In this article I argue that Adorno makes an internal critique of instrumental reason. I depict Adorno's notion of instrumental reason by showing how he combines Freud's materialistic epistemology with his own German Idealist inheritance. I outline his argument for the decline of instrumental reason into mythic 'animism'. Key Words: Adorno • animism • enlightenment • Freud • instrumental reason • myth.

This article investigates the status of Norbert Elias’s conception of the sociology of knowledge as the means to provide a new epistemological security for sociology. The author of the article argues that this translates into an effective critique of the underlaboring model of the relationship between philosophy and the social sciences, which is consistent with Elias’s attempt to consolidate his own sociological theory. Nevertheless, the author argues that Elias’s sociology of knowledge runs into problems in its attempt to evade the (...) problem of relativism in explanation, and in its conception of human agency. (shrink)

This paper explores the ways in which a fuller attention to suffering in the tradition of the early Frankfurt School might valuably inform international political thought. Recent poststructural writing argues that trauma is silenced to prevent it disrupting narratives of order and progress and instead advocates a continual ‘encircling’ of trauma that refuses incorporation into a broader historical narrative. This paper welcomes this challenge to mainstream international ethics: attention to particular suffering provides an important challenge to the abstraction, instrumentalism and (...) universalism of modernity. However, if we simply mark trauma and refuse to incorporate it into any kind of narrative, we cannot profit from the ways in which suffering can illuminate the structures and ways of thinking that create it. Drawing on Adorno's negative dialectics, the paper argues that a dialectical understanding of the relationship between universalising order and disrupting particularity can lead from individual suffering towards a political re-engagement with the universal. (shrink)

That something is profoundly wrong with the way in which enlightenment has unfolded has widely been taken to be the main thrust of Dialectic of Enlightenment. In this paper, I propose to defend that to understand the book and shed light on some of its most puzzling features, one should rather take Horkheimer and Adorno's critical claim at face value: through their criticism they contend to have prepared a positive concept of enlightenment. How this can be so is the question (...) I want to answer. I defend that what we need is an account that works out the conceptual grounds on which their critique can operate. The focus of my attempt will consist in understanding what they mean when they assert that rationality is intrinsically social and how they conceive of rationality as being reflective at its core. (shrink)

This thesis develops an Hegelian philosophy of education by presenting the concept as the comprehension of the dialectic of enlightenment. It begins by examining recent critical theory of education which has employed Habermas's idea of communicative action in order to reassess the relationship between education and political critique. It goes on to expose the flaws in this approach by uncovering its uncritical use of critique as the method of enlightenment. Enlightenment as overcoming presupposes enlightenment as absolute education. The philosophical issues (...) raised here are then substantially examined by returning to Habermas in order to trace the presupposition of critique as method in his theorizing. It is argued that Habermas also presupposes critique as absolute enlightenment, or overcoming, in both the emancipatory knowledge-constitutive interest and in The Theory of Communicative Action, and further, that it is this presupposition which returns as the contradiction of the dialectic of enlightenment in his work. Horkheimer and Adorno's Dialectic of Enlightenment is then itself examined along with Adorno's Negative Dialectics. Here it is argued that although this work marks an educational and philosophical development over Habermas, nevertheless its authors also presuppose the identity of enlightenment, this time in the claim that the dialectic of enlightenment, and negative dialectics, are not a determinate negation. The thesis shows how Habermas and Adorno, in their respective views of the dialectic of enlightenment, repeat but do not comprehend the selfdetermination which is the actual in Hegelian philosophy. The final chapter of the thesis employs Hegelian philosophy to re-examine the aporia of education as method. It argues that the dialectic of enlightenment is actual when it is recognized as the self-education of philosophical consciousness, and is the identity and non-identity which is the concept. The implications of Hegelian philosophy of education as the recognition of misrecognition are then explored, first with regard to rethinking the identity of the teacher in civil society and developing the concept as ethical pedagogy; and then to recognizing critique as comprehensive education with regard to the state in civil society. (shrink)

This paper provides a critical interpretation of the theme, point, and methodological status of Adorno’s so-called negative dialectic. The theme at issue, ‘non-identity’, comes in several varieties; and the point of Adorno’s dialectic, namely reconciliation, is multifaceted. Exploration of those topics shows that negative dialectic seques into substantive doctrines, including a version of transcendentalism and a claim about deformation. The peculiar methodological status of negative dialectic explains that adumbration. In the appraisive register, my principal contentions include these: Adorno’s transcendentalism makes (...) some sense of the aforementioned deformation claim; and negative dialectic qua method avoids mystery and metaphysical excess. (shrink)

