- II—Rhythm and Stasis: A Major and Almost Entirely Neglected Philosophical Problem.Andy Hamilton - 2011 - Proceedings of the Aristotelian Society 111 (1pt1):25-42.details
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Gaining Perspectives on Our Lives: Moods and Aesthetic Experience.Susanne Schmetkamp - 2017 - Philosophia 45 (4):1681-1695.details
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Is There an Aesthetics of Political Song?Vítor Guerreiro - 2021 - Disputatio 13 (62):299-328.details
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Movement in Music. An Enactive Account of the Dynamic Qualities of Music.Francesca Forlè - 2016 - Humana Mente (16):169-185.details
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Branding the Role and Value of Intercollegiate Athletics.Randolph Feezell - 2015 - Journal of the Philosophy of Sport 42 (2):185-207.details
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Auditory Perception.Casey O'Callaghan - 2014 - Stanford Encyclopedia of Philosophy 2009.details
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Introduction: The Philosophy of Sounds and Auditory Perception.Casey O'Callaghan - 2009 - In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford, GB: Oxford University Press UK.details
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Is it really possible to test all educationally significant achievements with high levels of reliability?Andrew Davis - 2015 - Ethics and Education 10 (3):372-379.details
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How far can we aspire to consistency when assessing learning?Andrew Davis - 2013 - Ethics and Education 8 (3):217-228.details
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Consistency, understanding and truth in educational research.Andrew Davis - 2006 - Journal of Philosophy of Education 40 (4):487–500.details
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Books Articles Review s Papers presented.Paul Crowther - unknowndetails
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Hanslick's Formalism as the Beginning of Contemporary Aesthetics of Music.Sanja Sreckovic - 2021 - Kritika 2 (2):299-314.details
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Music, Nature and Ineffability.David E. Cooper - 2016 - Philosophia 44 (4):1257-1266.details
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Plato: His Precursors, His Educational Philosophy, and His Legacy.Yaroslav Senyshyn - 2008 - Paideusis: Journal of the Canadian Philosophy of Education Society 17 (2):91-98.details
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Aesthetics and the Problem of Evil.Charles Nussbaum - 2003 - Metaphilosophy 34 (3):250-283.details
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Communication and the musical pyramid: On the nature and function of musical communities.Mark J. Butler - 2001 - Semiotica 2001 (133).details
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Wittgenstein e Hanslick. Per una valutazione del formalismo musicale.Alessandra Brusadin - unknowndetails
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II—Moral Dependence and Natural Properties.Nick Zangwill - 2017 - Aristotelian Society Supplementary Volume 91 (1):221-243.details
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Art as Microcosm: The Real Meaning of the Objectivist Concept of Art.Roger E. Bissell - 2004 - Journal of Ayn Rand Studies 5 (2):307-363.details
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Why Care about Emotions in Music.Gilead Bar-Elli - 2018 - Philosophia 46 (3):633-646.details
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Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.details
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Some remarks on “hearing-as” and its role in the aesthetics of music.Alessandro Arbo - 2009 - Topoi 28 (2):97-107.details
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On Music’s Subtle Expressiveness.Myriam Albor - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):37-65.details
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Crossmodal Aesthetics: How Music and Dance Can Match.Solveig Aasen - 2021 - Philosophical Quarterly 71 (2):223-240.details
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Managing Authenticity: Mission Impossible?Nick Wilson - 2014 - Journal of Critical Realism 13 (3):286-303.details
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Adorno’s Philosophy of New Music: A Thing of the Past?Kalle Puolakka - 2018 - Journal of Aesthetics and Phenomenology 5 (1):67-78.details
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The re-enchantment of the world: McDowell, Scruton and Heidegger.George Reynolds - unknowndetails
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Roger Scruton on “Why Beauty is not a Luxury but a Necessity for a Life Worth Living” Soeterbeeck Instituut, June 12, 2009.Rob van Gerwen - unknowndetails
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The Overlooked Tradition of “Personal Music” and Its Place in the Evolution of Music.Aleksey Nikolsky, Eduard Alekseyev, Ivan Alekseev & Varvara Dyakonova - 2020 - Frontiers in Psychology 10:469843.details
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Prelude to a Theory of Musical Representation.Brandon Polite - 2017 - Revista Música 17 (1):89-108.details
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Audition.Casey O'Callaghan - 2009 - In Sarah Robins, John Symons & Paco Calvo (eds.), The Routledge Companion to Philosophy of Psychology. New York, NY: Routledge.details
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The American Society for Aesthetics.[author unknown] - 1942 - New Scholasticism 16 (3):296-296.details
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Audible Independence and Binding.Casey O'Callaghan - 2013 - In Richard Brown (ed.), Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Dordrecht: Springer Studies in Brain and Mind.details
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What is distinctive about the senses?Louise Fiona Richardson - unknowndetails
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Dignity and the Process of Social Innovation: Lessons from Social Entrepreneurship and Transformative Services for Humanistic Management.Michael Pirson, Mario Vázquez-Maguirre, Canan Corus, Erica Steckler & Andrew Wicks - 2019 - Humanistic Management Journal 4 (2):125-153.details
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XIII—Hearing Properties, Effects or Parts?Casey O'callaghan - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):375-405.details
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Skipping the tracks. The experience of musical improvisation online.Roberto Zanetti - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):71-86.details
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