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  1. Epistemically exploitative bullshit: A Sartrean account.Thomas Szanto - 2023 - European Journal of Philosophy 31 (3):711-730.
    This paper presents a novel conceptualization of a type of untruthful speech that is of eminent political relevance but has hitherto been unrecognized: epistemically exploitative bullshit (EEB). Speakers engaging in EEB are bullshitting: they deceive their addressee regarding their unconcern for the very difference between truth and falsity. At the same time, they exploit their discursive victims: they oblige their counterparts to perform unacknowledged and emotionally draining epistemic work to educate the speakers about the addressees' oppression, only to discredit their (...)
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  • Emotions in Early Sartre: The Primacy of Frustration.Andreas Elpidorou - 2017 - Midwest Studies in Philosophy 41 (1):241-259.
    Sartre’s account of the emotions presupposes a conception of human nature that is never fully articulated. The paper aims to render such conception explicit and to argue that frustration occupies a foundational place in Sartre’s picture of affective existence.
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  • Horror, Fear, and the Sartrean Account of Emotions.Andreas Elpidorou - 2016 - Southern Journal of Philosophy 54 (2):209-225.
    Phenomenological approaches to affectivity have long recognized the vital role that emotions occupy in our lives. In this paper, I engage with Jean-Paul Sartre's well-known and highly influential theory of the emotions as it is advanced in his Sketch for a Theory of the Emotions. I examine whether Sartre's account offers two inconsistent explications of the nature of emotions. I argue that despite appearances there is a reading of Sartre's theory that is free of inconsistencies. Ultimately, I highlight a novel (...)
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  • Bad Faith and the Other.Jonathan Webber - 2010 - In Reading Sartre: On Phenomenology and Existentialism. New York: Routledge. pp. 180-194.
    One of the characteristic features of Sartre’s philosophical writing, especially in Being and Nothingness, is his use of extended narrative vignettes that immediately resound with the reader’s own experience yet are intended to illustrate, perhaps also to support, complex and controversial claims about the structures of conscious experience and the shape of the human condition. Among the best known are his description of Parisian café waiters, who somehow contrive to caricature themselves, and his analysis of feeling shame upon being caught (...)
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