Philosophy and Memory Traces defends two theories of autobiographical memory. One is a bewildering historical view of memories as dynamic patterns in fleeting animal spirits, nervous fluids which rummaged through the pores of brain and body. The other is new connectionism, in which memories are 'stored' only superpositionally, and reconstructed rather than reproduced. Both models, argues John Sutton, depart from static archival metaphors by employing distributed representation, which brings interference and confusion between memory traces. Both raise urgent issues about control (...) of the personal past, and about relations between self and body. Sutton demonstrates the role of bizarre body fluids in moral physiology, as philosophers from Descartes and Locke to Coleridge struggled to control their own innards and impose cognitive discipline on 'the phantasmal chaos of association'. Going on to defend connectionism against Fodor and critics of passive mental representations, he shows how problems of the self are implicated in cognitive science. (shrink)

Perceptual experience has the phenomenal character of encountering a mind-independent objective world. What we encounter in perceptual experience is not presented to us as a state of our own mind. Rather, we seem to encounter facts, objects, and properties that are independent from our mind. In short, perceptual experience has phenomenal objectivity. This paper proposes and defends a Kantian account of phenomenal objectivity that grounds it in experiences of lawlike regularities. The paper offers a novel account of the connection between (...) phenomenology and intentionality. It also sheds some light on one of the central themes in Kant’s Critique of Pure Reason. (shrink)

Some recently popular accounts of perception account for the phenomenal character of perceptual experience in terms of the qualities of objects. My concern in this paper is with naturalistic versions of such a phenomenal externalist view. Focusing on visual spatial perception, I argue that naturalistic phenomenal externalism conflicts with a number of scientific facts about the geometrical characteristics of visual spatial experience.

This paper serves to introduce the papers from the symposium by the same title, by describing the sort of work done in philosophy of psychology conceived as a branch of the philosophy of science, distinguishing it from other discussions of psychology in philosophy, and criticizing the claims to set limits on scientific psychology in the largely psychologically uninformed literatures concerning "folk psychology' and "wide" and "narrow" content. Philosophy of psychology as philosophy of science takes seriously and analyzes the explanatory structures, (...) conceptual problems, and evidentiary practices of extant scientific psychology. (shrink)

Drawing on the findings of neuroscience, this text proposes and defends the hypothesis that the various modalities of sensation share a generic form that the author, Austen Clark, calls feature-placing.

Recently it has been argued that a model of directed perception provides an alternative to both indirect and direct accounts of the nature of vision. An examination of this proposal serves as a basis for challenging the meaningfulness and empirical import of the theoretical and ontological differences said to separate these models. Although focusing on James Cutting's work, the analysis is meant to speak more generally to the supposed significance of the distinctions among indirect, direct, and directed theories of perception.

Visual space can be distinguished from physical space. The first is found in visual experience, while the second is defined independently of perception. Theorists have wondered about the relation between the two. Some investigators have concluded that visual space is non-Euclidean, and that it does not have a single metric structure. Here it is argued that visual space exhibits contraction in all three dimensions with increasing distance from the observer, that experienced features of this contraction are not the same as (...) would be the experience of a perspective projection onto a fronto-parallel plane, and that such contraction is consistent with size constancy. These properties of visual space are different from those that would be predicted if spatial perception resulted from the successful solution of the inverse problem. They are consistent with the notion that optical constraints have been internalized. More generally, they are also consistent with the notion that visual spatial structures bear a resemblance relation to physical spatial structures. This notion supports a type of representational relation that is distinct from mere causal correspondence. The reticence of some philosophers and psychologists to discuss the structure of phenomenal space is diagnosed in terms of the simple materialism and the functionalism of the 1970s and 1980s. (shrink)

Se comparan las teorías de Marr y Berkeley sobre la visión a partir de las cualidades de Descartes. La descripción de tres niveles de Marr, donde la conciencia está ausente, contrasta con el nivel único de Berkeley construido sobre la conciencia y la experiencia carece de importancia en los momentos esquemáticos y cobra protagonismo en el último paso del proceso de la visión de Marr mediante la noción de marcación. Bajo la premisa de que las descripciones puramente sincrónicas han de (...) ser forzosamente incompletas, se reformula el problema de Molyneux y se reivindica el papel explicativo de la conciencia. (shrink)

How does the mind attribute external causes to internal sensory experiences? Adam Smith addresses this question in his little known essay ‘Of the External Senses.’ I closely examine Smith's various formulations of this problem and then argue for an interpretation of his solution: that inborn perceptual mechanisms automatically generate external attributions of internal experiences. I conclude by speculating that these mechanisms are best understood to operate by simulating tactile environments.