In Eichmann in Jerusalem , Hannah Arendt struggled to defend the possibility of judgment against the obvious problems encountered in attempts to offer legally valid and morally meaningful judgments of those who had committed crimes in morally bankrupt communities. Following Norrie, this article argues that Arendt’s conclusions in Eichmann are equivocal and incoherent. Exploring her perspectival theory of judgment, the article suggests that Arendt remains trapped within certain Kantian assumptions in her philosophy of history, and as such sees the question (...) of freedom in a binary way. The article argues that Adorno’s philosophy of freedom provides the resources to diagnose and overcome Arendt’s shortcomings. Adorno’s position provides a way of embracing the antinomical character of judgment, by emphasising the need for elements of reason and nature in the phenomenon of freedom. In Adorno’s lights, judgment becomes an attempt to express a ‘spirit of solidarity’ with the tragic status of the potentially free but actually unfree subject of modernity. (shrink)

This paper explores the relationship between the thought of Theodor W. Adorno and Jiddu Krishnamurti. It focuses upon how both thinkers employ a determinately negative epistemology and revise Hegelian dialectics as a manner of ratiocination to resolve socio-political problems. It is argued that Krishnamurti’s negative epistemology is rendered more robust when read along with Adorno’s critical theory, aesthetic theory, and notions of negative dialectics and non-identity thinking. It is hoped that this synthesis of thought raises the possibility for ongoing creative (...) responses to contemporary socio-political challenges over and above either political demonstration or intellectual retreat. (shrink)

Reading Edward Bond’s The War Plays in light of Theodor Adorno and Sigmund Freud, the writers of this article intend to investigate the interconnection between the mechanisms of social control and the psychology of submission. To this end, socio-political institutions in The War Plays, represented by the army and the state, are seen drawing on Adorno’s concept of identity-thinking, by which the cognitive potentials of the characters are systematically suppressed. Also, uninhibited aggression of characters will be discussed in view of (...) the mechanisms of sublimation, and the addendum, by which the complexities of the response characters give to the situation of coercion is elucidated. In The War Plays, socio-political institutions promote violence to produce socially conditioned victims. These aggressive victims, we conclude, would cooperate with power for the preservation of the status quo, yet challenge the system momentarily through expressing their sufferings. (shrink)

This dissertation thematizes the reception of Nietzsche's philosophy in Horkheimer's critical theory from the 1930s and 1940s, investigating how it is appropriated for an analysis of the obstacles to social emancipation situated in subjectivity, with reference to the concept of internalization [Verinnerlichung]. In the 1930s, the fixation of the individuals on authority and the manipulation of the masses are investigated through an analysis of the effects of the renunciation and the internalization of instincts, in the context of an anthropology of (...) the bourgeois society. In the 1940s, Horkheimer and Adorno explicit the entailment of enlightened reason on domination, arising from the domination of oneself and of others that permeated the subjective formation since its pre-history, described with the resource to the idea of internalization of sacrifice. This dissertation intends to disclose the role of Nietzsche's philosophy in Horkheimer's thought, arguing, in the first place, that it goes back to the 1930s and it is not a consequence of Adorno's influence in the process of elaboration of the Dialects of Enlightenment, and, secondly, that the contradictions internal to this philosophy and its contradictions with critical theory are productive for Horkheimers philosophy. (shrink)

It seems obvious that Nietzsche has influenced the Dialectic of Enlightenment (1947). The extent to which Adorno and Horkheimer base their argument on Nietzsche, however, remains controversial. By analyzing an early draft of the first excursion of the Dialectic of Enlightenment from 1943, this article demonstrates that Nietzsche was more important for the development of its main concepts than has been assumed, in particular his analysis of myth and enlightenment. In the earlier version of the Ulysses-chapter Nietzsche, together with Rudolf (...) Borchardt, is a pivotal point of reference. Indeed, it is the Nietzschean reflection on Homer and on the pre-Homerian epic—and Borchardt’s interpretation of these themes—that Adorno views as the first original form of the dialectics of enlightenment. (shrink)

