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  1. On Kepler's awareness of the problem of experimental error.Giora Hon - 1987 - Annals of Science 44 (6):545-591.
    SummaryThis paper is an account of Kepler's explicit awareness of the problem of experimental error. As a study of the Astronomia nova shows, Kepler exploited his awareness of the occurrences of experimental errors to guide him to the right conclusion. Errors were thus employed, so to speak, perhaps for the first time, to bring about a major physical discovery: Kepler's laws of planetary motion. ‘Know then’, to use Kepler's own words, ‘that errors show us the way to truth.’ With a (...)
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  • Galilean argumentation and the inauthenticity of the Cigoli letter on painting vs. sculpture.Maurice A. Finocchiaro - 2011 - Studies in History and Philosophy of Science Part A 42 (4):492-508.
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  • (1 other version)Gazing Hands and Blind Spots: Galileo as Draftsman.Horst Bredekamp - 2001 - Science in Context 14 (s1):153-192.
    the article deals with the interrelation between galileo and the visual arts. it presents a couple of drawings from the hand of galileo and confronts them with viviani's report that galileo had not only wanted to become an artist in his youth but stayed close to the field of visual arts throughout his lifetime. in the ambiance of these drawings the famous moon watercolors are not in the dark. they represent a very acute and reasonable tool to convince the people (...)
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  • (1 other version)Gazing Hands and Blind Spots: Galileo as Draftsman.Horst Bredekamp - 2000 - Science in Context 13 (3-4):423-462.
    The ArgumentThe article deals with the interrelation between Galileo and the visual arts. It presents a couple of drawings from the hand of Galileo and confronts them with Viviani's report that Galileo had not only wanted to become an artist in his youth but stayed close to the field of visual arts throughout his lifetime. In the ambiance of these drawings the famous moon watercolors are not in the dark. They represent a very acute and reasonable tool to convince the (...)
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