Presenting the first comprehensive, in-depth study of hyperintensionality, this book equips readers with the basic tools needed to appreciate some of current and future debates in the philosophy of language, semantics, and metaphysics. After introducing and explaining the major approaches to hyperintensionality found in the literature, the book tackles its systematic connections to normativity and offers some contributions to the current debates. The book offers undergraduate and graduate students an essential introduction to the topic, while also helping professionals in related (...) fields get up to speed on open research-level problems. (shrink)

This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of (...) the sentences of fiction is that they are unambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn't in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition. (shrink)

According to some, there is a problem concerning the emotions we feel toward fictional entities such as Anna Karenina, Werther and the like. We feel pity, fear, and sadness toward them, but how is that possible? “We are saddened, but how can we be? What are we sad about? How can we feel genuinely and involuntarily sad, and weep, as we do know that no one has suffered or died?” (Radford, in: Proceedings of the Aristotelian Society, 1975). This is the (...) paradox of fiction which is based on the assumption that emotions, to be genuine and rational, should be directed toward existent beings. But if beliefs about existence are necessary for us to be rationally moved by something, and such beliefs are lacking when we are moved by fiction (because we do not believe fictional characters and events to be real), then our capacity for an emotional response to fiction is irrational. Consequently, our emotional attitude toward future generations should be considered as irrational as well. But is this really the case? Are there good arguments to consider future and fictional entities as similar from this point of view? Or would it be better to distinguish the two? Is there such a thing as a paradox of the future? If so, how does it relate to the more famous paradox of fiction? (shrink)

In the recent literature on all things metaontological, discussion of a notorious Meinongian doctrine—the thesis that some objects have no kind of being at all—has been conspicuous by its absence. And this is despite the fact that this thesis is the central element of the noneist metaphysics of Richard Routley (1980) and Graham Priest (2005). In this paper, we therefore examine the metaontological foundations of noneism, with a view to seeing exactly how the noneist's approach to ontological inquiry differs from (...) the orthodox Quinean one. We proceed by arguing that the core anti-Quinean element in noneism has routinely been misidentified: rather than concerning Quine's thesis that to be is to be the value of a variable, the real difference is that the noneist rejects what we identify as Quine's “translate-and-deflate” methodology. In rejecting this aspect of Quinean orthodoxy, the noneist is in good company: many of those who think that questions of fundamentality should be the proper focus of ontological inquiry can be read as rejecting it too. Accordingly, we then examine the differences between the noneist's conception of ontology and that offered by the fundamentalist. We argue that these two anti-Quinean approaches differ in terms of their respective conceptions of the theoretical role associated with the notion of being. And the contrast that emerges between them is, in the end, an explanatory one. (shrink)

The subject of this article is the Principle of Characterization—the most controversial principle of Alexius Meinong’s Theory of Objects. The aim of this text is twofold. First of all, to show that Bertrand Russell’s well-known objection to the Principle of Characterization can be reformulated against contemporary unrestricted interpretations of it. Second, to propose an alternative formulation of this principle. This refers to the methodology of metaphysics and is based on the distinction between pre-theoretical and theoretical languages. The proposed formulation fits (...) well with every type of contemporary interpretation of the Theory of Objects and helps to overcome Russell’s criticism. (shrink)

The subject of this article is the Principle of Characterization—the most controversial principle of Alexius Meinong’s Theory of Objects. The aim of this text is twofold. First of all, to show that Bertrand Russell’s well-known objection to the Principle of Characterization can be reformulated against contemporary unrestricted interpretations of it. Second, to propose an alternative formulation of this principle. This refers to the methodology of metaphysics and is based on the distinction between pre-theoretical and theoretical languages. The proposed formulation fits (...) well with every type of contemporary interpretation of the Theory of Objects and helps to overcome Russell’s criticism. (shrink)