In the context of recent attempts to more adequately engage with Adorno’s approach to sociology and social theory, this article argues that such a project requires a more complete understanding of the philosophical basis of Adorno’s critical material perspective on knowledge and language. In particular, the interpretation of Adorno within sociology has been hampered by a fundamental misunderstanding regarding his methodology of critique and composition, which prioritizes the content of Adorno’s claims regarding sociology and social theory, over their rhetorical and (...) performative character. This character is identifiable in Adorno’s prose, and grasped through a close attention to his account of the negative dialectic. Using Bernstein’s articulation of the ‘complex concept’ as an analytical framework, and Adorno’s introduction to Durkheim as its material, the article argues that the inability to grasp the rhetorical character of Adorno’s critical interpretive approach prevents an understanding of his potential relevance for sociology and social theory. (shrink)

Adorno and Horkheimer’s legacy is incomplete without reference to their infamous political quietism. To thinkers such as Habermas, this was the unfortunate consequence of their alleged evacuation of reason. Attending to the treatment of Nietzsche in Dialectic of Enlightenment illuminates the distinct irony of such charges. Here, in their most popular book, Nietzsche is presented as precisely that which they praised him for warning against elsewhere: an advocate of cruelty animated by a reactionary morality. I contend that this exaggeration is (...) not accidental, but rather illustrative; the authors present a consciously hyperbolized version of Nietzsche in order to articulate how he made possible his own misappropriation, and to distinguish themselves sharply from Nietzsche given their disagreements about the necessity of reason. Ultimately, however, even though Adorno and Horkheimer performatively differentiate themselves from the nihilism they saw in Nietzsche, their alternative would ironically be subject to precisely the same charges of irrationalism and political aporia that they sought so desperately to avoid. (shrink)

Major sociological work related to the culture industry thesis was undertaken by Adorno during his period as a ‘refugee scholar’ in the USA. It has been charged with a ‘sociological deficit’ by leading figures within critical theory, typically without reference to that US context. A dialogue with Márkus’s work on Adorno and the Marxian production paradigm can redress failings in those critiques. However, such a task is complicated by the limitations of Márkus’s own major essay on this topic. This paper (...) thus conducts an immanent critique of Márkus: ‘Márkus against Márkus’. Márkus’s proposals for the application of the Marxian production paradigm to aesthetic culture and his prospective vision for critical theory are so found to be very compatible with Adorno’s related work. (shrink)

An important question in Object-Oriented Ontology (OOO) and its associated literature is how OOO relates to its competitor theories. This article is a meta-philosophical investigation into OOO and its grounding, which hopes to fully theorise this relation, deriving ultimately a “negative dialectic” that emphasises the irreducible differences between OOO and non-OOO. Beginning by analysing the use of OOO as a “starting point”, I consider Althusser’s various contributions to meta-philosophical debates. This leads me to focus on Harman’s notion of “hyperbolic reading”, (...) and on how attempts to hyperbolically ground OOO force it to immanently include its competitors. Finally, I apply these insights to systematise both the negative dialectical relation between OOO and non-OOO and the becoming-OOO of thinking, by applying Laruelle’s Non-Philosophy. (shrink)

This essay revisits Adorno’s relation to Marx through a reading of his recently translated seminar on Marx within the broader context of the two thinkers’ views on the dialectic. While Adorno’s critical comments in the seminar seem to be applicable to some of Marx’s bold assertions about Hegel’s dialectic, taken in isolation, they fail to challenge Marx’s more rigorous analysis of the dialectic, as presented in his introduction to the Grundrisse. Nevertheless, read alongside Adorno’s mature critique of identity, the text (...) of the seminar could be interpreted as pointing to a much more serious criticism of Marx, that is, the criticism of the primacy of economy that animates Marx’s dialectic from within. The essay is concluded with a warning against reducing Adorno’s position on Marx to his criticism of the primacy of economy, followed by a brief reference to the fundamentally transitory character of critical theory. (shrink)

