We outline a neo-Meinongian framework labeled as Modal Meinongian Metaphysics (MMM) to account for the ontology and semantics of fictional discourse. Several competing accounts of fictional objects are originated by the fact that our talking of them mirrors incoherent intuitions: mainstream theories of fiction privilege some such intuitions, but are forced to account for others via complicated paraphrases of the relevant sentences. An ideal theory should resort to as few paraphrases as possible. In Sect. 1, we make this explicit via (...) two methodological principles, called the Minimal Revision and the Acceptability Constraint. In Sect. 2, we introduce the standard distinction between internal and external fictional discourse. In Sects. 3–5, we discuss the approaches of (traditional) Meinongianism, Fictionalism, and Realism—and their main troubles. In Sect. 6 we propose our MMM approach. This is based upon (1) a modal semantics including impossible worlds (Subsect. 6.1); (2) a qualified Comprehension Principle for objects (Subsect. 6.2); (3) a notion of existence-entailment for properties (Subsect. 6.3). In Sect. 7 we present a formal semantics for MMM based upon a representation operator. And in Sect. 8 we have a look at how MMM solves the problems of the three aforementioned theories. (shrink)

My purpose here is purely historical. It is not an attempt to resolve the question as to whether Russell did or did not countenance nonclassical logics, and if so, which nonclassical logics, and still less to demonstrate whether he himself contributed, in any manner, to the development of nonclassical logic. Rather, I want merely to explore and insofar as possible document, whether, and to what extent, if any, Russell interacted with the various, either the various candidates or their, ideas that (...) Dejnožka and others have proposed as potentially influential in Russell’s intellectual reactions to nonclassical logic or to the philosophical concepts that might contribute to his reactions to nonclassical logics. (shrink)

This is an introduction to a special issue on the history of phenomenal intentionality.

In this paper I want to examine Meinong’s account of what it is to think about a particular object in the context of issues that have preoccupied twentieth-century philosophy of language. The central interpretive task is to determine what Meinong might have said about cases of intending where the object is referred to by means of a proper name. The two theoretical notions at the heart of Meinong’s account of intending, intending by way of being and intending by way of (...) being-so, are a species of singling an object out by means of an associated description. Since Kripke’s landmark discussion, it is widely denied that descriptive accounts furnish an adequate account of intending. I will consider whether Meinong’s account has the resources to provide reassurance on this matter and whether the descriptive nature of his account raises other difficulties. (shrink)