The subject of my article is the principle of characterization – the most controversial principle of Meinong’s Theory of Objects. The aim of this text is twofold. First of all, I would like to show that Russell’s well-known objection to Meinong’s Theory of Objects can be reformulated against a new modal interpretation of Meinongianism that is presented mostly by Graham Priest. Secondly, I would like to propose a strategy which gives uncontroversial restriction to the principle of characterization and which allows (...) to avoid Russell’s argument. The strategy is based on the distinction between object- and metalanguage, and it applies to modal Meinongianism as well as to other so-called Meinongian theories. (shrink)

We want to say both that Sherlock Holmes does not exist, and that he is a fictional character. But how can we say these things without committing ourselves to the existence of Sherlock Holmes? Here I develop and defend a non-commital paraphrase of quantification over fictional characters, modeled on the non-commital paraphrase Kit Fine provides for quantification over possibilia. I also develop and defend the view that names for fictional characters are weakly non-referring, in Nathan Salmon’s sense, and so provide (...) us with a non-commital means to express singular propositions. The resulting position allows us to reap the benefits of Fictional Realism without paying the associated ontological cost. (shrink)

Upholders of fictionalism about scientific models have not yet successfully explained how scientists can learn about the real world by making comparisons between models and the real phenomena they stand for. In this paper I develop an account of model-world comparisons in terms of what I take to be the best antirealist analyses of comparative claims that emerge from the current debate on fiction.

According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges even today’s modal (...) Meinongians. (shrink)

ABSTRACTI propose a different account of fictional objects from the ones already present in the literature. According to my account, fictional objects are culturally created abstract objects dependent for their existence on the pretence attitude adopted by a group of people towards a single fictional content. My work is divided into three parts: in the first one, I present how fictional objects come into existence according to my proposal; in the second part, I illustrate how the existence of fictional objects (...) so conceived may be ontically indeterminate; in the last part, I consider what happens when vague existence and indeterminate identity are claimed within fictional texts. (shrink)

It is usually taken for granted that a necessary condition for knowing that P is the truth of P. It may therefore be claimed that if we assume that we gain some kind of knowledge through fiction (let us call it fictional knowledge) of P*, then P* should be true—in at least a certain sense. My hypothesis is that this assumption grounds the different ways adopted by philosophers for attributing truth-conditions to fictional sentences. My claim in this work is that (...) fictional sentences do not have truth-values and truth-conditions, but I want to maintain that we gain some kind of knowledge through fiction: to this aim, I will characterize the objective content of fictional sentences not in terms of truth-conditions (which are usually described by appealing to rules of the language or rules of interpretation of language independent of the actual users), but in dispositional terms and I will define a necessary condition for fictional knowledge accordingly. (shrink)

The topic of fictional objects is a familiar one, the topic of fictional properties less so. But it deserves its own place in the philosophy of fiction, if only because fictional properties have such a prominent role to play in science fiction and fantasy. What, then, are fictional properties and how does their apparent unreality relate to the unreality of fictional objects? The present paper explores these questions in the light of familiar debates about the nature of fictional objects.

Role realism is a promising realist theory of fictional names. Different versions of this theory have been suggested by Gregory Currie, Peter Lamarque, Stein Haugom Olsen, and Nicholas Wolterstorff. The general idea behind the approach is that fictional characters are to be analysed in terms of roles, which in turn can be understood as sets of properties. I will discuss several advantages and disadvantages of this approach. I will then propose a novel hyperintensional version of role realism, according to which (...) fictional names are analysed in terms of individual concepts that cannot be matched by a reference. I will argue that this account avoids the main disadvantages of standard role realism. (shrink)

Modal Meinongianism is a form of Meinongianism whose main supporters are Graham Priest and Francesco Berto. The main idea of modal Meinongianism is to restrict the logical deviance of Meinongian non-existent objects to impossible worlds and thus prevent it from “contaminating” the actual world: the round square is round and not round, but not in the actual world, only in an impossible world. In the actual world, supposedly, no contradiction is true. I will show that Priest’s semantics, as originally formulated (...) in Towards Non-being, tell us something different. According to certain models, there are true contradictions in the actual world. Berto and Priest have noticed this unexpected consequence and have suggested a solution, but I will show that their solution is highly questionable. In the last section of this paper, I will introduce a new and simpler version of modal Meinongianism that avoids the problem. (shrink)