There is a “Pragmatist turn” visible in the field of organization science today, resulting from a renewed interest in the work of Pragmatist philosophers like Dewey, Mead, Peirce, James and others, and in its implications for the study of organizations. Following Wicks and Freeman, in the past decade Pragmatism has also entered the field of business ethics, which, however, has not been uniformly applauded in that field. Some scholars fear that Pragmatism may enhance already existing positivist and managerialist tendencies in (...) current business ethics, while others see more emancipatory potential in Pragmatism, arguing that it complements and supports stakeholder theory. In this paper, a comparison of the philosophical underpinnings of Pragmatist and Critical conceptions of business ethics is offered, concentrating on the Pragmatism of John Dewey and the Critical theory of the Frankfurt School, in particular of Axel Honneth. It is argued that these two developed along two converging lines. Along the first line, Dewey was far more skeptical and critical of capitalism than is often thought. Along the second line, the reactions to Pragmatism of Frankfurt School Critical theorists developed over time from generally hostile, to partially inclusive, to more fully integrative. At the crossroads of these converging lines a Pragmatist Critical perspective is developed and exemplified, and its implications for business ethics are outlined. (shrink)

This introduction outlines the importance that Hans-Georg Backhaus’s transcript of Adorno’s 1962 seminar on ‘Marx and the Basic Concepts of Sociological Theory’ has for shedding light on the relationship between Adorno’s critical theory and the critique of political economy. PartIsignals the importance of the seminar by assaying the Anglophone scholarship on Adorno. PartIIcontextualises the seminar in the development of his thought. PartsIIIandIVfocus on what the transcript tells us about Adorno’s interpretation of Marx and the importance this interpretation held for Adorno’s (...) critical social theory. PartVpoints to the influence this interpretation of the critique of political economy had on the formation of the New German Reading of Marx. (shrink)

Resumen: El objetivo de este artículo es mostrar que la singularidad de la crítica de Adorno al sujeto se basa en la presencia de un motivo naturalista que pone en evidencia los límites del concepto racionalista de subjetividad. Mi trabajo consistirá en precisar este concepto de naturaleza y tratar de rescatar su potencial filosófico. Con esto será posible tanto diferenciar la crítica adorniana de otros ataques como defenderla por su aptitud para hacer pensable un concepto de subjetividad no represivo capaz (...) de desarticular la rigidez del modelo moderno de identidad personal.: The aim of this paper is to show that the singularity of Adorno’s critique of the philosophical subject is based on a naturalistic motif that reveals the limits of a rationalistic concept of subjectivity. I will try to pin down such concept of nature and to highlight its critical and philosophical potential for a Subjektkritik. This will both enable me to distinguish Adorno’s critique from other models of critique, and to defend his approach as a theoretical proposal for a nonrepressive notion of subjectivity with the power to disarticulate the modern model of personal identity. (shrink)

Adorno’s ‘addendum’ names the experience by which socially constrained agents are jolted into resistance against their suffering. The impulse to action is simultaneously intra-mental and somatic, and thus forms the locus of a jointly conscious and bodily impetus to confronting the ideological and material forces that produce contemporary unfreedom. In this way the ‘addendum’ is a historically developing, indeterminate, yet inexhaustible glimmer of hope for both agents and theorists who make social suffering central to their critical analysis. This article explores (...) the structure of the addendum by unpacking its presentation first in Negative Dialectics and then by way of the one-sided and cautionary illustrations of Buridan’s ass and Hamlet in the History and Freedom lectures. While aesthetic, ideal, affect-centered and Freudian interpretations of the addendum have been developed, appreciating the somatic or bodily, the intra-mental or conscious, and the historicized accounts of nature and reason that Adorno weaves together to explain ever-present possibilities of resistance requires instead a non-reductive materialist and dialectical lens. (shrink)

The British social philosopher Gillian Rose (1947–1995) developed, in Dialectic of Nihilism, a way of posing the problem of ideology by showing the dependence of philosophical and social thought on historical legal concepts. She termed it ‘jurisprudential wisdom’ and through it aimed to expose unexamined presuppositions within philosophical consciousness and thereby to perform ideology critique on such consciousness. This article examines Rose’s version of ideology critique, first by setting out its context within post-Kantian thought and Rose’s own intellectual project. It (...) then tackles in detail Rose’s view that Roman law significantly shapes Kant’s form of rationality as a whole. It concludes that her argument is suggestive and highlights important features of Kant’s thought, but that it ultimately fails as an ideology critique. It does not follow that Rose’s form of ideology critique via jurisprudence fails as a whole; on the contrary, it retains plausibility. Rose’s misfire against Kant is a salutary lesson in the dangers of ideology critique and Kant’s survival of Rose’s attack is important for the assessment of his philosophy. (shrink)

