineering solution would be. Specifically, we argue that the collective choice of a shared repertoire must integrate multiple constraints, including constraints coming from communication. Key Words: autonomous agents; colour categorisation; colour naming; connectionism; cultural evolution; genetic evolution; memes; origins of language; self-organisation; semiotic dynamics; symbol grounding. (shrink)

Goldstein reported multiple cases of failure to categorise colours in patients that he termed amnesic or anomic aphasics. These patients have a particular difficulty in producing perceptual categories in the absence of other aphasic impairments. We hold that neuropsychological evidence supports the view that the task of colour categorisation is logically impossible without labels.

Perceptual similarity was examined in a remote culture and compared to that of Western observers. Similarity was assessed in a relative size judgement task and in an odd-one-out detection task. Thus, we examined the effects of culture on what might be considered low-level visual abilities. For both tasks, we found that performance was affected by stimuli that were culturally relevant to the tasks. In Experiment 1, we showed that the use of cow stimuli instead of the standard circles increased illusory (...) strength for the Himba. In Experiment 2, only the Himba showed more accurate detection based on category differences in the displays. It is argued that that Categorical Perception in Experiment 2, based on its presumed Whorfian origins, was the more reliable procedure for examining the effects of culture on perception. (shrink)