Within a literary ontology, YHWH in the Hebrew Bible is technically also a fictional entity or object. In Hebrew Bible scholarship, a variety of philosophical issues surrounding fiction have received sustained and in-depth attention. However, the mainstream research on these matters tends to focus on the philosophical foundations of or backgrounds to a particular literary theory, rather than on metaphysical puzzles as encountered in the philosophy of fiction proper. To fill this gap, the present article seeks to provide a meta-theoretical (...) overview of the main contemporary philosophical perspectives on the metaphysics of fictional objects. Three views are discussed, namely possibilism, Meinongianism and creationism. Each view's theory is introduced and critically appropriated with reference to what is implied to be an answer to the question of what exactly the biblical character YHWH can meaningfully be said to be in the context of the metaphysics of fictional objects. In this way, the present study also goes beyond the traditional concern with the nature of God in Old Testament theology. (shrink)

Fictionalism about a kind of disputed object is often motivated by the fact that the view interprets discourse about those objects literally without an ontological commitment to them. This paper argues that this motivation is inadequate because some viable alternatives to fictionalism have similar attractions. Meinongianism—the view that there are true statements about non-existent objects—is one such view. Meinongianism bears significant similarity to fictionalism, so intuitive doubts about its viability are difficult to sustain for fictionalists. Moreover, Meinongianism avoids some of (...) fictionalism’s weaknesses, thus it is even preferable to fictionalism in some respects. (shrink)

In this article I defend a form of classical possibilism with an actualist foundation. As a matter of fact, I believe that this position is more in keeping with the classical metaphysical tradition. According to this form of possibilism, I construe possible objects as possible non-existing objects of an existing producing power. Consequently, they are nothing vis-à -vis the modality of their own actual being, although they do exist with regard to the modality of the producing power’s being. The actualist (...) requirement prescribed by the Frege-Quinean criterion of the quantification domain is thus fulfilled; indeed, really possible objects are not actual objects, but their possibility is actual. (shrink)

In her book Fiction and Metaphysics (1999) Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson’s realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson’s approach relies heavily on the notion of ontological dependence, (...) but its precise semantics has not yet been developed. Moreover, the modal approach to the notion of ontological dependence underlying the Artifactual Theory has recently been contested by several scholars. The main aims of this paper are (i) to develop a semantic approach to the notion of ontological dependence in the context of the Artifactual Theory of fiction, and in so doing bridge a number of philosophical and logical gaps; (ii) to generalize Thomasson’s categorial theory of ontological dependence by reconstructing ontological categories of entities purely in terms of different structures of ontological dependence, rather than in terms of the basic kinds of entities the categorical entities depend on. (shrink)

The aim of this paper is to propose an exploratory artefactual theory of fictional objects based on Evnine’s amorphism, with the goal of reconciling the inconsistent intuitions surrounding these entities. While not presenting a fully developed and comprehensive theory, I aim to explore the possibilities of amorphism and to offer a preliminary investigation into the nature of fictional objects and the challenges posed by our basic intuitions regarding their non-existence, creation, and property attribution. I formulate a two-level criterion of identity-based (...) on creative acts and utilize the notion of internal predication to account for how fictional objects possess the properties attributed to them in relevant stories. Additionally, I propose considering a subset of essential properties to fix the identity of ficta across stories. Lastly, I address the challenge of negative existential statements by equating non-existence with unreality, asserting that fictional objects are constituted by the properties attributed to them but do not fully exemplify them. (shrink)