This thesis engages in analysis and interpretation of certain ideas within the critical theory of Theodor W. Adorno. These analyses are placed into a constellational relationship with some filmic works of Andrei Tarkovsky and Michael Haneke. In doing so, I aim to highlight the ongoing relevance and validity of at least some core elements of Adornian theory in a contemporary context. The thesis consists of four substantive chapters. The first chapter functions as an extended introduction to and justification for the (...) thesis as a whole, and it provides the theoretical background to the project before explicating the idea of a constellational method. The second chapter explores the notion of mimesis in Adorno’s thought and Tarkovsky’s films as a crucial rejoinder to the prevailing ‘communicative’ paradigm instituted in large part by Jürgen Habermas’ work. The third chapter considers the importance of marginality to the task of social critique by analyzing Adorno’s theoretical reflections on the matter and how these can be related to and supported by Haneke’s filmic work. The fourth and final chapter examines the relationship between humanity and nature within two preeminent ecological discourses, in contrast to Adorno’s critical theory and some of Tarkovsky’s films, with the intention of showing how the latter offer a more nuanced and dialectical understanding of this relation. Throughout the analyses herein, I defend and demonstrate the fertility and pertinence of Adornian theory, for both the interpretation of film and robust criticism of extant social and political conditions. The thesis shows that by constellating Adorno’s critical theory with film one may bring out important insights that enhance and enable people’s capacity to critically respond to the woefully inadequate status quo. (shrink)

The aim of this paper is threefold. In the first place, I should like to show that Adorno’s philosophy is dependent, to a degree perhaps not always directly recognized in the literature, on a deeply contentious view on the relationship between the mind and the body. In order to show this, I explore and bring out the epistemic and ethical stakes for Adorno’s theory of the relationship between mind and body. Secondly, I move to better articulate precisely what Adorno’s view (...) on the nature of this relationship is. I hold that his position revolves around positing a porous boundary between the domains of the somatic and the cognitive. In closing, I show that Adorno’s account relies on this domain boundary being unidirectionally porous, in that determination of somatic impulses by cognitive content does not seem a live option for Adorno. I go on to note that this smuggles in a dubious position which does a lot of unearned work. The stakes which his implicit account of the body and mind relationship serv.. (shrink)

I take it that A. W. Moore is right when he said that ‘Wittgenstein was right: some things cannot be put into words. Moreover, some things that cannot be put into words are of the utmost philosophical importance’. There is, however, a constant threat of self-stultification whenever an attempt is made to put the ineffable into words. As Pamela Sue Anderson notes in Re-visioning gender in philosophy of religion: reason, love, and epistemic locatedness, certain recent approaches to ineffability—including Moore’s approach—attempt (...) to find a ‘third way’ of engaging with it, which displaces the traditional dichotomy between the effable and the ineffable, that is, between what can be said and what cannot be said. In this way, they seek to overcome the threat of self-stultification mentioned above. Still, one important challenge to this kind of approach, which Moore addresses, is, as he puts it, ‘to show how it is possible’ to talk about the ineffable ‘without belying its very ineffability’. His solution to the problem of the ineffable takes the notion of ‘knowing how’ to play a central role, and is formulated in accordance with his commitments to truth and objectivity. A further important challenge to the kind of approach to the ineffable Moore proposes concerns the issue of objectivity. In Re-visioning gender in philosophy of religion, Anderson draws attention to our epistemic locatedness, which brings in questions concerning, for example, gender and culture. Pursuing this view, the challenge is to show ineffable insight without ignoring our epistemic locatedness and, in particular, the role of gender in the conceptualisation and imagery through which we seek to come to terms with the ineffable. My paper deals with these challenges. By engaging with Moore’s and Anderson’s discussions of the ineffable, I examine how it is possible to talk philosophically about the ineffable, without breaking a commitment to enlarged or objective thinking, and without ignoring the epistemic locatedness of thinking. (shrink)

