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  1. Post-Continental Philosophy. Nosological Notes.Kevin Mulligan - 1993 - Stanford French Review 17 (2):133-150.
    Born 80 years ago, Continental Philosophy is on its last legs. Its extraordinary career has been helped along by an almost total absence of interest on the part of analytic or other exact philosophers in what the Australian philosopher David Stove calls "the nosology of philosophy" 1, the exploration of the manifold forms taken by bad philosophy. Stove points out that such an enterprise involves doing history. A nosology of Continental Philosophy is, at least in the first instance, inseparable from (...)
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  • Introduction: On the history of continental philosophy.Kevin Mulligan - 1991 - Topoi 10 (2):115-120.
    "Continental philosophy" is now a well-established term in the English-speaking world: it has a point and is taken to refer to a fairly well-defined entity. It is, for example, regularly used in job descriptions. But any explanation that goes beyond something like the following, "Continental philosophy is the sort of philosophy produced by or in the wake of philosophers such as Heidegger and Adorno, Habermas and Apel, Sartre and Lévinas, Foucault, Lacan, Althusser and Derrida" is likely to be controversial. The (...)
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  • Jacques Derrida.Leonard Lawlor - 2008 - Stanford Encyclopedia of Philosophy.
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  • Why bother? Defending Derrida and the significance of writing.Robyn Ferrell - 1993 - Australasian Journal of Philosophy 71 (2):121 – 131.
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  • Poetic Perlocutions: Poetry after Cavell after Austin.Philip Mills - 2022 - Philosophical Investigations 45 (3):357-372.
    Although perlocution has received more interest lately, it remains the great unthought of Austin’s theory. The privilege he gives to illocution over perlocution, rather than being a necessity of his linguistic theory, is a contestable philosophical claim that leads him, I argue, to exclude from his consideration poetic and other ‘parasitical’ uses of language. Cavell’s reconceptualisation of perlocutions as ‘passionate utterances’, however, provides a more fruitful theoretical framework to approach poetic phenomena. Reading Austin through a Cavellian lens offers keys to (...)
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