In this paper, I argue that David Lewis’s possible world semantics for counterfactual discourse and for fictional discourse are apparently inconsistent and in need of revision. The problem emerges for Lewis’s account once one considers how to evaluate ambifictional counterfactuals. Since this is likely not a concept familiar to most, and since it does not appear that the problem has been previously recognized in the critical literature, I will begin by rehearsing Lewis’s possible worlds semantics for counterfactuals and fiction. Then (...) I will explicate the distinction between intrafictional, extrafictional, interfictional, and ambifictional propositions. Next, I will state what an ambifictional counterfactual proposition is, and explain why this kind of discourse confounds Lewis’s system. I will conclude, finally, with a brief discussion of how the Lewisian would be best advised to resolve the paradox. (shrink)

This book is both an introduction to and a research work on Meinongianism. “Meinongianism” is taken here, in accordance with the common philosophical jargon, as a general label for a set of theories of existence – probably the most basic notion of ontology. As an introduction, the book provides the first comprehensive survey and guide to Meinongianism and non-standard theories of existence in all their main forms. As a research work, the book exposes and develops the most up-to-date Meinongian theory (...) (called modal Meinongianism), applies it to specific fields, and discusses its open problems. Part I of the book provides a historical introduction to, and critical discussion of, the dominant philosophical view of existence: the “Kantian-Fregean-Quinean” perspective. Part II is the full-fledged introduction to the Meinongian theories of existence as a real property of individuals: after starting with the so-called naïve Meinongian conception and its problems, it provides a self-contained presentation of the main neo-Meinongian proposals, and a detailed discussion of their strengths and weaknesses. Part III develops a specific neo-Meinongian theory of existence employing a model-theoretic semantic framework. It discusses its application to the ontology and semantics of fictional objects, and its open problems. The methodology of the book follows the most recent trends in analytic ontology. In particular, the meta-ontological point of view is largely privileged. (shrink)

[Draft substantially revised, September 2021] David Lewis acclimated us to talk of “nonactual concreta that exist,” regarding talking donkeys and the like. I shall argue that this was not for the best, and try to normalize a way of describing them as “actual concreta that do not exist.” The basis of this is a defense of the Meinongian thesis “there are objects of which it is true that there are no such objects,” re: fictitious and illusory objects. I first formulate (...) the problem of negative existentials in a novel way, and discuss why this new version is more forceful against anti-Meinongians. Additional data is also pressed against anti-Meinongians--e.g., the truth of ‘Pegasus is imaginary’, and a reading of ‘There actually are illusory objects’ where it comes out true. The Meinongian, in contrast, easily and uniformly explains the same data, by allowing the existence Pegasus, pink elephants, and the like. But contra Meinong, these cases suggest that the nonexistent objects are mind-dependent objects, and I clarify and defend this suggestion from several objections. The resulting Meinongianism is thus “conservative” in that it merely acknowledges the sense in which there are mind-dependent objects, imaginary and illusory objects being prime examples. Of special note, the “ideology” is conservative as well in that the typical Meinongian jargon of “nuclear” or “encoded” properties is paraphrased away. New suggestions about the ontology of abstracta, mere possibilia, and impossibilia are sketched in light of this. Comparisons are also made with Thomasson, Crane, and McGinn, among others. (shrink)

Theoretical models are widely held as sources of knowledge of reality. Imagination is vital to their development and to the generation of plausible hypotheses about reality. But how can imagination, which is typically held to be completely free, effectively instruct us about reality? In this paper I argue that the key to answering this question is in constrained uses of imagination. More specifically, I identify make-believe as the right notion of imagination at work in modelling. I propose the first overarching (...) taxonomy of types of constraints on scientific imagination that enables knowledge of reality. And I identify two main kinds of knowledge enabled by models, knowledge of the imaginary scenario specified by models and knowledge of reality. (shrink)

This brief note corrects an error in one of the reduction steps in my paper 'Normalisation for Bilateral Classical Logic with some Philosophical Remarks' published in the Journal of Applied Logics 8/2 (2021): 531-556.

