Architecture has become an important discourse for new expressions of post-national identity in general and in particular for the emergence of a `spatial' European identity. No longer tied to the state to the same degree as in the period of nation-building, architecture has become a significant cultural expression of post-national identities within and beyond the nation-state. The article looks at four such discourses, first, taking the Millennium Dome in London and the Reichstag in Berlin, we show that architecture can express (...) in a reflexive way contested and ambiguous national identities; second, the case of architecture in post-communist European societies illustrates the dual identity of architecture as a project of building and of re-building; third, the EU's search for a cultural form is discussed with respect to the architectural designs on the Euro banknotes; and finally the question of architecture as a relation to a lived space is considered with regard to cityscapes as yet another expression of a tendentially spatialized European identity. (shrink)

Imperialist and collaborationist conceptions of Europeanisms have generally been excluded from mainstream historiography with reference to their alleged un-Europeanness. However, by discussing the ideas and writings of two French Europeanists—Louis Le Fur’s and René Viard’s—in the years 1940–41, I argue that it is precisely their Vichyite and imperialist conceptions of Europeanness that underpin their political ideas of a united Europe. Their works therefore call into question a prevailing historiographical narrative of Europeanism as a benign counterpoint to a dark European past. (...) Since, as demonstrated in this article, French Europeanist visions have often been bound up with both collaborationist and imperialist interests, I argue for the need to develop a more inclusive and critical historiographical perspective on the history of Europeanism. (shrink)