The purpose of this paper is to describe some parallels and theoretical affinities between biosemiotics and biolinguistics. In particular, this paper examines the importance of Uexküll's Umwelt and Peircean abduction as foundational concepts for Sebeok's biosemiotics and Chomsky's biolinguistic program. Other affinities touched upon in this paper include references to concepts articulated by Immanuel Kant, Konrad Lorenz, Marcel Florkin, François Jacob, C.H. Waddington, D'Arcy Thomson and Ernst Haeckel. While both programs share theoretical influences and historiographical parallels in their mid-century origins (...) continuing throughout the late twentieth century, recent articulations of biosemiotics and biolinguistics privilege different intellectual styles and methods of inquiry that define their future objectives as intellectual movements. The goal of this paper is to show that, in spite of the different scholarly agendas of biosemiotics and biolinguistics, both movements share a theoretical and philosophical core in Peirce and Uexküll. (shrink)

The construct of ‘alexithymia,’ formulated in the late 1960s, described the inability to express one’s feelings as a deficit in the signifying-abilities of men and women. In this study, the profile of the alexithemic serves as a point of reference for a discussion concerning language and consciousness and the cognitive/neuroscientific turn in the past decades. The objectives of this paper are to show that the cognitive/neuroscientific turn profoundly affected the understanding of alexithymia in particular and the relationship between language and (...) consciousness in general. As the dominant cognitive/neuroscientific models of consciousness ignore the social embeddedness and the importance of the signifying abilities of human beings, this paper presents alternative models of consciousness and issues of intersubjectivity by proposing a variation on a model from René Thom’s ‘catastrophe theory’ and Uexküll’s theory of ‘autoambience.’ These models, predicated upon social embeddedness and semiotic ability, explain how certain circumstances, such as are often identified as ‘depression,’ can be catalysts of productive outcome. In particular, the notion of ‘play’ in René Thom’s catastrophe theory underscores the primacy of ‘language play’ as a combinatorial signifying activity with a restorative function that is exemplified in the notion of fiction in the work of David Lodge. (shrink)

Intersemiotic translation (IT) was defined by Roman Jakobson (The Translation Studies Reader, Routledge, London, p. 114, 2000) as “transmutation of signs”—“an interpretation of verbal signs by means of signs of nonverbal sign systems.” Despite its theoretical relevance, and in spite of the frequency in which it is practiced, the phenomenon remains virtually unexplored in terms of conceptual modeling, especially from a semiotic perspective. Our approach is based on two premises: (i) IT is fundamentally a semiotic operation process (semiosis) and (ii) (...) IT is a deeply iconic-dependent process. We exemplify our approach by means of literature to dance IT and we explore some implications for the development of a general model of IT. (shrink)