The relationship between “character” and an “actor” appears to be quite straightforward: an actor acts as/plays character [x]. But let us be more specific and reword this formulation: actor [y] acts as/plays Hamlet. Or – for the time of the play – actor [y] is Hamlet. And it is this last statement that is paradoxically utterly true and utterly false. It is in the name of a theatrical character that the tension between actor and character arises. Asking, for example, who (...) is Hamlet? yields an answer where both actor and character have legitimate exclusive rights to being “Hamlet.” In short, to whom/what does the name of a theatrical character refer? By first arguing that theatre works as a reverse-“beetle” language-game, whereby I posit that theatre allows for private rule-making, I am able to turn to the idea of reference. It is by examining the name of theatrical characters and what these names refer to that I suggest that – following Hegel – theatrical names refer dialectically. Understanding theatrical characters as such, interpretation hinges not only on the output of theatre (i.e., the meaning), but also the input (i.e., the truth value). (shrink)

In this entry I present one of the most hotly debated issues in contemporary analytic philosophy regarding the nature of fictional entities and the motivations that might be adduced for and against positing them into our ontology. The entry is divided in two parts. In the first part I offer an overview of the main accounts of the metaphysics of fictional entities according to three standard realist views, fictional Meinongianism, fictional possibilism and fictional creationism. In the second part I describe (...) two main kinds of arguments for or against positing fictional entities into our ontology. The first kind is traditionally inspired by the linguistic data coming from our talk about fictional characters. The second kind is more recent and it builds on genuine ontological considerations. (shrink)

Fictional realism allows direct reference theorists to provide a straightfor- ward analysis of the semantics of fictional discourse by admitting into their ontology a set of objects (ficta) that serve as the referents of fictional names. Ficta may be modeled using an axiomatic object theory, but actualist interpretations of the formalism have been the subject of recent objections. In this paper, I provide an interpretation of object theory’s formalism that is consistent with actualism and avoids these objections. Drawing on insights (...) from an actualist semantics for quantified modal logic, a central point in my proposal is to interpret ficta as contingently nonconcrete objects. (shrink)

Modal Meinongianism is the most recent neo-Meinongian theory. Its main innovation consists in a Comprehension Principle which, unlike other neo-Meinongian approaches, seemingly avoids limitations on the properties that can characterize objects. However, in a recent paper A. Sauchelli has raised an objection against modal Meinongianism, to the effect that properties and relations involving reference to worlds at which they are instantiated, and specifically to the actual world or parts thereof, force a limitation of its Comprehension Principle. The theory, thus, is (...) no better off than other neo-Meinongian views in this respect. This article shows that the notion part of actuality in Sauchelli’s paper is ambiguous from the modal Meinongian viewpoint. Accordingly, his objection splits into two, depending on its disambiguation. It is then explained how neither interpretation forces modal Meinongianism to limit its Comprehension Principle. A third problem connected to Sauchelli’s objection is addressed: how to account for our felicitously referring to nonexistent objects via descriptions that embed reference to properties not actually instantiated by the objects. Overall, the replies to these difficulties provide good insights into the workings of the new Meinongian theory. (shrink)

The purpose of this paper is to examine how any domain of Meinongian objects can be structured by a special kind of mereology. The basic definition of this mereology is the following: an object is part of another iff every characteristic property of the former is also a characteristic property of the latter. I will show that this kind of mereology ends up being very powerful for dealing with Meinongian objects. Mereological sums and products are not restricted in any way (...) in a domain of Meinongian objects: there is a sum and a product for any pair of Meinongian objects. With the mereological operations of sum, product and complement, and two special Meinongian objects, we can define a full boolean algebra on Meinongian objects. Moreover, this kind of mereology is atomic and extensional: an atom is a Meinongian object having just one characteristic property and two objects are identical iff the same atoms are parts of both of them. A Meinongian object can finally be defined in mereological terms as the sum of the atoms of its characteristic properties. (shrink)