Hylomorphism is the Aristotelian theory according to which substances are composed of matter and form. If a house is a substance, then its matter would be a collection of bricks and timbers and its form something like the structure of those bricks and timbers. It is widely agreed that matter bears a mereological relationship to substance; the bricks and timbers are parts of the house. But with form things are more controversial. Is the structure of the bricks and timbers best (...) conceived as a part of the house, or is it related to the house in some non-mereological fashion? Kathrin Koslicki argues that substances have formal parts, that forms are best conceived as bearing a mereological relation to substances. This paper shows that her argument fails, given the traditional and plausible distinction between substances and accidental unities. I close with a brief suggestion for a non-mereological construal of forms. (shrink)

ABSTRACTThis paper examines the theory of artefacts presented by the 15th-century thinker Paul of Venice, paying special attention to the views of authors often referred to as ‘nominalists’ (e.g. O...

_ Source: _Volume 54, Issue 1, pp 1 - 21 Thomas Aquinas sees a sharp metaphysical distinction between artifacts and substances, but does not offer any explicit account of it. We argue that for Aquinas the contribution that an artisan makes to the generation of an artifact compromises the causal responsibility of the form of that artifact for what the artifact is; hence it compromises the metaphysical unity of the artifact to that of an accidental unity. By contrast, the metaphysical (...) unity of a substance is achieved by a process of generation whereby the substantial form is solely responsible for what each part and the whole of a substance are. This, we submit, is where the metaphysical difference between artifacts and substances lies for Aquinas. Here we offer on behalf of Aquinas a novel account of the causal process of generation of substances, in terms of _descending forms_, and we bring out its explanatory merits by contrasting it to other existing accounts in the literature. (shrink)

The principle of proportionate causality is often cited as a cause for concern that Thomistic metaphysics may be irreconcilable with a theory of biological evolution. St. Thomas does hold that for the generation of what he calls perfect animals, a generator of the same species is required. This study clarifies what the proportionate causes of generated organisms are for Thomas, examining his views about spontaneous generation, reproductive generation, and hybridization, while also articulating the roles of both the heavenly bodies and (...) their separate movers as universal causes of generation. This study establishes that Thomas’s assertion of the need for a univocal generator for perfect animals is grounded not in the principle of proportionate causality, but rather in physical and biological doctrines received from Aristotle and in a causal principle that seems reconcilable with biological evolution, namely, that a remote universal cause requires more mediating causes to produce more powerful effects. (shrink)

Among medieval Aristotelians, William of Ockham defends a minimalist account of artifacts, assigning to statues and houses and beds a unity that is merely spatial or locational rather than metaphysical. Thus, in contrast to his predecessors, Thomas Aquinas and Duns Scotus, he denies that artifacts become such by means of an advening ‘artificial form’ or ‘form of the whole’ or any change that might tempt us to say that we are dealing with a new thing (res). Rather, he understands artifacts (...) as per accidens composites of parts that differ, but not so much that only divine power could unite them, as in the matter and form of a proper substance. For Ockham, artifacts are essentially rearrangements, via human agency, of already existing things, like the clay shaped by a sculptor into a statue or the stick and bristles and string one might fashion into a broom. Ockham does not think that a new thing is thereby created, although his emphasis on the contribution of human artisans seems to leave questions about the ontological status of their agency open. In any case, there are no such things as natural statues, any more than substances created by human artifice. (shrink)

Philosophers today have largely given up on the project of categorizing being. Aristotle’s ten categories now strike us as quaint, and no attempt to improve on that effort meets with much interest. Still, no one supposes that reality is smoothly distributed over space. The world at large comes in chunks, and there remains a widespread intuition, even among philosophers, that some of these chunks have a special sort of unity and persistence. These, we tend to suppose, are most truly agents (...) and subjects, and are what exist in the most proper sense of the term. We believe, in other words, in substances. (shrink)

It is now standard to interpret Aquinas as recognizing two main types of material objects: substances and artifacts, where substances are those material objects that result from some particular substantial form inhering in prime matter, and artifacts are those material objects that result from some particular accidental form inhering in one or more material substances. There are two problems with this standard interpretation. First, there are passages in which Aquinas states that accidental forms should be understood not as inhering in (...) substances from the outside, but as entering into their composition so as to be included among their metaphysical parts. Second, there are passages in which Aquinas states that it is impossible for any accidental form to be shared by two or more substances. This article considers what implications these two observations might have for how we understand the metaphysical structure of artifacts in Aquinas’s ontology. (shrink)

This paper discusses the metaphysical status of artefacts and their forms in the ancient commentators on Aristotle’s Metaphysics. Specifically, it examines the Peripatetic tradition and Alexander of Aphrodisias to then turn to the commentaries of the late Neoplatonist Asclepius of Tralles, and the Byzantine commentator Michael of Ephesus. It argues that Alexander is the pioneer of the interpretation of artefactual forms as qualities and artefacts as accidental beings. The fortune of this solution goes through Asclepius and Michael to influence Thomas (...) Aquinas. (shrink)