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  1. What We Hear is Meaning Too: Deconstruction, Dialogue, and Music.Patrick Schmidt - 2012 - Philosophy of Music Education Review 20 (1):3.
    The concept of dialogue as deconstruction introduced in this article is prompted by two concerns: first, the multiplicity of representation in contemporary society, and second, the need to address rather than resolve the other as a central premise for learning. Dialogue as deconstruction is seen as an impactful element in destabilizing sequential forms of teaching ingrained in the contemporary logic of standardization. An analysis of various traditions of dialogic thought and practice is developed, arguing that conflict and provisionality are either (...)
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  • Justifying educational acquaintance with the moral horrors of history on psycho-social grounds: 'Facing History and Ourselves' in critical perspective.Bruce Maxwell - 2008 - Ethics and Education 3 (1):75-85.
    This paper challenges a pervasive curricular justification for educationally acquainting young people with stories of genocide and other moral horrors from history. According to this justification, doing so favours the development of psycho-social soft skills connected with interpersonal awareness and the establishment and maintenance of positive relationships. It is argued that this justification not only renders the specific historical content incidental to the development of these skills. The educational intention of promoting such psycho-social soft skills by way of studying moral (...)
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