The viscerally Freudian elements of Adorno's use of the concept of mimesis interweave with readings of Kafka in which certain thoughts about childhood play an important role. The first section of this article links biological mimicry with critical theory and art: both mimic what they criticize, while also conserving a repressed and childlike mimetic relationship with otherness and sexual difference. Adorno criticizes both the civilized repression of the mimetic impulse and its subsequently distorted return, a dialectic neglected by direct appeals (...) to mimesis. Good art tries to extricate itself from these distortions. Conversely, the second section of this article explores Adorno's suggestion that fascistic psychology is a refuge for a twisted mimesis of mimesis, which gratifies the worst side of repressed nature while ideologically appealing to the best. Anti-Semitic humour shows how the fascist mimics his own aggressive fantasy of natural law, while secretly envying the closeness to nature he thinks he detects in other races. The final section uses Freud's theories on sympathetic and sadistic comedy to unpack Adorno's readings of Kafka and Mörike. Adorno's critical recuperation of mimetically childlike moments of ridiculousness in art clarifies his differentiation of the varieties of mimesis, as well as countering the gloomy stereotype of the humourless intellectual. But the black side of Adorno's use of laughter dialectically maintains his commitment to painfully remembering the victims of history. (shrink)

A comprehensive examination of Kristeva's work from the seventies to the nineties.

This article explores the implications of Gillian Rose's social and political theory of modernity. For Rose, modernity not only construes `the autonomous moral subject as free within the order of representations and unfree within its preconditions and outcomes' (1996: 57), it is also `the working out of that combination' (ibid.). The implications of this view are explored below, concentrating in particular on the way Rose tackled the aporias and contradictions of modern sociology and social theory. Its conclusion is twofold. First, (...) that Rose retrieves the absolute as fundamental to the meaning of social and political critique, and second that, in the face of demands for radical political action, not least in Marx's 11th thesis on Feuerbach, it is the religious dimension of our political experience that has been consistently overlooked. It is my argument that, in her concept of `the broken middle', Rose does not overcome the gap between theory and practice, but she does comprehend it as a way of life, one characterized by human struggling and failing. This way of life calls us to `mind the gap'. (shrink)

This study is an intervention in postcolonial theorising through a critique of technologies of representation. It examines the effects of technologically-mediated representation in a postcolonial condition that the Philippines has exemplified. New media technologies are mechanisms of representations that embody the logic of spectrality presented in Jacques Derrida’s later work. Spectrality, which brings doubts, ephemerality, and instability to dominant discourses and modes of representation, provides a chance for change.Spectres are effects of technologically-mediated representation that articulate the infinite demand for justice (...) under conditions of enduring inequality. As quasi-transcendental elements of deconstruction, spectres are not reducible to either human or technical intervention; they express the relation of humans to technologies, in which representation is central to the mediation of political authority. This technological representation is the condition of what Derrida calls “iteration,” or the transformation of hegemonic authority through the very repetition of its fundamental terms of identification. The examination of emancipatory new media technologies in a postcolonial condition is inspired by the work of Jacques Derrida, in his deconstructive reading of Marx’s spectres. However, the writings of Habermas and Adorno have offered an implicit appraisal of the ontology of spectres. Habermas’s theory of the public sphere and Adorno’s negative dialectics are discourses that unwittingly solicit spectres. The account of the postcolonial condition in the Philippines works through the questions of universality, subalternity, and the right to theory that are raised by the project of Western critical theory. (shrink)

This paper contributes to the current academic debate on the nature of embodied, intentional consciousness, specifically the attempt to inaugurate a rapprochement between phenomenological existentialism and critical theory. This is accomplished through a critical comparison of the concepts of negative experience and nonidentity in Theodor Adorno's negative dialectics and Jean-Paul Sartre's early phenomenology. By comparing how each engages with Hegel, I suggest that Sartre offers a broad, anthropological account of negative experience and nonidentity helpful to critical theorists but that there (...) remains a critical deficit which Adorno's more restricted—and political—sense of nonidentity remedies. Sartre's anthropological portrayal of ‘persistent negation’ worries Adorno but I suggest that it can be understood as a pragmatic presupposition for problem-solving rather than as a transcendental condition of experience. (shrink)

(No abstract is available for this citation).

Gillian Rose was a philosopher, social theorist, memoirist, and Jewish convert to Christianity who died an untimely death in 1995. She offers a novel account of faith, which grows out of her Hegelian philosophical background inflected by her reading of Kierkegaard and her rediscovered Jewish heritage. For Rose, faith is a mode of social practice. Rose's conception of faith is here reconstructed by translating her obscure jurisprudential idiom into the language of social practices and norms. The conception of secular faith (...) developed by Rose is shown to have implications for contemporary discussions of ethics and politics. The contemporary relevance of Rose's work is made clear through comparison with recent work by Robert Brandom, Robert Adams, and Patrick Deneen. (shrink)