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Materie und Geist: eine philosophische Untersuchung

Paderborn: Mentis (2005)

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  1. Arno Ros: Materie und Geist – Eine philosophische Untersuchung. [REVIEW]Jörg R. J. Schirra - 2006 - Philosophischer Literaturanzeiger 59 (1):20-26.
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  • "Consciousness". Selected Bibliography 1970 - 2004.Thomas Metzinger - unknown
    This is a bibliography of books and articles on consciousness in philosophy, cognitive science, and neuroscience over the last 30 years. There are three main sections, devoted to monographs, edited collections of papers, and articles. The first two of these sections are each divided into three subsections containing books in each of the main areas of research. The third section is divided into 12 subsections, with 10 subject headings for philosophical articles along with two additional subsections for articles in cognitive (...)
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  • Schopenhauer, Wagner e a Ópera: algumas dificuldades com a metafísica musical a partir de uma abordagem psicolinguística.Tristan Torriani - 2010 - Voluntas: Revista Internacional de Filosofia 1 (1):138.
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  • The language game of responsible agency and the problem of free will: How can epistemic dualism be reconciled with ontological monism?Jürgen Habermas - 2007 - Philosophical Explorations 10 (1):13 – 50.
    In this essay, I address the question of whether the indisputable progress being made by the neurosciences poses a genuine threat to the language game of responsible agency. I begin by situating free will as an ineliminable component of our practices of attributing responsibility and holding one another accountable, illustrating this via a discussion of legal discourse regarding the attribution of responsibility for criminal acts. I then turn to the practical limits on agents' scientific self-objectivation, limits that turn out to (...)
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  • To show and to say: Comparing the uses of pictures and language.Jörg R. J. Schirra & Klaus Sachs-Hombach - 2007 - Studies in Communication Sciences 7 (2):35–62.
    There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? Such a question belongs to the philosophy of language just as well as to philosophical visualistics. Comparing the two abilities to use words or pictures yields several similarities as well as distinctions. A well-known conceptual disparity between pictures and words (...)
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  • The Anthropological Function of Pictures.Joerg R. J. Schirra & Klaus Sachs-Hombach - 2013 - In Klaus SachsHombach & Joerg R. J. Schirra (eds.), Origins of Pictures. Anthropological Discourses in Image Science. Halem. pp. 132-159.
    There has been a long tradition of characterizing man as the animal that is capable of propositional language. However, the remarkable ability of using pictures also only belongs to human beings. Both faculties however depend conceptually on the ability to refer to absent situations by means of sign acts called 'context building'. The paper investigates the combined roles of quasi-pictorial sign acts and proto-assertive sign acts in the situation of initial context building, which, in the context of “concept-genetic” considerations, aims (...)
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  • Emergentism revisited.Kristina Musholt - manuscript
    The “explanatory gap” is proposed to be the “hard problem” of consciousness research and has generated a great deal of recent debate. Arguments brought forward to reveal this gap include the conceivability of zombies or the “super-neuroscientist” Mary. These are supposed to show that the facts of consciousness are not a priori entailed by the microphysical facts. Similar arguments were already proposed by emergence theories in the context of the debate between mechanism and vitalism. According to synchronic emergentism, the property (...)
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  • Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. pp. 363-377.
    Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...)
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